AVANCA | CINEMA 2020

AVANCA | CINEMA 2020

AVANCA | CINEMA 2020

No. 11 (2020)

Online Journal with 110 communications and printed book with 911 pages with a total of 109 communications (ISSN: 2184-0520) from various authors from different parts of the world, which reflect the International Conference AVANCA | CINEMA 2020 and gather scientific communications around the cinema.

Published October 14, 2020

Editorial

Editorial | Table of Contents 2020
PDF (Portuguese)

Chapter I _ Cinema - Art

Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
19-27
Different imaginaries that are made by the sound of Maurice Ravel and the images of Tom Scott: the case of Suite Ma mère L’Oye.
PDF (Portuguese) HTML (Portuguese)
Irina Parreira, Michele Santos, Maria João Pereira Neto
28-35
An analysis of women's fashion in the 1970’s and 1980’s, based on movie posters
PDF (Portuguese) HTML (Portuguese)
Mário Afonso, Paulo Bernardino Bastos
36-41
Contemporary Archives and Practices
PDF (Portuguese) HTML (Portuguese)
Mariana Beatriz Marques Fernandes
42-49
Big Eyes: Life and Work of Margaret Keane Through Tim Burton’s eyes.
PDF (Portuguese) HTML (Portuguese)
Marcello Zeppi
50-58
Cinema and landscape, Italian heritage and widespread museum
PDF HTML
Manuel Siabato
59-68
Concepts and realities of 360° cinema.
PDF (French) HTML (French)
Isabel Cristina Fontão, Mônica Stein
69-86
Female Characters and Transmedia Universes – A method to create the Case “Medusas” for The Rotfather Franchise.
PDF (Portuguese) HTML (Portuguese)
Sónia Carvalho, Paulo Bernardino Bastos, Rui Alexandre Rosa Grincho Serra
87-98
Transpersonal Body - The Spiritual contribution of Performance to the pictorial construction.
PDF (Portuguese) HTML (Portuguese)
Cláudia Marisa
99-107
Dancing to find the happiness they seek
PDF (Portuguese) HTML (Portuguese)
Noni Geiger
108-113
Discourse, Figure, d’après Lyotard.
PDF HTML
Fernando Augusto Silva Lopes, Tiago Vieira da Silva
114-122
Documentary: colonial Imaginary of Minas Gerais
PDF (Portuguese) HTML (Portuguese)
Erika Rodrigo Benedicto
123-129
The treatment of lesbian love in "Carne apaleada" (Inés Palou, 1975/Javier Aguirre, 1978), film adaptation of the Spanish political transition
PDF (Spanish) HTML (Spanish)
Sandra Regina Nunes Chaves
130-134
Photographed stories
PDF (Portuguese) HTML (Portuguese)
Beáta Fenyvesi
135-139
“Images of the Secret Self”: The Idea of the Non-Human in German Expressionist and Early American Horror Cinema
PDF HTML
Sérgio Eliseu, Maria Manuela Lopes, Gilberto Reis, Marta Noronha
140-145
Kurika - an interactive mixed reality and Virtual Reality art installation
PDF (Portuguese) HTML (Portuguese)
Manuel Rodríguez Vargas
146-155
Painting under the sign of BIOPIC
PDF (Spanish) HTML (Spanish)
Jesus Ramé López, Caterina Cucinotta
156-163
Filmic cities in Lisbon Story and Caro diario: intimate constructions of public spaces.
PDF (Spanish) HTML (Spanish)
Paloma Cristina Lima dos Santos, Jorge Luiz Cunha Cardoso Filho
164-169
Original Leitmotiv for the short film Vivi Lobo e o Quarto Mágico (2019): A composing exercise
PDF (Portuguese) HTML (Portuguese)
Filomena Antunes Sobral, Cláudia Figueiredo Simões
170-176
Metamorphoses - Video art and photography
PDF (Portuguese) HTML (Portuguese)
Maria João Cortesão, Sophia Pitanga
177-183
Representations of black people in Brazil in the film BLUESMAN: Identity development through cinematic ‘grammar’
PDF (Portuguese) HTML (Portuguese)
Paulo Avelino de Souza Costa
184-191
The other muted
PDF (Portuguese) HTML (Portuguese)
Raquel de Araujo Roble
192-198
The meaning of blue color in the film Bleu, by Kieslowski
PDF (Portuguese) HTML (Portuguese)
Elena Galea Pozo
199-206
A Compared Perspective of Mystical Visual Poetics. Tradition through Paradjanov and Val Del Omar
PDF (Spanish) HTML (Spanish)
Cecília Nazaré de Lima
207-213
Why the choice of Beethoven's Fifth Symphony as a symbol of the Allies in World War II?
PDF (Portuguese) HTML (Portuguese)
Pedro Bessa, Mariana Assunção Quintes dos Santos
214-221
Presence and death: the ephemeral nature of the ‘arts of the body’
PDF (Portuguese) HTML (Portuguese)
Hugo Paquete, Adérito Fernandes-Marcos, Paulo Bernardino Bastos
222-230
Obscure Radiation: Sound energy flows at the threshold of the sound experience
PDF (Portuguese) HTML (Portuguese)
Hemilly Nascimento, Mônica Stein
231-247
Female Archetypal Regency: A Character Building Method
PDF (Portuguese) HTML (Portuguese)
Pedro Alves da Veiga
248-255
Speciesism | Ageism | Racism
PDF HTML
Cíntia Mariza do Amaral Moreira , Ana Carolina de Gouvêa Dantas Motta, Mário Elian, Thaís Yamamoto, Antônio Frederico Moreira Lasalvia
256-261
Technique of making adobe in a craft workshop using documentary video: an example in Portugal and another in Brazil
PDF (Portuguese) HTML (Portuguese)
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
262-269
“The Fantastic Flying Books of Mr. Morris Lessmore” of William Joyce and Brandon Oldenburg: when sound is dominant in building a narrative of text and images
PDF (Portuguese) HTML (Portuguese)
Hugo Paquete
270-279
Terminal velocity: Chronoscopic time of the orbital bodies in the sound and musical composition.
PDF (Portuguese) HTML (Portuguese)
Filomena Antunes Sobral, Daniela Morgado Oliveira
280-285
Experimental video and self-portrait
PDF (Portuguese) HTML (Portuguese)
Sumaira Majeed, Noor Ul Ain Lashari
286-293
Woman the Natural Nurturer: An Ecofeminist Study of Niki Caro’s The Whale Rider.
PDF HTML

Chapter II _ Cinema - Cinema

Ivana Denise Grehs
295-301
The image of the memory of slavery as a background in the documentary “A Última Abolição”.
PDF (Portuguese) HTML (Portuguese)
Fabio Belotte
302-307
The materiality of memory in non-fictional animation
PDF (Portuguese) HTML (Portuguese)
Daniela de Castro Pastore, Elis Crokidakis Castro, Ivana Denise Grehs
308-315
The representation of reality through cinematic art in the construction of Bacurau
PDF (Portuguese) HTML (Portuguese)
Lauren Molyneux-Dixon
316-321
Adapting Complex Time: Story of Your Life (1998) and Arrival (2016)
PDF HTML
Filipe Freitas Chaves
322-329
Adrian Cowell and the Brazilian Amazon
PDF (Portuguese) HTML (Portuguese)
Abbas Mohammadi
330-336
Aesthetics of the presence of women in Afghan cinema
PDF HTML
Juan Francisco Celín Robalino
337-344
Comparative analysis of shadow with photography, body, the double and the shadow archetype
PDF (Portuguese) HTML (Portuguese)
Bárbara Caffarel
345-350
Analysis of the creative process in the documentary Looking For Richard: Approach to the bases of the construction of Shakespearean characters from the Stanislavki system and the Strasberg method
PDF (Spanish) HTML (Spanish)
Pâmela Peregrino, Edileuza Penha de Souza
351-358
Candomblé and animation cinema: Resistance strategies and territoriality
PDF (Portuguese) HTML (Portuguese)
Filipe Lopes, Pedro M. Afonso
359-364
Cinema without Visuals
PDF (Portuguese) HTML (Portuguese)
Felipe Muanis, Mariana Schwartz
365-375
Conventions in cinematographic art direction: a look at science fiction
PDF (Portuguese) HTML (Portuguese)
Leonardo da Silva Souza
376-381
Cut! Diaspora and heterogenesis evolving technique, aesthetics and politics in cinema
PDF (Portuguese) HTML (Portuguese)
Miriam de Oliveira Gonçalves
382-387
Discussing gentrification through documentary cinema
PDF (Portuguese) HTML (Portuguese)
Dulce María Núñez Oseguera
388-393
Mexican experimental cinema as a critical enunciation tool based on the artistic collaboration between Juan Rulfo and Rubén Gámez in The Secret Formula (1965)
PDF (Spanish) HTML (Spanish)
Edileuza Penha de Souza, Marcus Vinicius Mesquita
394-403
Encounters, Festivals and Exhibitions – ways to build brazilian black cinema
PDF (Portuguese) HTML (Portuguese)
José Duarte
404-409
Between fiction and reality: carnival according to Edgar Pêra
PDF (Portuguese) HTML (Portuguese)
Gilmar Santana
410-423
Between Oceans and Knowledge - Documentary film at the University
PDF (Portuguese) HTML (Portuguese)
Rafael Nogueira Costa, Robson Loureiro
424-429
Paulo Freire's aesthetics in the film “The King's Friend”, by André D`Elia: notes for thinking a critical cinema
PDF (Portuguese) HTML (Portuguese)
Alfredo Taunay Colins, Morgana Gama de Lima
430-437
Screen’s etnography and semiopragmatic: a dialogue between film’analysis methodologies.
PDF (Portuguese) HTML (Portuguese)
Hugo Nogueira Neto, Sandra Regina Nunes Chaves
438-446
Brazilian Western Cinema: the Bull, the Bullet and the Bible
PDF (Portuguese) HTML (Portuguese)
Fabiana Wielewicki, Guy Amado
447-457
Fiction and friction: images of the Amazon forest in foreign cinema
PDF (Portuguese) HTML (Portuguese)
Regina Glória Andrade, Jose Francisco Serafim, Sandra Straccialano Coelho
458-465
Fragments of female authorship in Brazilian cinema: considerations about Gilda de Abreu's cinema (1904 - 1979)
PDF (Portuguese) HTML (Portuguese)
Eva Vitija, Annette Brütsch, Christian Iseli
466-473
GADGETS, PHONES AND DRONES Multi-Perspective Documentary Storytelling
PDF HTML
Sigmund Trageton
474-482
In the pursuit of the authentic cinema. A comparative study of two films about the 22. July 2011 terrorist attack in Norway
PDF HTML
Laís Bravo Serra
483-496
Intersections between Cinema and Painting in Maria Antonieta by Sofia Coppola
PDF (Portuguese) HTML (Portuguese)
Severiano Casalderrey Conde
497-507
The “French Nouvelle Vague” in the shadow
PDF (Spanish) HTML (Spanish)
Rubén Marín Ramos
508-512
The archival configuration in contemporary nonfiction cinema
PDF (Spanish) HTML (Spanish)
Ángela Sáenz-Herrero, Juan Pedro Rica-Peromingo
513-518
The evolution of the Spanish language through dubbing in Spain
PDF (Spanish) HTML (Spanish)
Pollyanna Rosa Ribeiro, Keyla Andrea Santiago Oliveira
519-525
Naiá e a Lua (2010): indigenous legends under the spotlight of narrative
PDF (Portuguese) HTML (Portuguese)
Sérgio Bordalo e Sá
526-530
The Blue Angel: from the end of the Expressionism to the influence of Paramount. A film by Josef von Sternberg
PDF (Portuguese) HTML (Portuguese)
Edileuza Penha de Souza
531-536
The case of the wrong man – Cinema as an instrument to denounce the genocide of the black population
PDF (Portuguese) HTML (Portuguese)
Pedro Portugal
537-542
The Oxymoron
PDF (Portuguese) HTML (Portuguese)
Catarina Xavier
543-552
On taboo in cinema discourse: tradition, functions and reflections
PDF (Portuguese) HTML (Portuguese)
Pedro Miguel Jorge Réquio
553-561
Westerns - Myth and propaganda
PDF (Portuguese) HTML (Portuguese)
Marcos De Bona de Carvalho
562-568
Charlie Kaufman’s characters and Eduardo Coutinho's ‘non-characters’
PDF (Portuguese) HTML (Portuguese)
André Mendonça, Edileuza Penha de Souza
569-578
Percepções do clássico Alma no Olho e o cinema negro de Zózimo Bulbul
PDF (Portuguese) HTML (Portuguese)
Andréa Almeida de Moura Estevão
579-584
Aesthetic Research and Filmic materiality in musical documentary: music and imagery interweaving Fevereiros (Februaries)
PDF (Portuguese) HTML (Portuguese)
João Pinto, Teresa Cardoso, Ana Isabel Soares
585-593
PNC and Social Networks: challenges and opportunities on the social web
PDF (Portuguese) HTML (Portuguese)
Ana Luiza Cavalcanti Fatorelli Carneiro, Luiz Roberto Pinto Nazario
594-600
Collective screenplay: the idea of neorealistic cinema
PDF (Portuguese) HTML (Portuguese)
Francisco Malta, Fernando Rodrigues, Renan Oliveira, Thiago Malvar, Matheus Moita, Wilson Oliveira
601-605
Narrative transits that immersive 360 cinema allows viewers in, Toy Story 4
PDF (Portuguese) HTML (Portuguese)
Francisco-Julián Martínez-Cano
606-614
Volumetric filmmaking, new mediums and formats for digital audiovisual storytelling
PDF HTML

Chapter III _ Cinema - Communication

Sónia de Almeida Ferreira, Sara Santos, Pedro Manuel do Espírito Santo
616-621
Individuals’ perceptions toward an ad video
PDF (Portuguese) HTML (Portuguese)
Cristiano Costa Pereira; Juliana de Castro Chaves
622-628
The rationality of the most popular cartoon in cinema, educational processes and pseudoformation
PDF (Portuguese) HTML (Portuguese)
Paria Rahimi, Somayyeh Chaychi
629-637
A Visual Rhetorical Analysis of Narges Abyar’s 2013 Film Track 143 (Shiyar 143)
PDF HTML
Álvaro Cairrão
638-644
Analysis of new and traditional cinema consumption - the profile of young Portuguese university students
PDF (Portuguese) HTML (Portuguese)
Priscila de Oliveira, Sandra Regina Nunes Chaves
645-650
Cinema and technologic education
PDF (Portuguese) HTML (Portuguese)
Helena Tude
651-660
Design & cinema: A timeline of graphic design in film
PDF HTML
Imran Aslan, Sedat Şi̇mşe
661-666
Ethical Evaluation of the Use of Women in Advertisements
PDF HTML
Mariana Bento Lopes, José Alberto Rodrigues
667-673
CINEMA: Inclusion and Accessibility for Deaf People
PDF (Portuguese) HTML (Portuguese)
Cheong Kin Man
674-683
The role of subaltern cultural medias among the indigenous peoples in Great China: semantic analysis, implications and translations
PDF (French) HTML (French)
Lúcia Maria Pereira Bravo
684-691
Digital Out of Home media, post-massivity and convergence: DOOH media uses and management in favor of democratization and decolonization of communication in 21st century brazil
PDF (Portuguese) HTML (Portuguese)
José Antonio Martinuzzo , Rosane Vasconcelos Zanotti
692-701
Advertising film and the audiovisualities of diversity and inclusion in organizational communication strategies
PDF (Portuguese) HTML (Portuguese)
Paola Cristhina Stumpf Rodrigues , Rui Raposo
702-711
The potential of storytelling in horror short movies through the use of digital special effects
PDF (Portuguese) HTML (Portuguese)
Filipe Pereira
712-719
The documentary film as a tool for the ethnography of performance
PDF HTML
Fuad Halwani
720-728
The Trickster in Serialized Television: An Anti-hero of Postmodern Mythologies
PDF HTML
Claudio Fontan, Denise Azevedo Duarte Guimarães
729-734
“THIS IS AMERICA”: An aesthetic video and social activist
PDF (Portuguese) HTML (Portuguese)
Cheong Kin Man
735-739
An Identity Reinterpreted: Notes on an old documentary and investigation into Macanese identity
PDF (French) HTML (French)
Taher Abdel-Ghani
740-745
Using Bernard Tschumi's Manhattan Transcripts as a Cinematic Pedagogical Tool in Architecture Schools in Egypt
PDF HTML

Chapter IV _ Cinema - Technology

Steve Whitford
747-757
Ambisonic-centred location sound recording - reinvigorating the Observational Documentary genre?
PDF HTML
Tugay Arat, Sedat Şi̇mşe
758-763
Development of Internet Television Broadcasting and Satisfaction in Internet Broadcasting
PDF HTML
Andreia Machado Oliveira, Matheus Moreno dos Santos Camargo, Luyanda Zindela
764-772
Virtual Monuments: A Collaborative Fulldome format audiovisual project
PDF (Portuguese) HTML (Portuguese)
Wilson Oliveira Filho, Gabriel Linhares Falcão, Francisco Malta
773-778
The movement of things: Jodie Mack and the looping experimental animations
PDF (Portuguese) HTML (Portuguese)
João Pedro Ribeiro, Miguel Carvalhais, Pedro Cardoso
779-786
Sound in the Mise-en-jeu: Conveying Meaning through Videogames’ Mediated Space
PDF HTML
Richard O’Sullivan
787-793
Standing Ground: the index in the landscape of the digital
PDF HTML
Bruna G. Malta Victal Teodoro, Glaucia E. Davino
794-802
Streaming times. Implications on audiovisual production in Brazil
PDF (Portuguese) HTML (Portuguese)
Mª Alexandra Cardoso
803-808
The Influence of Science Fiction in Healthcare Technology
PDF HTML

Chapter V _ Guests

Alice Fátima Martins
810-814
Mrs. Maria makes movies
PDF (Portuguese) HTML (Portuguese)
João Fragoso e Castro, Paulo Bernardino Bastos, Heitor Alvelos
815-835
Emotions on pictures in motion
PDF HTML
Rodolfo Gomes Pereira, Lídia Oliveira, Ana Carla Amaro
836-841
Framing the Rural – Finding narratives in the making of a documentary about Amiais, Portugal
PDF (Portuguese) HTML (Portuguese)
Regis Frota
842-851
Entre Macacos e Anjos (2019), a utopia do 17º filme brasileiro
PDF (Portuguese) HTML (Portuguese)
Kajingulu Somwe Mubenga
852-858
Film Subtitling: A New Research Genre in Africa
PDF HTML
Igor Abrahão Arantes, Bernardo Giorni Abijaude Bracarense, Samuel Marinho Leidner, Humberto de Campos Rezende, João Victor Boechat Gomide
859-867
Workflow for real-time rendering animation
PDF (Portuguese) HTML (Portuguese)
Regis Frota
868-874
O Acossado e o cinema moderno da desmistificação godardiana
PDF (Portuguese) HTML (Portuguese)
Patrícia Dourado, Cecília Salles, Mirian Tavares
875-885
Script practices: revisiting concepts
PDF (Portuguese) HTML (Portuguese)
Nazlı Eda Noyan
886-890
The Destiny of a “Baby” Industry: Turkish Animation
PDF HTML
José da Silva Ribeiro
891-902
Um Percurso pelo Cinema e pela Escola
PDF (Portuguese) HTML (Portuguese)
Javier Venturi
903-912
Utopian and Dystopian Visions in the Movies The Voice of the Moon and Some Time Later
PDF (Spanish) HTML (Spanish)