Cinema - Arte

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169 itens
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
“The Fantastic Flying Books of Mr. Morris Lessmore” de William Joyce e Brandon Oldenburg: quando o som se mostra dominante na construção de uma narrativa de texto e imagens.
DOI: https://doi.org/10.37390/avancacinema.2020.a124
Chuva Vasco
“Pierrot le Fou”, uma perspectiva de [auto]representação das artes plásticas
DOI: https://doi.org/10.37390/avancacinema.2024.a569
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
“O Crime do Padre Amaro”: o drama que se descobre nas narrativas de Eça de Queiroz (1875), Carlos Coelho da Silva (2005) e Paula Rego (1997-1999)
DOI: https://doi.org/10.37390/avancacinema.2021.a232
Beáta Fenyvesi
“Images of the Secret Self”: The Idea of the Non-Human in German Expressionist and Early American Horror Cinema
DOI: https://doi.org/10.37390/avancacinema.2020.a108
Sónia Carvalho, Paulo Bernardino Bastos
“Arquétipo(grafia) obscura do feminino”, 2020. Performance instalativa multimedia com a colaboração da artista/performer Sol Casal (Br) e a participação da Cantadeira Sara Grenha, na Galeria Ana Lama, (25/10/2020), Lisboa
DOI: https://doi.org/10.37390/avancacinema.2021.a212
Andrew Vallance
Work of Memory
DOI: https://doi.org/10.37390/avancacinema.2022.a395
Sumaira Majeed, Noor Ul Ain Lashari
Woman the Natural Nurturer: An Ecofeminist Study of Niki Caro’s The Whale Rider.
DOI: https://doi.org/10.37390/avancacinema.2020.a127
Camilo Cavalcante
Why do flowers die? - A música brasileira e ango-saxônica no tríptico As Mil e Uma Noites (2015), de Miguel Gomes
DOI: https://doi.org/10.37390/avancacinema.2023.a490
Nicoleta Călina, Cristiana Călina
When cinema draws its inspiration from literature: Marcello Mastroianni and his literary characters’ embodiment
DOI: https://doi.org/10.37390/avancacinema.2023.a489
Fábio Jabur de Noronha
Videoarte sem videoarte: a materialidade das condições de produção no Brasil dos anos 1990
DOI: https://doi.org/10.37390/avancacinema.2023.a488
Filomena Antunes Sobral, Daniela Morgado Oliveira
Vídeo experimental e autorretrato
DOI: https://doi.org/10.37390/avancacinema.2020.a126
Hugo Paquete
Velocidade terminal: Tempo chronoscopico dos corpor obritais na composição sonora e musical.
DOI: https://doi.org/10.37390/avancacinema.2020.a125
Rui Filipe Antunes, Carlos Nicolau Antunes
Uma perspectiva cinematográfica sobre a caminhada Imemorial - Passos no Cativeiro
DOI: https://doi.org/10.37390/avancacinema.2023.a470
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
Um Cine-concerto projeto de comunidade: Heróis do Mar (1949; 2022) de Fernando Garcia, revisitado por Portovedo, Martins e Sampaio
DOI: https://doi.org/10.37390/avancacinema.2023.a472
Rita Vilhena
Turning Backs - O espectador está presente?
DOI: https://doi.org/10.37390/ac.v0i0.22
Isac dos Santos Pereira, Maria Ignes Carlos Magno
Travessias do Corpo infantil: Naruto, Vídeos e Performances Nas Aulas de Arte
DOI: https://doi.org/10.37390/avancacinema.2024.a571
Juan Manuel Ruiz Prieto
Time Travel, Audiovisual Narratives and TV Fiction: The Bootstrap Paradox in BBC’s Doctor Who
DOI: https://doi.org/10.37390/avancacinema.2021.a251
Yi Chen
The Refrains of Memory: Bi Gan’s Long Day’s Journey into Night
DOI: https://doi.org/10.37390/avancacinema.2021.a249
Marcia Mansur
The montage of “Cine Rabeca”: music, memory and ethnography in an expanded cinema experience.
DOI: https://doi.org/10.37390/avancacinema.2023.a485
Matías López Iglesias
The main character of Ibero-American cinema in the hypermodern model
DOI: https://doi.org/10.37390/avancacinema.2021.a245
Nicoleta Călina, Cristiana Călina
The long life of Carlo Collodi’s puppet between literature and cinema. Pinocchio: short excursus through screen adaptations and performances
DOI: https://doi.org/10.37390/avancacinema.2022.a391
Chan Ka Lok Sobel
The limitless Possibility of Combination: Filmic Lego Poetics of Storytelling and Structure in Global Film Scriptwriting and Duration
DOI: https://doi.org/10.37390/avancacinema.2021.a244
Paulo Alexandre e Castro
The end of cinema as we know it.
DOI: https://doi.org/10.37390/ac.v0i0.21
Fabiana de Barros Monteiro Soares, Thelma Panerai Alves
The Artist and the Art in ‘O Guarani’, by José de Alencar, an adaptation by Pedro Pernambuco
DOI: https://doi.org/10.37390/avancacinema.2021.a241
Abbas MOHAMMADI
The aesthetics of light in Afghan Cinema
DOI: https://doi.org/10.37390/avancacinema.2022.a389