Interseções entre Cinema e Pintura em Maria Antonieta de Sofia Coppola
AVANCA 2020
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Palavras-chave

Cinema
Sofia Coppola
Pintura
Direção de Arte
Imaginação

Categorias

Resumo

The scene of Sofia Coppola’s movie, Marie Antoinette, is made in dialectic with pictorial works, which occur primarily in three forms: classical painting within diegetic space, as an element of scenography; painting as a scene, when the film picture incorporates the pictorial aesthetics of a canonical work; and the re-appropriation of a canonical painting according to the aesthetic molds of the fictional universe of the film in question, which was placed as scenic object.

https://doi.org/10.37390/avancacinema.2020.a152
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Este trabalho encontra-se publicado com a Licença Internacional Creative Commons Atribuição 4.0.

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