Convidados

Todos os itens

41 itens
Javier Venturi
903-912
Visiones utópicas y distópicas en las películas. La voz de la luna y Tiempo después
https://doi.org/10.37390/avancacinema.2020.a204
DOI: https://doi.org/10.37390/avancacinema.2020.a204
Anabela Dinis Branco de Oliveira
620-625
Van Gogh e o Cinema: palavras, obsessões e texturas
https://doi.org/10.37390/avancacinema.2023.a554
DOI: https://doi.org/10.37390/avancacinema.2023.a554
José da Silva Ribeiro
891-902
Um Percurso pelo Cinema e pela Escola
https://doi.org/10.37390/avancacinema.2020.a203
DOI: https://doi.org/10.37390/avancacinema.2020.a203
Marc Rigaudis, Max Musau
1167-1173
The Team Using Video Games To Help Fight Climate Change
https://doi.org/10.37390/avancacinema.2021.a359
DOI: https://doi.org/10.37390/avancacinema.2021.a359
Manuel Bernardo Cabral, António Costa Valente
1159-1166
The Searchers: Aristoteles Revisited
https://doi.org/10.37390/avancacinema.2021.a358
DOI: https://doi.org/10.37390/avancacinema.2021.a358
Nazlı Eda Noyan
886-890
The Destiny of a “Baby” Industry: Turkish Animation
https://doi.org/10.37390/avancacinema.2020.a202
DOI: https://doi.org/10.37390/avancacinema.2020.a202
Maria Eugénia Pereira
620-628
Sophia de Mello Breyner de Andresen na poesia de cinema de João César Monteiro
https://doi.org/10.37390/ac.v0i0.82
DOI: https://doi.org/10.37390/ac.v0i0.82
Narce Dalia Ruiz Guzmán
1126-1131
Revolução Colaborativa
https://doi.org/10.37390/avancacinema.2021.a354
DOI: https://doi.org/10.37390/avancacinema.2021.a354
Fernanda Sousa Oliveira, José da Silva Ribeiro
613-619
Retrato falado, Criminoso e Cinema.
https://doi.org/10.37390/ac.v0i0.81
DOI: https://doi.org/10.37390/ac.v0i0.81
Patrícia Dourado, Cecília Salles, Mirian Tavares
875-885
Práticas de roteiro: conceitos revisitados
https://doi.org/10.37390/avancacinema.2020.a201
DOI: https://doi.org/10.37390/avancacinema.2020.a201
Narce Dalia Ruiz Guzmán, Nuria Lloret Romero, António Costa Valente
606-612
Plataformas de creación colaborativa en el audiovisual.
https://doi.org/10.37390/ac.v0i0.80
DOI: https://doi.org/10.37390/ac.v0i0.80
Regis Frota Araújo
1151-1158
O caso dos Novelistas Norte-Americanos do século XX e a atração pelo Cinema
https://doi.org/10.37390/avancacinema.2021.a357
DOI: https://doi.org/10.37390/avancacinema.2021.a357
Regis Frota
868-874
O Acossado e o cinema moderno da desmistificação godardiana
https://doi.org/10.37390/avancacinema.2020.a200
DOI: https://doi.org/10.37390/avancacinema.2020.a200
Régis Frota Araújo
600-605
O Abismo e o Cinema moderno: Não seria só o apocalipse quem poderia nos libertar?
https://doi.org/10.37390/ac.v0i0.85
DOI: https://doi.org/10.37390/ac.v0i0.85
Lardyanne Pimentel Guimarães, António Costa Valente
598-607
Narrativas interativas: Webdocumentário um género audiovisual
https://doi.org/10.37390/avancacinema.2023.a550
DOI: https://doi.org/10.37390/avancacinema.2023.a550
Petra Dominkova
615-619
Melodrama noir: Beyond the Forest and Leave Her To Heaven
https://doi.org/10.37390/avancacinema.2023.a552
DOI: https://doi.org/10.37390/avancacinema.2023.a552
Anabela Dinis Branco de Oliveira
595-599
Manoel de Oliveira: a inevitabilidade da memória
https://doi.org/10.37390/ac.v0i0.79
DOI: https://doi.org/10.37390/ac.v0i0.79
Rosimária Sapucaia , Mirian Tavares
608-614
Live cinema e o seu potencial como recurso para as aulas online
https://doi.org/10.37390/avancacinema.2023.a551
DOI: https://doi.org/10.37390/avancacinema.2023.a551
Narce Dalia Ruiz Guzmán
570-575
La industria del cine para adultos lidera los cambios tecnológicos del quehacer cinematográfico hacia la Inteligencia Artificial
https://doi.org/10.37390/avancacinema.2023.a546
DOI: https://doi.org/10.37390/avancacinema.2023.a546
Bruno Mendes da Silva, Mirian Tavares, Rui António, Susana Costa, Paula Monteiro, António Araujo
589-594
Insights about an interactive film installation.
https://doi.org/10.37390/ac.v0i0.84
DOI: https://doi.org/10.37390/ac.v0i0.84
Gloria Gómez-Escalonilla
581-588
Hablando de cine, el papel de las revistas cinematográficas.
https://doi.org/10.37390/ac.v0i0.78
DOI: https://doi.org/10.37390/ac.v0i0.78
Anabela Branco de Oliveira, Felipe Muanis
845-852
Funeral de Estado (Sergei Loznitsa, 2019): o funeral do documentário
https://doi.org/10.37390/avancacinema.2022.a465
DOI: https://doi.org/10.37390/avancacinema.2022.a465
Javier Segundo Olarte Triana
1141-1150
From screenwriting to montage, evidence to understand the evolution of audiovisual narratives
https://doi.org/10.37390/avancacinema.2021.a356
DOI: https://doi.org/10.37390/avancacinema.2021.a356
Igor Abrahão Arantes, Bernardo Giorni Abijaude Bracarense, Samuel Marinho Leidner, Humberto de Campos Rezende, João Victor Boechat Gomide
859-867
Fluxo de trabalho para uma animação com render em tempo real
https://doi.org/10.37390/avancacinema.2020.a199
DOI: https://doi.org/10.37390/avancacinema.2020.a199
Kajingulu Somwe Mubenga
852-858
Film Subtitling: A New Research Genre in Africa
https://doi.org/10.37390/avancacinema.2020.a198
DOI: https://doi.org/10.37390/avancacinema.2020.a198