Cinema - Comunicação

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108 itens
Claudio Fontan, Denise Azevedo Duarte Guimarães
“THIS IS AMERICA”: Um Videoclipe estético e ativista social
DOI: https://doi.org/10.37390/avancacinema.2020.a183
David Wall
“Paging Dr. Freud!” Theorizing John Boorman’s Zardoz.
DOI: https://doi.org/10.37390/avancacinema.2022.a437
Gregorio Galvão de Albuquerque
“É você?”: a criação para si e para os outros
DOI: https://doi.org/10.37390/avancacinema.2023.a524
Monica Rodrigues Klemz
Videoclipe oficial da Copa do Mundo do Catar - uma montagem cartográfica
DOI: https://doi.org/10.37390/avancacinema.2023.a525
Taher Abdel-Ghani
Using Bernard Tschumi's Manhattan Transcripts as a Cinematic Pedagogical Tool in Architecture Schools in Egypt
DOI: https://doi.org/10.37390/avancacinema.2020.a185
Cheong Kin Man
Une identité réinterprétée : Notes sur un vieux documentaire et recherche autour de l’identité macanaise
DOI: https://doi.org/10.37390/avancacinema.2020.a184
Carlos Pantaleón Panaro
Un recorrido real por la Viena del filme El Tercer Hombre.
DOI: https://doi.org/10.37390/ac.v0i0.66
Cristian Avello Cancino
Uma câmera-flecha; mobilizações, cosmopolítica e modos de aldear o cinema
DOI: https://doi.org/10.37390/avancacinema.2022.a421
Eliane Gordeeff
Um Duplo Olhar Sobre As Imagens Animada e Filmada
DOI: https://doi.org/10.37390/avancacinema.2021.a316
Francisco Malta, Thiago Barboza
TRUE CRIME: Era uma vez um crime
DOI: https://doi.org/10.37390/avancacinema.2023.a536
Fuad Halwani
The Trickster in Serialized Television: An Anti-hero of Postmodern Mythologies
DOI: https://doi.org/10.37390/avancacinema.2020.a182
María del Mar Ogea Pozo
The translation of Watchmen: a job for superheroes?
DOI: https://doi.org/10.37390/avancacinema.2021.a336
Noni Geiger
The Eschatological Screen
DOI: https://doi.org/10.37390/avancacinema.2024.a593
Moqadassa SARWARI, Abbas MOHAMMADI
The effect of cinema on human social behavior
DOI: https://doi.org/10.37390/avancacinema.2023.a531
Chan Ka Lok Sobel
The Dynamic Aesthetics, Locality and Dehybrid Style of Hong Kong Cinema facing the Recovery of Post-Pandemic Period.
DOI: https://doi.org/10.37390/avancacinema.2023.a530
Filipe Pereira
The documentary film as a tool for the ethnography of performance
DOI: https://doi.org/10.37390/avancacinema.2020.a181
Pedro Alves da Veiga
The Cinematic Selfie: Questioning the Self through Generative Art
DOI: https://doi.org/10.37390/avancacinema.2022.a439
Carlos Mauricio Gomez
The capitalist view and the neoliberal conflict of society through the Brazilian documentary ‘Ilha das Flores’
DOI: https://doi.org/10.37390/avancacinema.2021.a335
María Gabriela Pabón Hernández
The audiovisual mobilizing object: YouTube, Colombia National Strike 2019
DOI: https://doi.org/10.37390/avancacinema.2021.a333
Teresa Gouveia, Ana Oliveira
Storytelling audiovisual: práticas de consumo de estudantes do ensino superior
DOI: https://doi.org/10.37390/avancacinema.2021.a319
Carlos Mauricio Gómez
Society, segregation and freedom: The transformation of the female image in Iranian cinema
DOI: https://doi.org/10.37390/avancacinema.2022.a438
Anna Ter-Gabrielyan
Resisting the Canvas of Soviet Ideology: Analysing Dissent and Despair in Albert Mkrtchyan’s ‘The Song of the Old Days’ (1982)
DOI: https://doi.org/10.37390/avancacinema.2024.a592
Maria Marta Amancio Amorim, Maria Natália Ramos, Maria da Conceição Ramos
Representações sociais da alimentação retratadas em Festa de Babette
DOI: https://doi.org/10.37390/avancacinema.2024.a591
Lucas Waltenberg, Marcela Soalheiro
Reencontros entre audiência e narrativas na adaptação do jogo “The Last of Us”
DOI: https://doi.org/10.37390/avancacinema.2024.a590
Sílvia R. B. Pinto , Bruna Banon
Questões de género desconstruídas a partir de fragmentos de animação
DOI: https://doi.org/10.37390/avancacinema.2021.a329