Cinema - Cinema

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197 itens
André Francisco
“Your choices are only as good as your options are”: o small-town noir em Little Woods (2018)
DOI: https://doi.org/10.37390/avancacinema.2023.a513
Edileuza Penha de Souza
“O caso do homem errado” – o cinema como instrumento de denúncias do genocídio da população negra
DOI: https://doi.org/10.37390/avancacinema.2020.a158
Alexandre Wahrhaftig
“Lavra-dor”, filme-poema: a relação entre cinema e poesia a partir da repetição
DOI: https://doi.org/10.37390/avancacinema.2021.a283
André Francisco
“It’s hard to say whether that idea is really hers”: a tecnologia como elemento disruptor de identidade em Possessor (2020)
DOI: https://doi.org/10.37390/avancacinema.2022.a409
Diana Marques, Ana Rita Martins
“A house as old as this”: Domestic Horror in Del Toro’s Crimson Peak
DOI: https://doi.org/10.37390/avancacinema.2023.a492
Ariani dos Santos Fontes
“A Dama de Shanghai”: Investigações sobre o Cinema Noir
DOI: https://doi.org/10.37390/avancacinema.2022.a417
Paulina Stephani Hernández Ríos, Jean-Pierre Marcos
«Pain and Glory», Pedro Almodovar and how not to repeat ourselves
DOI: https://doi.org/10.37390/avancacinema.2021.a290
Maryam Khaleghipour, Azam Ravadrad
Why We Don’t Go to the Cinema: A Qualitative Study in Iran
DOI: https://doi.org/10.37390/avancacinema.2021.a314
Yuying Song
Why do I live here? - Documentary essay on Chinese immigration in Spain
DOI: https://doi.org/10.37390/avancacinema.2021.a313
Gordana Smudja
Western Myth
DOI: https://doi.org/10.37390/avancacinema.2023.a512
Luciana de Almeida Pereira Jordão
Walter White/Heisenberg: construção da personagem em Breaking Bad.
DOI: https://doi.org/10.37390/ac.v0i0.57
José Francisco Serafim, Regina Gloria Andrade, Maria Natália Ramos, Maria Conceição Ramos
Vozes e Narrativas no Documentário Casa en Tierra Ajena
DOI: https://doi.org/10.37390/avancacinema.2023.a511
Francisco-Julián Martínez-Cano
Volumetric filmmaking, new mediums and formats for digital audiovisual storytelling
DOI: https://doi.org/10.37390/avancacinema.2020.a168
Luís Proença
Voices of Justice in Non-Fiction Films and in Christianity.
DOI: https://doi.org/10.37390/ac.v0i0.56
Tiago Luís Minau Ramos
Uma Questão de Crença: Uma Leitura de Cerrar los ojos (Victor Erice, 2023)
DOI: https://doi.org/10.37390/avancacinema.2024.a582
Manuel Bernardo Cabral
Uma possível leitura do universo fordiano em “O Homem que Matou Liberty Valance”.
DOI: https://doi.org/10.37390/ac.v0i0.55
Miguel García Victoria
Três retratos do cangaço: Documentário, vanguarda e paródia
DOI: https://doi.org/10.37390/avancacinema.2024.a581
Francisco Malta, Fernando Rodrigues, Renan Oliveira, Thiago Malvar, Matheus Moita, Wilson Oliveira
Trânsitos narrativos que o cinema imersivo em 360 permite ao telespectador em Toy Story 4
DOI: https://doi.org/10.37390/avancacinema.2020.a167
Cátia Candido da Silva , Waleska Karinne Soares Coutinho Souto , Fabrícia Teixeira Borges
Toc Toc – uma reflexão sobre o papel da alteridade no acabamento estético de si
DOI: https://doi.org/10.37390/avancacinema.2021.a310
Saša Miletić
The Whistleblower Film – Is it a Genre and Why Does it Matter?
DOI: https://doi.org/10.37390/avancacinema.2021.a309
Caio Chaves Faria
The Sheik (1921), de George Melford: Uma fantasia oriental e racialidade
DOI: https://doi.org/10.37390/avancacinema.2023.a509
Adriana Navarro Alvarez
The professionalization of animated short film in Spain. Current situation
DOI: https://doi.org/10.37390/avancacinema.2021.a307
Abbas mohammadi
The place of literature adaptation in Afghan cinema
DOI: https://doi.org/10.37390/avancacinema.2021.a306
Diana Martinez Muñoz, Melissa de Raaf
The Non-Existent Documentary Nor Fiction
DOI: https://doi.org/10.37390/avancacinema.2021.a305
Marcela Negro, Javier Olarte
The montage cinema and the narrative structure, strengths for the story progression.
DOI: https://doi.org/10.37390/avancacinema.2022.a419