AVANCA | CINEMA 2022

AVANCA | CINEMA 2022

AVANCA | CINEMA 2022

No. 13 (2022)

Online Journal with 104 communications and printed book with 873 pages with a total of 107 communications (ISSN: 2184-0520) from various authors from different parts of the world, which reflect the International Conference AVANCA | CINEMA 2022 and gather scientific communications around the cinema.

Published September 21, 2022

Editorial

Editorial | Table of Contents 2022
PDF (Portuguese)

Chapter I _ Cinema - Art

Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
23-30
A Menina do Mar (The Sea’s Girl) by Sophia de Mello Breyner: how Fernando Lopes-Graça, Bernardo Sassetti, Filipe Raposo and Edward Luiz Ayres de Abreu built their own performative versions from this work
PDF (Portuguese) HTML (Portuguese)
Veruza de Morais Ferreira, Maria Helena Braga e Vaz da Costa
31-40
Aesthetic Symbolism and Hybridism in Jean-Luc Godard’s Goodbye to Language
PDF (Portuguese) HTML (Portuguese)
Edmilson Forte Miranda Júnior
41-48
African cinema and decolonial imaginary: about africanfuturism in the short film Afronauts
PDF (Portuguese) HTML (Portuguese)
Alexandra Cruchinho, Catarina Rito, Luís Sanchez
49-53
Art and fashion in costume Design for Film
PDF (Portuguese) HTML (Portuguese)
Keyla Andrea Santiago Oliveira, Talita Carla Farina
54-60
Ashes in the Pantanal (2021): socio-environmental and educational issues
PDF (Portuguese) HTML (Portuguese)
Ahmad Khoshniat
61-71
Bertolt Brecht’s Soul in the Body of Experimental Animation: Common Audiovisual Strategies between Epic Theatre and Robert Breer’s Short Animations
PDF HTML
Isabelle Ingrid Freitas Rodrigues
72-81
BETWEEN THE PERFORMATIVE AND THE CAPTURED ON THE SCENE: creative processes and innovations in the creation of videodance and play Donna
PDF (Portuguese) HTML (Portuguese)
Carolina Duarte Gonçalves Ramos, Miriam de Oliveira Gonçalves
82-91
Cinema narratives through walking in urban landscapes
PDF (Portuguese) HTML (Portuguese)
Derya Yıldız
92-97
Cinematic Experience as Spatial Perception: Remembering the Remembrance
PDF HTML
Marc Boumeester
98-107
Cinematic Perception and the Image by Proxy
PDF HTML
Diego Alejandro Rodriguez Piña
108-113
Creative Heroes in the shadow of the comic industry
PDF (Spanish) HTML (Spanish)
Maroua Médini
114-122
Crisis and literary adaptation: the case of the movie (The necklace and the bracelet 1986) of the Egyptian filmmaker Khairy Beshara
PDF (French) HTML (French)
Lucía Pérez García
123-130
Drama or Comedy? Music for a Disaster Artist
PDF HTML
Matheus Moreno dos Santos Camargo, Andreia Machado Oliveira
131-142
EFEMERA Image - FullDome AudioVisual Exhibition
PDF (Portuguese) HTML (Portuguese)
Wilson Oliveira da Silva Filho, Mariana Lucas de Almeida Fernandes, Argeu Luiz Duarte Glória, Francisco Malta
143-149
Experimental cinema and media ecology: Approaches and extensions
PDF (Portuguese) HTML (Portuguese)
Laura Brandão do Brasil, Eduarda Pereira de Paula, Mariana Cordeiro de Souza, Lucia Maria Pereira Bravo
150-158
From the verses to the stages and from the stages to the screens: The Intertextuality process in the film “O Auto da Compadecida” (2000)
PDF (Portuguese) HTML (Portuguese)
Veronika Kleve, Paulo Bernardino Bastos
159-171
I´m Not Here: dialogues with Agnés Varda
PDF (Portuguese) HTML (Portuguese)
Dulce María Núñez Oseguera, Dulce María Núñez Oseguera
172-177
Listening to Otherness in Pedro Páramo (1967) by Carlos Velo. The self existence from the desires and memories of other.
PDF (Spanish) HTML (Spanish)
Paula Barata Dias
178-185
Lupinus Homo – Classical Mythology reshaping intergenerational and gender conflict in The Power of the Dog by Jane Campion (2021)
PDF HTML
Saleh Ghorbanian
186-193
Painting in Time: The Role of Painting in Andrei Tarkovsky’s Solaris
PDF HTML
Sónia Carvalho, Paulo Bernardino Bastos
194-205
Performative body and psyche. Approaches to transdisciplinary research methods: transpersonal psychology and ritual-performance.
PDF (Portuguese) HTML (Portuguese)
José Alejandro López Pérez
206-213
Projections of the Absent: A Critique to the Artistic Ways of Displaying the Forced Disappearance (An Analysis of Geometry of the Conscience by Alfredo Jaar)
PDF (Spanish) HTML (Spanish)
Edward Slopek
214-223
Shutter/Shudder to Think: Cinema after Cage
PDF HTML
Ricardo Tsutomu Matsuzawa, Eduardo Vicente
224-230
Songs in Arabia: Listening to Your Heart
PDF (Portuguese) HTML (Portuguese)
Rodrigo Coelho Pierre Lira
231-237
Surviving Images: an analysis of Edipo Re (1967), by Pier Paolo Pasolini
PDF (Portuguese) HTML (Portuguese)
Abbas MOHAMMADI
238-244
The aesthetics of light in Afghan Cinema
PDF HTML
Walmir Barguil Pavam
245-249
The language of maturation in Deslembro, by Flávia Castro
PDF (Portuguese) HTML (Portuguese)
Nicoleta Călina, Cristiana Călina
250-259
The long life of Carlo Collodi’s puppet between literature and cinema. Pinocchio: short excursus through screen adaptations and performances
PDF HTML
Leonardo Augusto de Jesus
260-269
The movement-image under visual palimpsests in the samba schools of Rio de Janeiro
PDF (Portuguese) HTML (Portuguese)
Gisele Filippetto
270-275
The Role of Music in the Documentary “Miles Davis: Birth of the Cool”
PDF (Portuguese) HTML (Portuguese)
André Araújo, Graça Magalhães, Pedro Bessa
276-281
The symbolic foundations of the mining archive: sound and image as vehicles of memory
PDF (Portuguese) HTML (Portuguese)
Andrew Vallance
282-290
Work of Memory
PDF HTML

Chapter II _ Cinema - Cinema

Natália Queiroz de Oliveira Souto
293-298
Alterity, Dialogism and Polyphony through the film Encanto
PDF (Portuguese) HTML (Portuguese)
Marcus Vinicius Azevedo de Mesquita, Edileuza Penha de Souza
299-306
Ancestry and identity in Negrum3 - A black pedagogy about gender and sexuality
PDF (Portuguese) HTML (Portuguese)
José Duarte
307-311
Belonging
PDF (Portuguese) HTML (Portuguese)
Rosário Santana, Helena Maria da Silva Santana
312-319
Between fiction and reality: the particular case of the short film “Bugs and Daffy’s Carnival of the Animals by Camille Saint-Saëns” (1976) by Chuck Jones
PDF (Portuguese) HTML (Portuguese)
Edileuza Penha de Souza
320-329
Coffee with cinnamon and the edification of affection in Black Female Cinema
PDF (Portuguese) HTML (Portuguese)
Deirdre O’Toole, Tobias Frühmorgen, Érica Faleiro Rodrigues
330-337
Collaborative International Student Filmmaking – Establishing Joint Filmmaking Practices within FilmEU
PDF HTML
Patrícia Cardoso D’Abreu, João Ximenes Braga
338-346
Communicational biography and the usurpation of authorship in Brazilian television: a case study on Gilberto Braga’s last telenovela Babilônia
PDF (Portuguese) HTML (Portuguese)
Katrin Pieper
347-354
Cut films and manipulated subtitles: The censorship of foreign films during the Estado Novo
PDF (Portuguese) HTML (Portuguese)
Claudia Adrianzen Lapouble
363-373
Expatriate filmmakers, (trans)national films? : the case of two latin-américan filmamkers in Europe
PDF (Portuguese) HTML (Portuguese)
Jose Francisco Serafim, Regina Gloria Andrade , Natalia Ramos
374-379
Fictions of the Real in Documentary The Cambridge Squatter - Eliana Caffé (2016)
PDF (Portuguese) HTML (Portuguese)
Yorgos Drosos , Stella Klimatsaki
380-388
Flesh and Blood: Generic Monstrosities in Contemporary Greek Film
PDF HTML
Roberta Veiga
389-397
Forms of Cinematic Insubordination to Motherhood Myths: method, research and inventory
PDF (Portuguese) HTML (Portuguese)
Giulianna Nogueira Ronna, Cristiane Freitas Gutfreind
398-404
Images to come: political reinscription in contemporary Brazilian documentary.
PDF (Portuguese) HTML (Portuguese)
André Francisco
405-412
“It’s hard to say whether that idea is really hers”: technology as an identity disruptor in Possessor (2020)
PDF (Portuguese) HTML (Portuguese)
Beatriz Alcici
413-422
Lost in Translation: Images of “deslugar/displace” in contemporary cinema
PDF (Portuguese) HTML (Portuguese)
Pâmela Eurídice da Silva Beleza Baltazar, Selda Vale da Costa
432-437
Perspectives: an excursion through the cinema made by women in the Amazon
PDF (Portuguese) HTML (Portuguese)
Lina Cirino, Angelita Bogado
438-444
Recôncavo da Bahia and the endless images: collective body, affection and future
PDF (Portuguese) HTML (Portuguese)
Karine Chevalier
445-453
Reframing violence in Corsica : cinema as mask and mirror
PDF (French) HTML (French)
Julio Vallejo Herán
454-458
The confusion between person and character in Cravan vs Cravan (Lacuesta, 2002)
PDF (Spanish) HTML (Spanish)
Cassia Cassitas
459-463
The construction of the feminine in the audiovisual The hours
PDF (Portuguese) HTML (Portuguese)
Angélica Marques Coutinho
464-470
The experience of inclusion: the first selection process for feature film with quotas of gender and race of the Brazilian National Film Agenc
PDF (Portuguese) HTML (Portuguese)
Ariani dos Santos Fontes
471-478
“The Lady from Shanghai”: Investigations about Film Noir
PDF (Portuguese) HTML (Portuguese)
Liliana Rosa
479-484
The limits of the representation of violence in Benny’s Video (1992) and Funny Games (1997), directed by Michael Haneke
PDF (Portuguese) HTML (Portuguese)
Marcela Negro, Javier Olarte
485-490
The montage cinema and the narrative structure, strengths for the story progression.
PDF (Spanish) HTML (Spanish)
Francisco Malta, Fernanda Ribeiro, Renan Oliveira, Stella Nemer, Wilson Oliveira
491-495
Visual Effects and Software: The New Generation Cinema
PDF (Portuguese) HTML (Portuguese)

Chapter III _ Cinema - Communication

Cristian Avello Cancino
499-504
A camera-arrow; mobilizations, cosmopolitics and ways of occupy the cinema
PDF (Portuguese) HTML (Portuguese)
Francisca Tinoco
505-515
A Very Queer Riddle: Breaking Down Hollywood’s Queerbaiting Problem
PDF HTML
Gabriela Santos Alves, Karolyne Mendes Gomes, Rosane Vasconcelos Zanotti
516-520
Belonging to and (surviving) cities: analysis on Chega de Fiu Fiu (2018), documentary by Amanda Kamanchek and Fernanda Frazão
PDF (Portuguese) HTML (Portuguese)
Pâmela Peregrino da Cruz, Erlane Rosa dos Santos, Filip de Souza Couto, Jhonatan Almeida de Sousa
521-526
Black Animation Cinema and Afro-centered educational processes
PDF (Portuguese) HTML (Portuguese)
Pâmela Peregrino , Edileuza Penha de Souza
527-534
Black Animation Cinema and the Enchantment of the short film “Ewé de Òsanyin: the secret of the leaves”
PDF (Portuguese) HTML (Portuguese)
Filomena Antunes Sobral
535-541
Challenges to television in the twenty-first century
PDF (Portuguese) HTML (Portuguese)
Marcello Zeppi, Federica Dellepiane
542-546
Cinema and communication in the Montecatini Community
PDF HTML
Sílvia R. B. Pinto
547-551
Communication made from a shadow animation
PDF (Portuguese) HTML (Portuguese)
Jorge Calvo Martín, Francisco García García
552-558
Critical Success: The narrative weight of chance in TTRPG based shows (actual play)
PDF (Spanish) HTML (Spanish)
Arthur Felipe de Oliveira Fiel, Patrícia Cardoso D’ABREU
559-563
Experimental children’s animation in the fight against fake news about the coronavirus: the ludic as a strategy of truth
PDF (Portuguese) HTML (Portuguese)
Kristian Feigelson
564-572
Images industry in East Asia : beyond the borders
PDF HTML
Marcella Suarez Di Santo, Matheus dos Santos Silva
573-583
Mathematics Education at Cinema
PDF (Portuguese) HTML (Portuguese)
José Estevão Favaro, Carolina Riguera Locoselli
584-589
Movie Theaters during the Covid Outbreak – Hopes and hopelessness in this medium and the brazilian target.
PDF (Portuguese) HTML (Portuguese)
Ludmyla Alencar Ferreira Galdino, Fabrícia Teixeira Borges
590-594
Nausicaä: the heroine who doesn’t follow the Hero’s Path
PDF (Portuguese) HTML (Portuguese)
Miguel Neta, Pedro Félix, Teresa Carvalho
595-601
New perspectives for an interdisciplinary approach to cinema at school.
PDF (Portuguese) HTML (Portuguese)
Rosa Schrott, Marcela Negro
602-606
On the teaching and learning of audiovisual writing
PDF (Spanish) HTML (Spanish)
David Wall
607-614
“Paging Dr. Freud!” Theorizing John Boorman’s Zardoz.
PDF HTML
Carlos Mauricio Gómez
615-624
Society, segregation and freedom: The transformation of the female image in Iranian cinema
PDF (Spanish) HTML (Spanish)
Pedro Alves da Veiga
625-633
The Cinematic Selfie: Questioning the Self through Generative Art
PDF HTML
José Antonio Martinuzzo
634-640
The Covid-19 pandemic and the constitution of a perverse audiovisuality
PDF (Portuguese) HTML (Portuguese)
Marcos De Bona de Carvalho
641-647
The edge of biographies: the trajectories of Petra Costa and Leni Riefenstahl
PDF (Portuguese) HTML (Portuguese)
Juliana Lopes da Silva, Edileuza Penha de Souza
648-656
The emergency remote teaching of audiovisual: report of an experience at the Federal Institute of Brasilia - Campus Recanto das Emas (DF / Brazil)
PDF (Portuguese) HTML (Portuguese)
Verônica Valério Santos
657-666
The Matrix and the Myth of the Hero: critical approaches to the contemporary school
PDF (Portuguese) HTML (Portuguese)
Laila Thaise Batista de Oliveira, Luciana Oliveira Vieira, Naira Évine Pereira Soares
667-676
The Quilombo-Space: Notes on Black Film Festivals and Exhibitions in Brazil’s Northeastern region
PDF (Portuguese) HTML (Portuguese)
Gregorio Albuquerque
677-683
Thinking through the image: audiovisual education from the cultural, political and pedagogical perspective
PDF (Portuguese) HTML (Portuguese)

Chapter IV _ Cinema - Technology

Manuel Siabato
687-691
360° cinéma montage versus immersive notion: Sam Esmail and the sensory experimentation in Mr. Robot series.
PDF (French) HTML (French)
Filipe Pires, Rui Silva, Rui Raposo
692-699
A Survey on Virtual Production and the Future of Compositing Technologies
PDF HTML
Luiz Philipe Fassarella Pereira, Rodrigo Octavio D’ Azevedo Carreiro
700-708
Cinema, reality and technology in convergence
PDF (Portuguese) HTML (Portuguese)
Eusebio Alonso-García, Sara Pérez-Barreiro, Iván Rincón-Borrego
709-718
Cinematographic ecosystem of the city and transfer with new technologies.
PDF (Spanish) HTML (Spanish)
João Ventura, Vítor Quelhas
719-730
Contribution of visual communication in the symbiosis between space and technology: the Zora case
PDF (Portuguese) HTML (Portuguese)
Sheila García-Muñoz Vizcaíno
731-739
Creative subtitling as an accessibility tool for children with hearing impairment
PDF (Spanish) HTML (Spanish)
Luiza Moreira Heinzelmann, Mônica Stein
740-747
Development of a digital comic in vertical orientation with insertion of animations.
PDF (Portuguese) HTML (Portuguese)
Lilian Cristina Monteiro França
748-755
From Flash to Klynt: algorithmic standardization of webdocumentary´s narrative
PDF (Portuguese) HTML (Portuguese)
Maria Valentina Fandiño
756-763
From the maloca to the screen. Narrative connections between the oral tradition of Múrui-Muina amazonian community and interactive audiovisual content.
PDF (Spanish) HTML (Spanish)
Alexandre Catarino Oliveira Martins
764-771
Memories in motion: the creation of video Art through the anthropological archetype and the a/r/tographic and a/r/cographic models
PDF (Portuguese) HTML (Portuguese)
Fabiane Urquhart Duarte , Andreia Machado Oliveira
772-776
Poetics of Time: on the wear and tear and appropriation of photosensitive materials
PDF (Portuguese) HTML (Portuguese)
María del Mar Ogea Pozo
777-787
Raising awareness and teaching accessibility: a didactic experiment in the audiovisual translation classroom based on audio description
PDF (Spanish) HTML (Spanish)
Cecilia Salles, Samir Cheida
788-798
Transmedia montage: a reflection on the editing and the creation process of the series The Walking Dead
PDF (Portuguese) HTML (Portuguese)
Eduardo Nespoli
799-805
Vestígios: an archaeological exploration of signs and noises in an work of live cinema
PDF (Portuguese) HTML (Portuguese)
Büşra Kara
806-814
Woman and Home in 1980s Turkish Cinema: A Relational Reading Through Atıf Yılmaz’s Films
PDF HTML

Chapter V _ Guests

José da Silva Ribeiro
817-823
Cinema at school and beyond school
PDF (Portuguese) HTML (Portuguese)
Marcelo Tannure, Gustavo Rodrigues Corrêa, João Victor Boechat Gomide
824-832
Comparing different types of rendering strategies in an animated short film
PDF (Portuguese) HTML (Portuguese)
Narce Dalia Ruiz Guzmán
833-839
Ecological Cinema with best practices and reducing environmental impact
PDF (Spanish) HTML (Spanish)
Regis Frota Araújo
840-844
Law and Psychoanalysis in Dostoevsky’s Book “The Brothers Karamazov”
PDF (Portuguese) HTML (Portuguese)
Anabela Branco de Oliveira, Felipe Muanis
845-852
State Funeral (Sergei Loznitsa, 2019): the documentary funeral
PDF (Portuguese) HTML (Portuguese)
Patrícia Dourado , Mirian Tavares
853-864
Writing and rewriting: screenwriting practices by Anna Muylaert in Second Mother
PDF (Portuguese) HTML (Portuguese)

Chapter VI _ CIAC

Mirian Tavares, Bruno Mendes da Silva, Jorge Carrega, Ana Isabel Soares, Patricia Dourado, Susana Costa, António Costa Valente
867-873
Film and Media Arts at CIAC
PDF (Portuguese) HTML (Portuguese)