Capítulo IV _ Cinema - Tecnologia

Memórias em movimento: a criação de videoarte através do arquétipo antropológico e dos modelos a/r/tográfico e a/r/cográfico

Alexandre Catarino Oliveira Martins
Centro de Investigação em Artes e Comunicação | Universidade do Algarve, Portugal
AVANCA | CINEMA 2022
N.º 13 (2022)
Publicado 2022-09-21
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Resumo

This article intends to carry out a brief analytical and critical synthesis and reflection on the methods and investigation strategies native to the field of research based on artistic practice. Methods that will be later applied during the conception of the project to organize and disseminate the documentary heritage of the film essayist Fernando Gonçalves Lavrador, transferred to Cine-Clube de Avanca in 2021. Besides the production of a digital archive built with the purpose of presenting the works and memories of Fernando Lavrador to the public, this initiative will also entail the creation of a set of digital and (audio)visual artworks, using the methodologies, concepts, and languages inherent to the fields of Video Art, Cinema and Experimental Poetry.

Palavras-chave Fernando Gonçalves Lavrador, Arte Digital, Vídeo Arte, Cinema, Métodos de Investigação.
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Creative Commons License

Este trabalho encontra-se publicado com a Licença Internacional Creative Commons Atribuição 4.0.

Direitos de Autor (c) 2022 AVANCA | CINEMA