Capítulo IV _ Cinema - Tecnologia

Woman and Home in 1980s Turkish Cinema: A Relational Reading Through Atıf Yılmaz’s Films

Büşra Kara
Istanbul Technical University, Turkey


The paper aims to analyze the effects of social transformations on cinema between 1980-90, within the framework of the class differences that became evident during the period and the feminist movement that was visible in these years in Turkey, and the context of related theoretical background. The 1980s, when neoliberal policies influenced the whole world, was a period of striking changes in Turkey as well. A military coup in Turkey in 1980 created a powerful transformation and with the re-election in 1982, a period started in which the political climate completely changed. In this new situation, which was suppressed by the political environment, public life was interrupted and the gaze was turned towards the home space. The pleasure of watching, fueled by the return to the home space and the strong representations of lifestyle, has become an important component that feeds the popularity of period cinema. The films, which were mostly set in indoor spaces, were considered successful to the extent that they make daily life and private relations a spectacle. The structural similarity that can be established between watching a movie and spying on a house became convenient for making a social analysis when considered in the context of the 1980s. In this era, critical representations that questioned the ideological patterns in society emerged with the influence of the rising feminist discourse. Within the scope of the study, critical movies will be focused on. Analyzing the relationship between space and woman characters opens up a common field of inquiry on both the gender debate and the social class difference.

Palavras-chave “Woman Movies”, Home, década de 80, Género, Atıf Yılmaz.
PDF (Inglês) HTML (Inglês)
Creative Commons License

Este trabalho encontra-se publicado com a Licença Internacional Creative Commons Atribuição 4.0.

Direitos de Autor (c) 2022 AVANCA | CINEMA