AVANCA | CINEMA 2023

AVANCA | CINEMA 2023

AVANCA | CINEMA 2023

No. 14 (2023)

Online Journal with 84 communications and printed book with 646 pages with a total of 86 communications (ISSN: 2184-0520) from various authors from different parts of the world, which reflect the International Conference AVANCA | CINEMA 2023 and gather scientific communications around the cinema.

Published December 14, 2023

Editorial

Editorial | Table of Contents 2023
PDF (Portuguese)

Chapter I _ Cinema - Art

Rui Filipe Antunes, Carlos Nicolau Antunes
21-29
A Cinematic Perspective on the Walk Immemorial - Steps in Captivity
PDF (Portuguese) HTML (Portuguese)
Sílvia Pinto Coelho
30-34
Choreography and Cinema #1: after the choreographic work of Cathy Weis
PDF (Portuguese) HTML (Portuguese)
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
35-42
Cine-concert community project: Heróis do Mar (1949; 2022) by Fernando Garcia, revisited by Portovedo, Martins and Sampaio
PDF (Portuguese) HTML (Portuguese)
Leonardo de Castro Soutelo, Débora Emanuelle Nascimento Lomba
43-50
Cinema and everyday life: Tours and aesthetic dialogues
PDF (Portuguese) HTML (Portuguese)
Allyson Glenn
51-57
Dimension in Sound: A Multimedia Collaboration Experiment
PDF HTML
Cláudia Marisa
58-63
For whom the steps we take?
PDF (Portuguese) HTML (Portuguese)
Scheilla Franca de Souza, Jorge Cardoso Filho
64-70
In Travessias with Sued Nunes and Safira Moreira: audiovisual metaphors, singing and talking aesthetic-political redistribution
PDF (Portuguese) HTML (Portuguese)
Alex Beigui
71-76
Medea: myth itinerances in different enunciative contexts
PDF (Portuguese) HTML (Portuguese)
Rita Vilhena
77-84
Memories, a space that challenges History - biographical memories in the plays of Joana Craveiro and Teatro do Vestido
PDF (Portuguese) HTML (Portuguese)
Carlos Pantaleón Panaro
85-94
Metaphors and archetypal symbols of the domestic space. Its recreation in the film Rear Window
PDF (Spanish) HTML (Spanish)
Francisco Silveira
95-103
Motorized Passenger’s Cinematography: Sudden Experiences in Literature
PDF (Portuguese) HTML (Portuguese)
Karen Acioly, Cristina Rego Monteiro da Luz
104-113
Opera pills for children - mini documentaries to raise awareness among parents and teachers
PDF (Portuguese) HTML (Portuguese)
Eugen Dediu
114-120
Performative Cinema and Its Techniques
PDF HTML
Eliane Gordeeff
121-128
The Dual Path of Cinema Between Real and Fantastic Fiction
PDF (Portuguese) HTML (Portuguese)
Carla Patrícia Oliveira de Souza
129-139
The Haunted Scenarios of Amorteamo (2015) from the perspective of the Semiotics of Culture
PDF (Portuguese) HTML (Portuguese)
Marcia Mansur
140-142
The montage of “Cine Rabeca”: music, memory and ethnography in an expanded cinema experience.
PDF HTML
Tiago Luís Minau Ramos
143-149
The Reprentation of Words in Tabu: A Story of the South Seas
PDF (Portuguese) HTML (Portuguese)
Wilson Oliveira Filho, Diana Seelaender, Mariana Lucas de Almeida Fernandes
150-156
The statute of image production in cinema and art through artificial intelligence
PDF (Portuguese) HTML (Portuguese)
Fábio Jabur de Noronha
157-164
Video art without video art: the materiality of production conditions in Brazil in the 1990s
PDF (Portuguese) HTML (Portuguese)
Nicoleta Călina, Cristiana Călina
165-170
When cinema draws its inspiration from literature: Marcello Mastroianni and his literary characters’ embodiment
PDF HTML
Camilo Cavalcante
171-177
Why do flowers die?- Brazilian and Ango-Saxon music in the triptych As Mil e Uma Noites (2015), directed by Miguel Gomes
PDF (Portuguese) HTML (Portuguese)
Sophia Bahia, Mônica Stein
178-187
Windows Animated Short Film - Conception, Visual Development, And Art Direction
PDF (Portuguese) HTML (Portuguese)

Chapter II _ Cinema - Cinema

Diana Marques, Ana Rita Martins
189-195
“A house as old as this”: Domestic Horror in Del Toro’s Crimson Peak
PDF HTML
Abbas MOHAMMADI
196-204
Aesthetics of Color in Afghan cinema
PDF HTML
Karine Chevalie
205-213
Camouflage, resistance and resilience in Iran: from Jafar Panahi to Panah Panahi
PDF (French) HTML (French)
Katia M. L. Mendonça
214-220
Czeslaw Milosz: Between Testimony and Prophecy
PDF (Portuguese) HTML (Portuguese)
Miguel García Victoria
221-225
Double Canon on Casablanca: Reencounters and Farewells. From Unfinished Business to Begin the Beguine of José Luis Garci
PDF (Spanish) HTML (Spanish)
José Quinta Ferreira
226-237
From the beginning of Cinema in Portugal to the construction of a production model in the silent period of the film industry in Northern Portugal
PDF (Portuguese) HTML (Portuguese)
Amin Mokhtari, Farzad Khoshnoodan
238-245
In-depth analysis of challenges facing the movie industry in the pandemic era and its competition with VOD platforms
PDF HTML
Walmir Pavam, Miriam de Oliveira Gonçalves
246-252
Living in the margins: contemporary cinematographic visions
PDF (Portuguese) HTML (Portuguese)
Elahe Saberi
253-259
Modern narrative structure in animated short films: a tool to increase suspense
PDF HTML
Teresa Nunes
260-266
Poetics of Reproduction: the domestic space in Mother!, by Darren Aronofsky
PDF (Portuguese) HTML (Portuguese)
Edmundo Cordeiro
267-269
Portuguese cinema and mental health: Clinic and aesthetics — a research proposal
PDF (Portuguese) HTML (Portuguese)
Inês Xará, Filipe Lopes
270-276
Sound, Body and Emotion in Cinema
PDF (Portuguese) HTML (Portuguese)
Alejandra del Barrio Cabello
277-284
The Spanish true crime documentary on digital platforms (2016-2021): evolution and characteristic features
PDF (Spanish) HTML (Spanish)
Elahe Saberi
285-289
The Impact of Non-linear Narrative Structures on Better Character Development in Animated-short Movies
PDF HTML
João Pedro Fernandes, Filipe Lopes
290-297
The influence of statistics in structuring the participatory and expository mode
PDF (Portuguese) HTML (Portuguese)
Fernando Moreno Suárez
298-303
The mexican cinema at the end of the pandemic: Industry, new consumption, new habits, budget cuts and cultural policies
PDF (Spanish) HTML (Spanish)
Maroua Médini
304-308
The revival of Tunisian post revolution independent cinema: “Dachra” by the filmmaker Abdelhamid Bouchnak
PDF (French) HTML (French)
Caio Chaves Faria
309-314
The Sheik (1921), George’s Melford: A oriental fantasy and raciality
PDF (Portuguese) HTML (Portuguese)
Mariana Schwartz, Alfredo Taunay
315-322
The visible textures in the film The Invisible Life of Eurídice Gusmão: an analysis of the production design
PDF (Portuguese) HTML (Portuguese)
José Francisco Serafim, Regina Gloria Andrade, Maria Natália Ramos, Maria Conceição Ramos
323-329
Voices and Narratives of Migration in the Documentary Casa en Tierra Ajena
PDF (Portuguese) HTML (Portuguese)
Gordana Smudja
330-334
Western Myth
PDF HTML
André Francisco
335-342
“Your choices are only as good as your options are”: the small-town noir in Little Woods (2018)
PDF (Portuguese) HTML (Portuguese)

Chapter III _ Cinema - Communication

Maria Teresa Mattos de Moraes, Mariana Cordeiro de Souza, Bruna Sampaio Negrão Guimarães
344-349
Audiovisual festivals as training spaces within the Public Universities of Brazil - a case study of the ComuniCurtas Film Festival
PDF (Portuguese) HTML (Portuguese)
Sílvia R. B. Pinto
350-354
Cinema as a resource for the deconstruction of pedagogical practices
PDF (Portuguese) HTML (Portuguese)
Sebastian Chisaba Rojas, Tatiana Sofia Lozano Brochero
355-361
Cinema at school: Approach to a model for the strengthening of audiovisual education and literacy
PDF (Spanish) HTML (Spanish)
Éverton de Moraes Kozenieski
362-366
Cinema, Theory of Representations and the Production of Space
PDF (Portuguese) HTML (Portuguese)
Chiara Gunella
367-372
Collaborative Filmmaking as a Tool for Decolonising Cinema. The Faire-Part Case Study
PDF HTML
Pedro Gandolla, Ana Paula Dantas Passos
373-385
ENCINE: a civil society public policy proof of concept for the audiovisual development
PDF (Portuguese) HTML (Portuguese)
Teresa Maia e Carmo
386-393
Film literacy with multimedia students in higher education: a case study
PDF (Portuguese) HTML (Portuguese)
Ricardo Braga Silva, José Alberto Rodrigues, Ivan Roberto Gouveia
394-401
From conception to implementation: How the ‘Cinema Without Conflict Showcase’ inspired change in Azorean schools
PDF (Portuguese) HTML (Portuguese)
Márcio Ribeiro
402-407
From Literature to Graphic Novel and to Film Language: Transmediality in American Gods, by Neil Gaiman
PDF (Portuguese) HTML (Portuguese)
Pilar Orero, Sarah McDonagh
408-412
Green Film Production for All
PDF HTML
Gregorio Galvão de Albuquerque
413-417
“Is it you?”: creation for oneself and for others
PDF (Portuguese) HTML (Portuguese)
Monica Rodrigues Klemz
418-421
Official Video of The Qatar World Cup: A Cartographic Montage
PDF (Portuguese) HTML (Portuguese)
Hugo Paquete
422-432
OOO Sound Art and Technology as Speculative Realism
PDF HTML
José Alejandro López Pérez
433-436
Outraged waters: indigenous resistance to mining and its documentary visibility
PDF (Spanish) HTML (Spanish)
Vahid Rajabi, Afsaneh Nazeri, Samira Khodabakhshi
437-446
Perspectives of Intertextuality in Cinema, with Special References to the Work of Kristeva, Barthes, and Jenny: A Comparative Study
PDF HTML
Carol-Anne BAUDE
447-451
The Connectedness of architecture and cinema : Analyze and develop the reciprocity relationships.
PDF (French) HTML (French)
Chan Ka Lok Sobel
452-458
The Dynamic Aesthetics, Locality and Dehybrid Style of Hong Kong Cinema facing the Recovery of Post-Pandemic Period.
PDF HTML
Moqadassa SARWARI, Abbas MOHAMMADI
459-468
The effect of cinema on human social behavior
PDF HTML
Isac dos Santos Pereira, Maria Ignes Carlos Magno
469-476
The Monsters That Frighten Me, The Haunts That Feed Me: The Unusual And The Experience Of Marathon For Children And Youth
PDF (Portuguese) HTML (Portuguese)
Noni Geiger, Marcos Martins
477-487
The Moving Image in a Design School
PDF (Portuguese) HTML (Portuguese)
Mara João Cortesão
488-494
The scenic space as a metaphor for the life cycle: analysis of the film Carrossel
PDF (Portuguese) HTML (Portuguese)
Ivaldo Moreira, Paulo Bernardino Bastos
495-500
The sound language as a narrative quality in the audiovisual product
PDF (Portuguese) HTML (Portuguese)
Francisco Malta, Thiago Barboza
501-505
TRUE CRIME: Once Upon a Crime
PDF (Portuguese) HTML (Portuguese)

Chapter IV _ Cinema - Technology

Elia Ramírez Barroso
507-516
Accesibility and audio description for children: proposing an audio description script for the short film Puppy
PDF (Spanish) HTML (Spanish)
Alexandre Carvalho
517-522
Cinematographic Virtual Reality: methods of capturing attention in a 360° environment
PDF (Portuguese) HTML (Portuguese)
Mário Mesquita
523-524
Flaneur: the film of the architecture of public space
PDF HTML
Francisco-Julián Martínez-Cano
525-531
Metaverse film. The rising of immersive audiovisual through disrupting traditional moving image and its conventions
PDF HTML
Manuel Flurin Hendry, Norbert Kottmann, Valentin Karl Huber, Michael Schaerer, Christian Iseli
532-538
Simulate This! Virtual Production and Cinematic Education with cineDESK
PDF HTML
Tony Costa
539-543
The digital image: The implication changes in education
PDF (Portuguese) HTML (Portuguese)
Pedro Henrique Costa Reis, Mônica Stein
544-552
The use of 3D as a tool to assist in the creation of a 2D animated short film
PDF (Portuguese) HTML (Portuguese)
Cyril Lepot
553-561
Understanding the empirical process of animating to open up the field of stop motion analog simulation
PDF HTML
Sofia Figueiredo, Catarina Carneiro de Sousa
562-568
Videogames as Interactive Cinema - New Perspectives
PDF HTML

Chapter V _ Guests

Narce Dalia Ruiz Guzmán
570-575
Adult film industry leading the movie making into the AI
PDF (Spanish) HTML (Spanish)
Yen-Jung Chang, Hsin-Chien Huang, Yuting Hsueh
576-582
ASOMROF: A Transmedia Project of Sci-Fi Content Inspied by the Local Ethnic History for Technology Art Works
PDF HTML
José da Silva Ribeiro, Manoela dos Anjos Afonso Rodrigues
583-590
Between autobiographical looking and practices: a collective experimentation in audiovisual
PDF (Portuguese) HTML (Portuguese)
Ana Luíza Leite Silva, Larissa Duarte Santana Farias, Marcelo Tannure, João Victor Boechat Gomide
591-597
Cleo and Leo: Rigging of Quadruped Characters for a 3d Animation Series
PDF (Portuguese) HTML (Portuguese)
Lardyanne Pimentel Guimarães, António Costa Valente
598-607
Interactive narratives: Webdocumentary a audiovisual genre
PDF (Portuguese) HTML (Portuguese)
Rosimária Sapucaia , Mirian Tavares
608-614
Live cinema and its potential as a resource for online classes
PDF (Portuguese) HTML (Portuguese)
Petra Dominkova
615-619
Melodrama noir: Beyond the Forest and Leave Her To Heaven
PDF HTML
Anabela Dinis Branco de Oliveira
620-625
Van Gogh and Cinema: words, obsessions and textures
PDF (Portuguese) HTML (Portuguese)