Cinema - Technology

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58 Items
Wilson Oliveira Filho , Gabriel Linhares Falcão, Francisco Malta, Márcia Cristina da Silva Sousa
O escuro tem sua casa: O retorno à sala de exibição como resposta as novas tecnologias de imersão.
DOI: https://doi.org/10.37390/ac.v0i0.72
Tugay Arat
New Media and Technological Transformation
DOI: https://doi.org/10.37390/avancacinema.2021.a346
Ana Perfeito, Bruno Mendes Silva
Moda Vestra - um espetáculo de cinema ao vivo sobre o Algarve.
DOI: https://doi.org/10.37390/ac.v0i0.71
Francisco-Julián Martínez-Cano
Methodologies and Procedures for the Audiovisual Creation and Direction of Virtual Reality Short Films with Volumetric Capture. An Innovation Project for Higher Education
DOI: https://doi.org/10.37390/avancacinema.2024.a595
Francisco-Julián Martínez-Cano
Metaverse film. The rising of immersive audiovisual through disrupting traditional moving image and its conventions
DOI: https://doi.org/10.37390/avancacinema.2023.a540
Alexandre Catarino Oliveira Martins
Memories in motion: the creation of video Art through the anthropological archetype and the a/r/tographic and a/r/cographic models
DOI: https://doi.org/10.37390/avancacinema.2022.a455
Juan José Domínguez López
La problemática de los códecs en la edición y la distribución del audiovisual.
DOI: https://doi.org/10.37390/ac.v0i0.70
Luciano Marafon
Interactivity and post-media: the coexistence between technology and narratives
DOI: https://doi.org/10.37390/avancacinema.2021.a345
Sofia Figueiredo
Interactive cinema - videogames: a possible approach?
DOI: https://doi.org/10.37390/avancacinema.2021.a344
Maria Valentina Fandiño
From the maloca to the screen. Narrative connections between the oral tradition of Múrui-Muina amazonian community and interactive audiovisual content.
DOI: https://doi.org/10.37390/avancacinema.2022.a454
Marcello Ferreira, Bárbara Cleto, Luís Leite
From Performative Animation to Film Production
DOI: https://doi.org/10.37390/avancacinema.2021.a343
Lilian Cristina Monteiro França
From Flash to Klynt: algorithmic standardization of webdocumentary´s narrative
DOI: https://doi.org/10.37390/avancacinema.2022.a453
Mário Mesquita
Flaneur: the film of the architecture of public space
DOI: https://doi.org/10.37390/avancacinema.2023.a539
Ana Carolina Fiuza
Ex Machina and Her: narrative genres and gender narratives
DOI: https://doi.org/10.37390/avancacinema.2021.a342
Fábio Jabur de Noronha
Electronic montage: the non-formalistic video-cinema form of algorithm
DOI: https://doi.org/10.37390/avancacinema.2021.a341
Tugay Arat, Sedat Şi̇mşe
Development of Internet Television Broadcasting and Satisfaction in Internet Broadcasting
DOI: https://doi.org/10.37390/avancacinema.2020.a187
Luiza Moreira Heinzelmann, Mônica Stein
Development of a digital comic in vertical orientation with insertion of animations.
DOI: https://doi.org/10.37390/avancacinema.2022.a452
Marta Brescia-Zapata
Culture meets immersive environments: a new media landscape across Europe
DOI: https://doi.org/10.37390/avancacinema.2021.a340
João Ribeiro, Vítor Quelhas
Criação de narrativa num cartaz através de animação.
DOI: https://doi.org/10.37390/ac.v0i0.69
Sheila García-Muñoz Vizcaíno
Creative subtitling as an accessibility tool for children with hearing impairment
DOI: https://doi.org/10.37390/avancacinema.2022.a451
João Ventura, Vítor Quelhas
Contribution of visual communication in the symbiosis between space and technology: the Zora case
DOI: https://doi.org/10.37390/avancacinema.2022.a450
Jason S. Kao, Ole Christoffer Haga, Meisam Taheri
Conceptualising Cinematic Augmented Reality
DOI: https://doi.org/10.37390/avancacinema.2024.a606
Alexandre Carvalho
Cinematographic Virtual Reality: methods of capturing attention in a 360° environment
DOI: https://doi.org/10.37390/avancacinema.2023.a538
Eusebio Alonso-García, Sara Pérez-Barreiro, Iván Rincón-Borrego
Cinematographic ecosystem of the city and transfer with new technologies.
DOI: https://doi.org/10.37390/avancacinema.2022.a449
Luiz Philipe Fassarella Pereira, Rodrigo Octavio D’ Azevedo Carreiro
Cinema, reality and technology in convergence
DOI: https://doi.org/10.37390/avancacinema.2022.a448