Cinema - Cinema

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197 itens
Jorge Manuel Neves Carrega
O cinema italiano das origens em Portugal: o caso da coleção de cartazes do Museu de Faro
DOI: https://doi.org/10.37390/avancacinema.2024.a577
José Duarte
O caminho da contemplação: para Além da Estrada, de Charly Braun
DOI: https://doi.org/10.37390/ac.v0i0.39
Sérgio Bordalo e Sá
O Anjo Azul: do fim do Expressionismo à influência da Paramount – um filme de Josef von Sternberg
DOI: https://doi.org/10.37390/avancacinema.2020.a157
Elis Crokidakis Castro, Luís Antônio Monteiro Campos
No cinema de Woody Allen os sujeitos pós-modernos com suas neuroses nas cidades de Nova York, Barcelona e Paris.
DOI: https://doi.org/10.37390/ac.v0i0.38
Sheida Sheikhha
Narcissism and Universality: The Cinema of Xavier Dolan
DOI: https://doi.org/10.37390/avancacinema.2021.a288
Pollyanna Rosa Ribeiro, Keyla Andrea Santiago Oliveira
Naiá e a Lua (2010): lendas indígenas sob os holofotes da narrativa
DOI: https://doi.org/10.37390/avancacinema.2020.a156
Patrícia Cardoso D’Abreu , Flavia Leiroz
Mulheres e narrativa audiovisual brasileira: reconfigurações a partir de marcos temporais
DOI: https://doi.org/10.37390/avancacinema.2021.a315
Elahe Saberi
Modern narrative structure in animated short films: a tool to increase suspense
DOI: https://doi.org/10.37390/avancacinema.2023.a500
Maria Natalia Ramos, Regina Gloria Andrade, Maria Conceição Pereira Ramos, José Francisco Serafim
Migração feminina através do documentário Mulheres que Migram- Brasil 2023
DOI: https://doi.org/10.37390/avancacinema.2024.a576
Saša Miletić
Mendax v Verax Images of Snowden and Assange in Fiction and Documentary Films
DOI: https://doi.org/10.37390/avancacinema.2024.a575
Dulce María Núñez Oseguera
Magueyes (1962) by Rubén Gámez. Mexican experimental cinema as a violent and inexhaustible resource of memory
DOI: https://doi.org/10.37390/avancacinema.2021.a286
Pilar Orero
Leading accessible cinema across Europe
DOI: https://doi.org/10.37390/avancacinema.2021.a284
Maroua Médini
Le renouveau du cinéma indépendant Tunisien “Dachra” du réalisateur Abdelhamid Bouchnak
DOI: https://doi.org/10.37390/avancacinema.2023.a508
Severiano Casalderrey Conde
La “Nouvelle Vague Francesa” en la sombra
DOI: https://doi.org/10.37390/avancacinema.2020.a153
Javier Venturi
La retórica rusófoba y anglófoba del régimen franquista en las películas Murió hace quince años, Rapsodia de sangre, y La mujer que vino del mar.
DOI: https://doi.org/10.37390/ac.v0i0.37
Ángela Sáenz-Herrero, Juan Pedro Rica-Peromingo
La evolución del español a través del doblaje en España.
DOI: https://doi.org/10.37390/avancacinema.2020.a155
Karine Chevalier
La Corse: foyer d’une rébellion cinématographique?
DOI: https://doi.org/10.37390/avancacinema.2024.a574
Rubén Marín Ramos
La configuración archivística en el cine de no ficción contemporáneo
DOI: https://doi.org/10.37390/avancacinema.2020.a154
Mauricio Mario Monteiro, Ricardo Tsutomu Matsuzawa
Jornada nas Estrelas: feminismo e identidade no caso de Nyota Uhura
DOI: https://doi.org/10.37390/avancacinema.2021.a297
Marcello Zeppi
Italian Identities – Stories and Memories of the Community
DOI: https://doi.org/10.37390/avancacinema.2021.a282
Laís Bravo Serra
Interseções entre Cinema e Pintura em Maria Antonieta de Sofia Coppola
DOI: https://doi.org/10.37390/avancacinema.2020.a152
Amin Mokhtari, Farzad Khoshnoodan
In-depth analysis of challenges facing the movie industry in the pandemic era and its competition with VOD platforms
DOI: https://doi.org/10.37390/avancacinema.2023.a498
Sigmund Trageton
In the pursuit of the authentic cinema. A comparative study of two films about the 22. July 2011 terrorist attack in Norway
DOI: https://doi.org/10.37390/avancacinema.2020.a151
Giulianna Nogueira Ronna, Cristiane Freitas Gutfreind
Imagens por vir: a reinscrição política no documentário Brasileiro contemporâneo.
DOI: https://doi.org/10.37390/avancacinema.2022.a408
Nikbanoo Ardalan
Homebound Documentaries: A Reflection upon the Significance of Self-reflexive Cinema in the Digital Age
DOI: https://doi.org/10.37390/avancacinema.2021.a280