Cinema - Cinema

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197 Items
Marcos De Bona de Carvalho
Philosophy and psychology in Charlie Kaufman’s Work
DOI: https://doi.org/10.37390/avancacinema.2021.a291
Pâmela Eurídice da Silva Beleza Baltazar, Selda Vale da Costa
Perspectives: an excursion through the cinema made by women in the Amazon
DOI: https://doi.org/10.37390/avancacinema.2022.a411
André Mendonça, Edileuza Penha de Souza
Percepções do clássico Alma no Olho e o cinema negro de Zózimo Bulbul
DOI: https://doi.org/10.37390/avancacinema.2020.a163
Marín Ramos Rubén
Pautas y restricciones en el cine de no ficción contemporáneo.
DOI: https://doi.org/10.37390/ac.v0i0.47
Rafael Nogueira Costa, Robson Loureiro
Paulo Freire's aesthetics in the film “The King's Friend”, by André D`Elia: notes for thinking a critical cinema
DOI: https://doi.org/10.37390/avancacinema.2020.a145
António Costa
One film, three visions.
DOI: https://doi.org/10.37390/ac.v0i0.46
Catarina Xavier
On taboo in cinema discourse: tradition, functions and reflections
DOI: https://doi.org/10.37390/avancacinema.2020.a160
Daniel Brandão, Pedro Mota Teixeira, António Ferreira, Paulo Korpys
O valor documental do quotidiano: uma leitura histórica.
DOI: https://doi.org/10.37390/ac.v0i0.45
Denise Costa Lopes
O transcinema de Lúcia Murat. Memórias dos anos 70 por meio da imersão e da coautoria com o espectador
DOI: https://doi.org/10.37390/ac.v0i0.44
Sérgio Bordalo e Sá
O mar e os pescadores ou a ténue fronteira entre a realidade e a ficção no cinema de Leitão de Barros.
DOI: https://doi.org/10.37390/ac.v0i0.43
Eliane Gordeeff, João Paulo Queiroz
O Imaginarium Diegético na Animação e no Cinema: a representação de momentos de sonho, memória, devaneio e psicadelia no Audiovisual.
DOI: https://doi.org/10.37390/ac.v0i0.42
Mayara Fior Oliveira
O faux raccord e a montagem discursiva: O que é faux raccord?
DOI: https://doi.org/10.37390/ac.v0i0.41
Veronica Miranda Damasceno
O cristal em decomposição em Morte em Veneza de Luchino Visconti.
DOI: https://doi.org/10.37390/ac.v0i0.40
José Duarte
O caminho da contemplação: para Além da Estrada, de Charly Braun
DOI: https://doi.org/10.37390/ac.v0i0.39
Daniel Brandi do Couto
Notes on construction of character in documentaries
DOI: https://doi.org/10.37390/avancacinema.2021.a289
Elis Crokidakis Castro, Luís Antônio Monteiro Campos
No cinema de Woody Allen os sujeitos pós-modernos com suas neuroses nas cidades de Nova York, Barcelona e Paris.
DOI: https://doi.org/10.37390/ac.v0i0.38
Francisco Malta, Fernando Rodrigues, Renan Oliveira, Thiago Malvar, Matheus Moita, Wilson Oliveira
Narrative transits that immersive 360 cinema allows viewers in, Toy Story 4
DOI: https://doi.org/10.37390/avancacinema.2020.a167
Sheida Sheikhha
Narcissism and Universality: The Cinema of Xavier Dolan
DOI: https://doi.org/10.37390/avancacinema.2021.a288
Pollyanna Rosa Ribeiro, Keyla Andrea Santiago Oliveira
Naiá e a Lua (2010): indigenous legends under the spotlight of narrative
DOI: https://doi.org/10.37390/avancacinema.2020.a156
Gregorio Galvão de Albuquerque
Mountain range of Amoras II and the social imaginary overseas field in exercise of the invisible photography
DOI: https://doi.org/10.37390/avancacinema.2021.a287
Elahe Saberi
Modern narrative structure in animated short films: a tool to increase suspense
DOI: https://doi.org/10.37390/avancacinema.2023.a500
Dulce María Núñez Oseguera
Mexican experimental cinema as a critical enunciation tool based on the artistic collaboration between Juan Rulfo and Rubén Gámez in The Secret Formula (1965)
DOI: https://doi.org/10.37390/avancacinema.2020.a141
Saša Miletić
Mendax v Verax Images of Snowden and Assange in Fiction and Documentary Films
DOI: https://doi.org/10.37390/avancacinema.2024.a575
Dulce María Núñez Oseguera
Magueyes (1962) by Rubén Gámez. Mexican experimental cinema as a violent and inexhaustible resource of memory
DOI: https://doi.org/10.37390/avancacinema.2021.a286
Beatriz Alcici
Lost in Translation: Images of “deslugar/displace” in contemporary cinema
DOI: https://doi.org/10.37390/avancacinema.2022.a410