Cinema - Cinema

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217 itens
Severiano Casalderrey Conde
La “Nouvelle Vague Francesa” en la sombra
DOI: https://doi.org/10.37390/avancacinema.2020.a153
Javier Venturi
La retórica rusófoba y anglófoba del régimen franquista en las películas Murió hace quince años, Rapsodia de sangre, y La mujer que vino del mar.
DOI: https://doi.org/10.37390/ac.v0i0.37
Ángela Sáenz-Herrero, Juan Pedro Rica-Peromingo
La evolución del español a través del doblaje en España.
DOI: https://doi.org/10.37390/avancacinema.2020.a155
Karine Chevalier
La Corse: foyer d’une rébellion cinématographique?
DOI: https://doi.org/10.37390/avancacinema.2024.a574
Rubén Marín Ramos
La configuración archivística en el cine de no ficción contemporáneo
DOI: https://doi.org/10.37390/avancacinema.2020.a154
Mauricio Mario Monteiro, Ricardo Tsutomu Matsuzawa
Jornada nas Estrelas: feminismo e identidade no caso de Nyota Uhura
DOI: https://doi.org/10.37390/avancacinema.2021.a297
Marcello Zeppi
Italian Identities – Stories and Memories of the Community
DOI: https://doi.org/10.37390/avancacinema.2021.a282
Sheida Sheikhha, Bruno Grandino
Introducing Miss Havisham: A Comparative Analysis of Different Adaptations of Great Expectations.
DOI: https://doi.org/10.37390/avancacinema.2025.a646
Laís Bravo Serra
Interseções entre Cinema e Pintura em Maria Antonieta de Sofia Coppola
DOI: https://doi.org/10.37390/avancacinema.2020.a152
Amin Mokhtari, Farzad Khoshnoodan
In-depth analysis of challenges facing the movie industry in the pandemic era and its competition with VOD platforms
DOI: https://doi.org/10.37390/avancacinema.2023.a498
Sigmund Trageton
In the pursuit of the authentic cinema. A comparative study of two films about the 22. July 2011 terrorist attack in Norway
DOI: https://doi.org/10.37390/avancacinema.2020.a151
Giulianna Nogueira Ronna, Cristiane Freitas Gutfreind
Imagens por vir: a reinscrição política no documentário Brasileiro contemporâneo.
DOI: https://doi.org/10.37390/avancacinema.2022.a408
Nikbanoo Ardalan
Homebound Documentaries: A Reflection upon the Significance of Self-reflexive Cinema in the Digital Age
DOI: https://doi.org/10.37390/avancacinema.2021.a280
Jailan Mahmoud Sharaf
Health Knowledge, Awareness & Social Stigma as Reflected in Egyptian Drama - HIV/AIDS as Paradigm
DOI: https://doi.org/10.37390/avancacinema.2021.a278
Eva Vitija, Annette Brütsch, Christian Iseli
GADGETS, PHONES AND DRONES Multi-Perspective Documentary Storytelling
DOI: https://doi.org/10.37390/avancacinema.2020.a150
Pedro Afonso, José Alberto Pinheiro
Fritz Lang: o Mundo pelo monóculo do Modernismo.
DOI: https://doi.org/10.37390/ac.v0i0.36
Regina Glória Andrade, Jose Francisco Serafim, Sandra Straccialano Coelho
Fragmentos da autoria feminina no cinema brasileiro: considerações sobre o cinema de Gilda de Abreu (1904 - 1979)
DOI: https://doi.org/10.37390/avancacinema.2020.a149
Regina Glória Andrade , José Francisco Serafim, Sandra Straccialano Coelho
Fragmentos da autoria feminina no cinema brasileiro: considerações sobre o cinema de carla Civelli (1921-1977)
DOI: https://doi.org/10.37390/avancacinema.2021.a277
Roberta Veiga
Formas de Insubordinação Cinematográfica aos Mitos da Maternidade: método, pesquisa e inventário
DOI: https://doi.org/10.37390/avancacinema.2022.a407
Fausto Cruchinho
Fora de campo e Campo sonoro em Cinema
DOI: https://doi.org/10.37390/ac.v0i0.35
Quentin Mur
Folds, Cracks, splits of the Subject. Otto e mezzo or the discovery of an authenticity of cinema
DOI: https://doi.org/10.37390/avancacinema.2021.a276
Yorgos Drosos , Stella Klimatsaki
Flesh and Blood: Generic Monstrosities in Contemporary Greek Film
DOI: https://doi.org/10.37390/avancacinema.2022.a406
Marcos De Bona de Carvalho
Filosofia e psicologia na obra de Charlie Kaufman
DOI: https://doi.org/10.37390/avancacinema.2021.a291
Katrin Pieper
Filmes cortados e legendas manipuladas: A censura de filmes estrangeiros durante o Estado Novo
DOI: https://doi.org/10.37390/avancacinema.2022.a403
Jose Francisco Serafim, Regina Gloria Andrade , Natalia Ramos
Ficções do real no documentário Era o Hotel Cambridge - Eliana Caffé (2016)
DOI: https://doi.org/10.37390/avancacinema.2022.a405