In the first half of the 20th Century, the “western” was a major genre in Hollywood filmography. Starting as a simple and almost childish type of entertainment easily attained by the audience, it evolved into a more sophisticated form of film communication and art, and become the preferred genre for some film directors like Howard Hawks and John Ford, among others. This evolution allowed the genre to become an important tool of analyses and criticism of American Culture, History, Myths and Society, especially during the time of the McCarthyism and the Red Scare, a time when progressive and more critical views on these subjects could not be openly dealt with. Among the authors who saw the “western” as this privileged means of expression, Ford definitely stands tall, and in his filmography, “The Searchers” occupies a front row seat. For all of the above, we intend to bring some light to this movie, analysing some aspects of its narrative from the perspective of the Aristotelian principles of dramatic construction.
Este trabalho encontra-se publicado com a Licença Internacional Creative Commons Atribuição 4.0.
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