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50 Items
Denize Araujo, Fernando Sarmento
“Duoverse” protagonists & “indexical” spectators
DOI: https://doi.org/10.37390/avancacinema.2024.a603
Patrícia Dourado , Mirian Tavares
Writing and rewriting: screenwriting practices by Anna Muylaert in Second Mother
DOI: https://doi.org/10.37390/avancacinema.2022.a466
Igor Abrahão Arantes, Bernardo Giorni Abijaude Bracarense, Samuel Marinho Leidner, Humberto de Campos Rezende, João Victor Boechat Gomide
Workflow for real-time rendering animation
DOI: https://doi.org/10.37390/avancacinema.2020.a199
Anabela Dinis Branco de Oliveira
Van Gogh and Cinema: words, obsessions and textures
DOI: https://doi.org/10.37390/avancacinema.2023.a554
Javier Venturi
Utopian and Dystopian Visions in the Movies The Voice of the Moon and Some Time Later
DOI: https://doi.org/10.37390/avancacinema.2020.a204
José da Silva Ribeiro
Um Percurso pelo Cinema e pela Escola
DOI: https://doi.org/10.37390/avancacinema.2020.a203
Marc Rigaudis, Max Musau
The Team Using Video Games To Help Fight Climate Change
DOI: https://doi.org/10.37390/avancacinema.2021.a359
Manuel Bernardo Cabral, António Costa Valente
The Searchers: Aristoteles Revisited
DOI: https://doi.org/10.37390/avancacinema.2021.a358
José da Silva Ribeiro
The Script in Documentary Filmmaking and Cinema Work in Schools
DOI: https://doi.org/10.37390/avancacinema.2024.a602
Lara Pereira, Lídia Oliveira
The representation of anxiety in cinema over the last decade
DOI: https://doi.org/10.37390/avancacinema.2024.a597
Nazlı Eda Noyan
The Destiny of a “Baby” Industry: Turkish Animation
DOI: https://doi.org/10.37390/avancacinema.2020.a202
Regis Frota Araújo
The case of the North-American writers attracted by Hollywoodian Cinema
DOI: https://doi.org/10.37390/avancacinema.2021.a357
Maria Manuela Lopes, Paulo Bernardino Bastos
Synaesthetic Reverberations: Interaction between Memory, Performance, and Visual Arts in ‘Pictures at an Exhibition’
DOI: https://doi.org/10.37390/avancacinema.2024.a604
Anabela Branco de Oliveira, Felipe Muanis
State Funeral (Sergei Loznitsa, 2019): the documentary funeral
DOI: https://doi.org/10.37390/avancacinema.2022.a465
Maria Eugénia Pereira
Sophia de Mello Breyner de Andresen na poesia de cinema de João César Monteiro
DOI: https://doi.org/10.37390/ac.v0i0.82
Patrícia Dourado, Cecília Salles, Mirian Tavares
Script practices: revisiting concepts
DOI: https://doi.org/10.37390/avancacinema.2020.a201
Fernanda Sousa Oliveira, José da Silva Ribeiro
Retrato falado, Criminoso e Cinema.
DOI: https://doi.org/10.37390/ac.v0i0.81
Narce Dalia Ruiz Guzmán, Nuria Lloret Romero, António Costa Valente
Plataformas de creación colaborativa en el audiovisual.
DOI: https://doi.org/10.37390/ac.v0i0.80
Lardyanne Pimentel Guimarães, António Costa Valente
PARTICIPATORY CULTURE: THE EMANCIPATED SPECTATOR
DOI: https://doi.org/10.37390/avancacinema.2024.a599
Regis Frota
O Acossado e o cinema moderno da desmistificação godardiana
DOI: https://doi.org/10.37390/avancacinema.2020.a200
Régis Frota Araújo
O Abismo e o Cinema moderno: Não seria só o apocalipse quem poderia nos libertar?
DOI: https://doi.org/10.37390/ac.v0i0.85
Denize Araujo, Luciano Marafon
Multiscreen Narratives and the “Expanded Spectator”
DOI: https://doi.org/10.37390/avancacinema.2024.a601
Alice Fátima Martins
Mrs. Maria makes movies
DOI: https://doi.org/10.37390/avancacinema.2020.a194
Petra Dominkova
Melodrama noir: Beyond the Forest and Leave Her To Heaven
DOI: https://doi.org/10.37390/avancacinema.2023.a552
Anabela Dinis Branco de Oliveira
Manoel de Oliveira: a inevitabilidade da memória
DOI: https://doi.org/10.37390/ac.v0i0.79