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41 Items
Patrícia Dourado , Mirian Tavares
Writing and rewriting: screenwriting practices by Anna Muylaert in Second Mother
DOI: https://doi.org/10.37390/avancacinema.2022.a466
Igor Abrahão Arantes, Bernardo Giorni Abijaude Bracarense, Samuel Marinho Leidner, Humberto de Campos Rezende, João Victor Boechat Gomide
Workflow for real-time rendering animation
DOI: https://doi.org/10.37390/avancacinema.2020.a199
Anabela Dinis Branco de Oliveira
Van Gogh and Cinema: words, obsessions and textures
DOI: https://doi.org/10.37390/avancacinema.2023.a554
Javier Venturi
Utopian and Dystopian Visions in the Movies The Voice of the Moon and Some Time Later
DOI: https://doi.org/10.37390/avancacinema.2020.a204
José da Silva Ribeiro
Um Percurso pelo Cinema e pela Escola
DOI: https://doi.org/10.37390/avancacinema.2020.a203
Marc Rigaudis, Max Musau
The Team Using Video Games To Help Fight Climate Change
DOI: https://doi.org/10.37390/avancacinema.2021.a359
Manuel Bernardo Cabral, António Costa Valente
The Searchers: Aristoteles Revisited
DOI: https://doi.org/10.37390/avancacinema.2021.a358
Nazlı Eda Noyan
The Destiny of a “Baby” Industry: Turkish Animation
DOI: https://doi.org/10.37390/avancacinema.2020.a202
Regis Frota Araújo
The case of the North-American writers attracted by Hollywoodian Cinema
DOI: https://doi.org/10.37390/avancacinema.2021.a357
Anabela Branco de Oliveira, Felipe Muanis
State Funeral (Sergei Loznitsa, 2019): the documentary funeral
DOI: https://doi.org/10.37390/avancacinema.2022.a465
Maria Eugénia Pereira
Sophia de Mello Breyner de Andresen na poesia de cinema de João César Monteiro
DOI: https://doi.org/10.37390/ac.v0i0.82
Patrícia Dourado, Cecília Salles, Mirian Tavares
Script practices: revisiting concepts
DOI: https://doi.org/10.37390/avancacinema.2020.a201
Fernanda Sousa Oliveira, José da Silva Ribeiro
Retrato falado, Criminoso e Cinema.
DOI: https://doi.org/10.37390/ac.v0i0.81
Narce Dalia Ruiz Guzmán, Nuria Lloret Romero, António Costa Valente
Plataformas de creación colaborativa en el audiovisual.
DOI: https://doi.org/10.37390/ac.v0i0.80
Regis Frota
O Acossado e o cinema moderno da desmistificação godardiana
DOI: https://doi.org/10.37390/avancacinema.2020.a200
Régis Frota Araújo
O Abismo e o Cinema moderno: Não seria só o apocalipse quem poderia nos libertar?
DOI: https://doi.org/10.37390/ac.v0i0.85
Alice Fátima Martins
Mrs. Maria makes movies
DOI: https://doi.org/10.37390/avancacinema.2020.a194
Petra Dominkova
Melodrama noir: Beyond the Forest and Leave Her To Heaven
DOI: https://doi.org/10.37390/avancacinema.2023.a552
Anabela Dinis Branco de Oliveira
Manoel de Oliveira: a inevitabilidade da memória
DOI: https://doi.org/10.37390/ac.v0i0.79
Rosimária Sapucaia , Mirian Tavares
Live cinema and its potential as a resource for online classes
DOI: https://doi.org/10.37390/avancacinema.2023.a551
Regis Frota Araújo
Law and Psychoanalysis in Dostoevsky’s Book “The Brothers Karamazov”
DOI: https://doi.org/10.37390/avancacinema.2022.a464
Lardyanne Pimentel Guimarães, António Costa Valente
Interactive narratives: Webdocumentary a audiovisual genre
DOI: https://doi.org/10.37390/avancacinema.2023.a550
Bruno Mendes da Silva, Mirian Tavares, Rui António, Susana Costa, Paula Monteiro, António Araujo
Insights about an interactive film installation.
DOI: https://doi.org/10.37390/ac.v0i0.84
Gloria Gómez-Escalonilla
Hablando de cine, el papel de las revistas cinematográficas.
DOI: https://doi.org/10.37390/ac.v0i0.78
Javier Segundo Olarte Triana
From screenwriting to montage, evidence to understand the evolution of audiovisual narratives
DOI: https://doi.org/10.37390/avancacinema.2021.a356