Capítulo V _ Convidados

Sophia de Mello Breyner de Andresen na poesia de cinema de João César Monteiro

Maria Eugénia Pereira
Universidade de Aveiro, Portugal
AVANCA | CINEMA 2019
N.º 10 (2019)
Publicado 2019-10-14
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Resumo

In the year of the celebrations of the centenary of the birth of Sophia de Mello Breyner Andresen I decided to go to meet the poet through the artistic and aesthetic creation of the still very young João César Monteiro.
The documentary, with the name of the poet, is the first movie by João César Monteiro and it shows how the filmmaker likes to work without safety net.
João’s work goes back and forth between poetry and reality, imagination and the palpable, Sophia and the People, the cult and the popular. The sublime and the trivial is no more than a play of mirrors, a play between Sophia’s and João’s artistic expressions.

Palavras-chave João César Monteiro, Sophia de Mello Breyner Andresen, Documentar, The Sublime and the Trivial.
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Creative Commons License

Este trabalho encontra-se publicado com a Licença Internacional Creative Commons Atribuição 4.0.

Direitos de Autor (c) 2019 AVANCA | CINEMA