AVANCA | CINEMA 2024

AVANCA | CINEMA 2024

AVANCA | CINEMA 2024

No. 15 (2024)

Online Journal with 50 communications (ISSN: 2184-4682) from various authors from different parts of the world, which reflect the International Conference AVANCA | CINEMA 2024 and gather scientific communications around the cinema.

Published November 6, 2024

Editorial

Editorial | Table of Contents 2024
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Chapter I _ Cinema - Art

Margarida Bezerra Bastos
23.16 : Iterating Identity Through Art and Technology
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DOI: https://doi.org/10.37390/avancacinema.2024.a555
Carla Ribeiro
António Lopes Ribeiro and António Ferro: cinematographic cumplicity and the internationalisation projects of portuguese cinema
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DOI: https://doi.org/10.37390/avancacinema.2024.a557
Yundi Hou, Shao Xiao Ling
Audiovisual Imagery in Multimodal Perception and Performance of Qigang Chen’s Er Huang Concerto
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DOI: https://doi.org/10.37390/avancacinema.2024.a558
Aleix Rodríguez Gracia
Coincidences and Consequences: A Note on the Endings in Chekhov and Rohmer
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DOI: https://doi.org/10.37390/avancacinema.2024.a559
Heloisa Cardoso da Rosa, Mônica Stein, Henrique Cardoso da Rosa, Stefani Ehmke Agra
Worldbuilding as a key element in the creation of transmedia narrative universes — an applicable approach to cinematography
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DOI: https://doi.org/10.37390/avancacinema.2024.a560
José Alejandro López Pérez
The documenting by opposites of forced disappearance and the Peruvian video installation Liminal (2019) by Maya Watanabe
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DOI: https://doi.org/10.37390/avancacinema.2024.a562
Wan-Chen Lee
Emotive Narrative: Thinking and Writing Experimental Animation through Things’ Perspective
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DOI: https://doi.org/10.37390/avancacinema.2024.a563
Cibele Saque, Moisés Saque, Romeu Saque
Intertwining Nature and Narrative: A Potential Contribution of Animated Cinema to Ecological Perspectives
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DOI: https://doi.org/10.37390/avancacinema.2024.a561
Raquel Felgueiras
Inside the black cube: the moving image in the exhibition room
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DOI: https://doi.org/10.37390/avancacinema.2024.a564
Florencia Varela Gadea
The share confession and the generacional portraits in the new documental films aesthetics El olor de aquel lugar (2012), Bosco (2021) y Alcira y el campos de espigas (2023)
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DOI: https://doi.org/10.37390/avancacinema.2024.a565
Kátia Marly Leite Mendonça
Literature and Cinema: A Day In The Life Of Ivan Denisovitch
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DOI: https://doi.org/10.37390/avancacinema.2024.a566
Beatriz Arroyo Plasencia
Marta Negre, the digital present and its pandemic correlation: TWENTY REAL FICTION TIME
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DOI: https://doi.org/10.37390/avancacinema.2024.a567
Isabel Maria Lemos de Pina
Media Arts Suspensions and Deviations - Paz dos Reis between Cinema and Photography
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DOI: https://doi.org/10.37390/avancacinema.2024.a568
Nuno Chuva Vasco
“Pierrot le Fou”, a perspective of [self]representation of the visual arts
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DOI: https://doi.org/10.37390/avancacinema.2024.a569
Carla Patrícia Oliveira de Souza
Similarities between the film The Illusionist (2006) and the installation A Body of Water (1999) based on phantasmagoria
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DOI: https://doi.org/10.37390/avancacinema.2024.a570
Isac dos Santos Pereira, Maria Ignes Carlos Magno
Crossings Of The Child Body: Naruto, Videos, And Performances In Art Classes
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DOI: https://doi.org/10.37390/avancacinema.2024.a571

Chapter II _ Cinema - Cinema

Renata Dariva Costa
Between the camera and the Wars: the circulation of cinemas in Angola (1968-1992): the cases of Sarah Maldoror, Ruy Duarte de Carvalho and the Angolan state apparatus
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DOI: https://doi.org/10.37390/avancacinema.2024.a572
Francisco Malta
Exploring Diversity on Screen: An Analysis of Films Addressing LGBTQIAPN+ Issues in Cinema.
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DOI: https://doi.org/10.37390/avancacinema.2024.a573
Karine Chevalier
Corsica: a cinematic home of rebellion?
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DOI: https://doi.org/10.37390/avancacinema.2024.a574
Saša Miletić
Mendax v Verax Images of Snowden and Assange in Fiction and Documentary Films
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DOI: https://doi.org/10.37390/avancacinema.2024.a575
Maria Natalia Ramos, Regina Gloria Andrade, Maria Conceição Pereira Ramos, José Francisco Serafim
Women’s migration through the documentary Women Who Migrate – Brazil 2023
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DOI: https://doi.org/10.37390/avancacinema.2024.a576
Jorge Manuel Neves Carrega
Early italian cinema in Portugal: the case of the poster collection of the Museum of Faro
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DOI: https://doi.org/10.37390/avancacinema.2024.a577
Ana Catarina Pereira
Looking in the mirror: an autobiographical exercise that takes new paths
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DOI: https://doi.org/10.37390/avancacinema.2024.a578
Ana Luísa Gonçalves
Frederick Wiseman’s look at school
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DOI: https://doi.org/10.37390/avancacinema.2024.a579
Marden Machado
The Power of Suggestion
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DOI: https://doi.org/10.37390/avancacinema.2024.a580
Miguel García Victoria
Three portraits of the cangaço: documentary, avant-garde and parody
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DOI: https://doi.org/10.37390/avancacinema.2024.a581
Tiago Luís Minau Ramos
A Question of Belief: A Reading of Close Your Eyes (Victor Erice, 2023)
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DOI: https://doi.org/10.37390/avancacinema.2024.a582

Chapter III _ Cinema - Communication

Lopes, Mónica Mara, Sandes, Shimabukuro Fábio, Damásio, Manuel José
Creativity, Fashion, Art and Marketing: The Case of the Miu Miu Brand in the Construction of the Discourse of Contemporary Fashion Brands
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DOI: https://doi.org/10.37390/avancacinema.2024.a583
Sílvia R. B. Pinto
From Modern Times to current pedagogical practices: limits and possibilities through visual culture
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DOI: https://doi.org/10.37390/avancacinema.2024.a584
Helga Caroline Peres
Essay and Narrative in “O Menino e o Mundo”, by Alê Abreu: notes for a pedagogy of cinema
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DOI: https://doi.org/10.37390/avancacinema.2024.a585
Diogo Simão
Case study of a trilogy of cinematic creative processes: “Aunque es de noche”
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DOI: https://doi.org/10.37390/avancacinema.2024.a586
Madjid CHACHOUR, Rafika BOUCHAAR, Said DEBLADJI
Visual Exploration of Tidjditt : Photography as the Gateway to Heritage
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DOI: https://doi.org/10.37390/avancacinema.2024.a587
Maria do Rosário da Silva Santana Silva Santana, Helena Maria da Silva Santana
Cinema and Environmental Education: HOPE (2020)
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DOI: https://doi.org/10.37390/avancacinema.2024.a588
Maria do Rosário da Silva Santana, Helena Maria da Silva Santana
The place of animated cinema at the eradication of some problems of the society and the world: The Box (2016) by Merve Cirisoglu Cotur
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DOI: https://doi.org/10.37390/avancacinema.2024.a589
Lucas Waltenberg, Marcela Soalheiro
Re-encounters between audience and narratives in the adaptation of “The Last of Us” video game
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DOI: https://doi.org/10.37390/avancacinema.2024.a590
Maria Marta Amancio Amorim, Maria Natália Ramos, Maria da Conceição Ramos
Social representations of food portrayed in Festa de Babette
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DOI: https://doi.org/10.37390/avancacinema.2024.a591
Anna Ter-Gabrielyan
Resisting the Canvas of Soviet Ideology: Analysing Dissent and Despair in Albert Mkrtchyan’s ‘The Song of the Old Days’ (1982)
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DOI: https://doi.org/10.37390/avancacinema.2024.a592
Noni Geiger
The Eschatological Screen
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DOI: https://doi.org/10.37390/avancacinema.2024.a593

Chapter IV _ Cinema - Technology

Davys Espíndola Moreno, Hélder J. M. Caixinha
Technology as an access facilitator to music learning for a child with cerebral palsy
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DOI: https://doi.org/10.37390/avancacinema.2024.a594
Francisco-Julián Martínez-Cano
Methodologies and Procedures for the Audiovisual Creation and Direction of Virtual Reality Short Films with Volumetric Capture. An Innovation Project for Higher Education
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DOI: https://doi.org/10.37390/avancacinema.2024.a595
Carlos Federico Buonfiglio Dowling
Alagmatic Narratives: THE WRITING OF THE GOD
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DOI: https://doi.org/10.37390/avancacinema.2024.a596

Chapter V _ Guests

Lara Pereira, Lídia Oliveira
The representation of anxiety in cinema over the last decade
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DOI: https://doi.org/10.37390/avancacinema.2024.a597
José da Silva Ribeiro , Lisabete Coradini
Autobiographies and Participatory Audiovisual Research – First Essay
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DOI: https://doi.org/10.37390/avancacinema.2024.a598
Lardyanne Pimentel Guimarães, António Costa Valente
PARTICIPATORY CULTURE: THE EMANCIPATED SPECTATOR
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DOI: https://doi.org/10.37390/avancacinema.2024.a599
Juliana Wexel, Bruno Mendes da Silva, Mirian Estela Nogueira Tavares
Artificial Intelligence in Audiovisual Narratives: Experience on the Cyberperformance Aretusa Vox e vulva art
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DOI: https://doi.org/10.37390/avancacinema.2024.a600
Denize Araujo, Luciano Marafon
Multiscreen Narratives and the “Expanded Spectator”
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DOI: https://doi.org/10.37390/avancacinema.2024.a601
José da Silva Ribeiro
The Script in Documentary Filmmaking and Cinema Work in Schools
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DOI: https://doi.org/10.37390/avancacinema.2024.a602
Denize Araujo, Fernando Sarmento
“Duoverse” protagonists & “indexical” spectators
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DOI: https://doi.org/10.37390/avancacinema.2024.a603
Maria Manuela Lopes, Paulo Bernardino Bastos
Synaesthetic Reverberations: Interaction between Memory, Performance, and Visual Arts in ‘Pictures at an Exhibition’
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DOI: https://doi.org/10.37390/avancacinema.2024.a604
Mónica Lopes, Sónia Ferreira
A Success Story: The Case of Jornal do Centro’s Audiovisual Production
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DOI: https://doi.org/10.37390/avancacinema.2024.a605