All Items

119 Items
Teresa Maia e Carmo
Do cinema à análise do discurso dos media.
DOI: https://doi.org/10.37390/ac.v0i0.60
José Antonio Martinuzzo, Janaina Frechiani Lara Leite
Digitality, living through screens, the economy of attention and the look market
DOI: https://doi.org/10.37390/avancacinema.2021.a326
Lúcia Maria Pereira Bravo
Digital Out of Home media, post-massivity and convergence: DOOH media uses and management in favor of democratization and decolonization of communication in 21st century brazil
DOI: https://doi.org/10.37390/avancacinema.2020.a178
Gabriela Santos Alves, Rosane Vasconcelos Zanotti, Thiago Scarpat Mozer
Dialogues between the advertising video clip and the gentrification of queer
DOI: https://doi.org/10.37390/avancacinema.2021.a325
Helena Tude
Design & cinema: A timeline of graphic design in film
DOI: https://doi.org/10.37390/avancacinema.2020.a174
Jorge Calvo Martín, Francisco García García
Critical Success: The narrative weight of chance in TTRPG based shows (actual play)
DOI: https://doi.org/10.37390/avancacinema.2022.a429
Lopes, Mónica Mara, Sandes, Shimabukuro Fábio, Damásio, Manuel José
Creativity, Fashion, Art and Marketing: The Case of the Miu Miu Brand in the Construction of the Discourse of Contemporary Fashion Brands
DOI: https://doi.org/10.37390/avancacinema.2024.a583
Sebastian Chisaba Rojas
Contribution of written publications to the dissemination and development of cinema: The Cahiers du Cinéma (1951-1959)
DOI: https://doi.org/10.37390/avancacinema.2021.a324
Sílvia R. B. Pinto
Communication made from a shadow animation
DOI: https://doi.org/10.37390/avancacinema.2022.a428
Chiara Gunella
Collaborative Filmmaking as a Tool for Decolonising Cinema. The Faire-Part Case Study
DOI: https://doi.org/10.37390/avancacinema.2023.a518
Otávio Augusto Castro Risieri, Fabrícia Teixeira Borges
CinePsi: film clubs as a new teaching method in psychology while spreading audio-visual culture.
DOI: https://doi.org/10.37390/avancacinema.2025.a650
Mariana Bento Lopes, José Alberto Rodrigues
CINEMA: Inclusion and Accessibility for Deaf People
DOI: https://doi.org/10.37390/avancacinema.2020.a176
Éverton de Moraes Kozenieski
Cinema, Theory of Representations and the Production of Space
DOI: https://doi.org/10.37390/avancacinema.2023.a517
Francisco Madureira
Cinema, rolling stock: the transitive experiment of Aleksandr Medvedkin’s cine-train (1932)
DOI: https://doi.org/10.37390/avancacinema.2025.a648
Luiz Carlos de Sá Campos
Cinema e Educação na construção da identidade: a partir dos discursos do cotidiano escolar.
DOI: https://doi.org/10.37390/ac.v0i0.59
Marta Fiolić, Maria Irene Aparício
Cinema beyond Cinema: The Anthropocene Project as an econarrative
DOI: https://doi.org/10.37390/avancacinema.2025.a655
Sebastian Chisaba Rojas, Tatiana Sofia Lozano Brochero
Cinema at school: Approach to a model for the strengthening of audiovisual education and literacy
DOI: https://doi.org/10.37390/avancacinema.2023.a516
Sílvia R. B. Pinto
Cinema as a resource for the deconstruction of pedagogical practices
DOI: https://doi.org/10.37390/avancacinema.2023.a515
Priscila de Oliveira, Sandra Regina Nunes Chaves
Cinema and technologic education
DOI: https://doi.org/10.37390/avancacinema.2020.a173
Gabrielle Cristiane Fulcherberguer
Cinema and Political Communication – The Anteroom of the Military Coup of 1964
DOI: https://doi.org/10.37390/avancacinema.2021.a323
Maria do Rosário da Silva Santana Silva Santana, Helena Maria da Silva Santana
Cinema and Environmental Education: HOPE (2020)
DOI: https://doi.org/10.37390/avancacinema.2024.a588
Marcello Zeppi, Federica Dellepiane
Cinema and communication in the Montecatini Community
DOI: https://doi.org/10.37390/avancacinema.2022.a427
Filomena Antunes Sobral
Challenges to television in the twenty-first century
DOI: https://doi.org/10.37390/avancacinema.2022.a426
Diogo Simão
Case study of a trilogy of cinematic creative processes: “Aunque es de noche”
DOI: https://doi.org/10.37390/avancacinema.2024.a586
Ana Sedeño-Valdellós
Body on screen: Visuality of dance practices in media during the pandemic
DOI: https://doi.org/10.37390/avancacinema.2021.a322