All Items

108 Items
Moghadaseh Rouhi Ardeshiri
Menswear, a fashion trend for women in the 1970s (How sociopolitical events of the 1970’s result in the projection of menswear for women in the movie Annie Hall)
DOI: https://doi.org/10.37390/ac.v0i0.63
Marcella Suarez Di Santo, Matheus dos Santos Silva
Mathematics Education at Cinema
DOI: https://doi.org/10.37390/avancacinema.2022.a432
Sónia de Almeida Ferreira, Sara Santos, Pedro Manuel do Espírito Santo
Individuals’ perceptions toward an ad video
DOI: https://doi.org/10.37390/avancacinema.2020.a169
Kristian Feigelson
Images industry in East Asia : beyond the borders
DOI: https://doi.org/10.37390/avancacinema.2022.a431
Zoe Latham, Linda Ward
How might we simulate a riverside experience through virtual collaboration?
DOI: https://doi.org/10.37390/avancacinema.2021.a330
Maria Zozaya-Montes, Nicola Schiavottiello
Heritales 2017 - Beyond the academia. Re-thinking Heritage trough cinema and others art forms.
DOI: https://doi.org/10.37390/ac.v0i0.62
Pilar Orero, Sarah McDonagh
Green Film Production for All
DOI: https://doi.org/10.37390/avancacinema.2023.a523
Sílvia R. B. Pinto , Bruna Banon
Gender issues desconstructed into animation fragments
DOI: https://doi.org/10.37390/avancacinema.2021.a329
Matías López Iglesias
Game of Thrones, The non-canon of the Hays Code’s
DOI: https://doi.org/10.37390/avancacinema.2021.a328
Sílvia R. B. Pinto
From Modern Times to current pedagogical practices: limits and possibilities through visual culture
DOI: https://doi.org/10.37390/avancacinema.2024.a584
Márcio Ribeiro
From Literature to Graphic Novel and to Film Language: Transmediality in American Gods, by Neil Gaiman
DOI: https://doi.org/10.37390/avancacinema.2023.a522
Ricardo Braga Silva, José Alberto Rodrigues, Ivan Roberto Gouveia
From conception to implementation: How the ‘Cinema Without Conflict Showcase’ inspired change in Azorean schools
DOI: https://doi.org/10.37390/avancacinema.2023.a521
Teresa Maia e Carmo
Film literacy with multimedia students in higher education: a case study
DOI: https://doi.org/10.37390/avancacinema.2023.a520
Arthur Felipe de Oliveira Fiel, Patrícia Cardoso D’ABREU
Experimental children’s animation in the fight against fake news about the coronavirus: the ludic as a strategy of truth
DOI: https://doi.org/10.37390/avancacinema.2022.a430
José Luis Albelda Raga, Lorena Rodríguez Mattalía
Evolution of dystopian models in contemporary film narratives. An ecosocial perspective
DOI: https://doi.org/10.37390/avancacinema.2021.a327
Imran Aslan, Sedat Şi̇mşe
Ethical Evaluation of the Use of Women in Advertisements
DOI: https://doi.org/10.37390/avancacinema.2020.a175
Helga Caroline Peres
Essay and Narrative in “O Menino e o Mundo”, by Alê Abreu: notes for a pedagogy of cinema
DOI: https://doi.org/10.37390/avancacinema.2024.a585
José Estevão Favaro
Entretenimento: o crescimento da mídia cinema no Brasil.
DOI: https://doi.org/10.37390/ac.v0i0.61
Pedro Gandolla, Ana Paula Dantas Passos
ENCINE: a civil society public policy proof of concept for the audiovisual development
DOI: https://doi.org/10.37390/avancacinema.2023.a519
Teresa Maia e Carmo
Do cinema à análise do discurso dos media.
DOI: https://doi.org/10.37390/ac.v0i0.60
José Antonio Martinuzzo, Janaina Frechiani Lara Leite
Digitality, living through screens, the economy of attention and the look market
DOI: https://doi.org/10.37390/avancacinema.2021.a326
Lúcia Maria Pereira Bravo
Digital Out of Home media, post-massivity and convergence: DOOH media uses and management in favor of democratization and decolonization of communication in 21st century brazil
DOI: https://doi.org/10.37390/avancacinema.2020.a178
Gabriela Santos Alves, Rosane Vasconcelos Zanotti, Thiago Scarpat Mozer
Dialogues between the advertising video clip and the gentrification of queer
DOI: https://doi.org/10.37390/avancacinema.2021.a325
Helena Tude
Design & cinema: A timeline of graphic design in film
DOI: https://doi.org/10.37390/avancacinema.2020.a174
Jorge Calvo Martín, Francisco García García
Critical Success: The narrative weight of chance in TTRPG based shows (actual play)
DOI: https://doi.org/10.37390/avancacinema.2022.a429