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Cinema - Communication
All Items
108 Items
Marcos De Bona de Carvalho
The edge of biographies: the trajectories of Petra Costa and Leni Riefenstahl
DOI:
https://doi.org/10.37390/avancacinema.2022.a441
Chan Ka Lok Sobel
The Dynamic Aesthetics, Locality and Dehybrid Style of Hong Kong Cinema facing the Recovery of Post-Pandemic Period.
DOI:
https://doi.org/10.37390/avancacinema.2023.a530
Filipe Pereira
The documentary film as a tool for the ethnography of performance
DOI:
https://doi.org/10.37390/avancacinema.2020.a181
José Antonio Martinuzzo
The Covid-19 pandemic and the constitution of a perverse audiovisuality
DOI:
https://doi.org/10.37390/avancacinema.2022.a440
Carol-Anne BAUDE
The Connectedness of architecture and cinema : Analyze and develop the reciprocity relationships.
DOI:
https://doi.org/10.37390/avancacinema.2023.a529
Pedro Alves da Veiga
The Cinematic Selfie: Questioning the Self through Generative Art
DOI:
https://doi.org/10.37390/avancacinema.2022.a439
Carlos Mauricio Gomez
The capitalist view and the neoliberal conflict of society through the Brazilian documentary ‘Ilha das Flores’
DOI:
https://doi.org/10.37390/avancacinema.2021.a335
Ricardo Ferreira de Almeida, Ana Branca Carvalho
The Bruno de Carvalho incident: elements for a critical analysis of news production
DOI:
https://doi.org/10.37390/avancacinema.2021.a334
María Gabriela Pabón Hernández
The audiovisual mobilizing object: YouTube, Colombia National Strike 2019
DOI:
https://doi.org/10.37390/avancacinema.2021.a333
Carlos Mauricio Gómez
Society, segregation and freedom: The transformation of the female image in Iranian cinema
DOI:
https://doi.org/10.37390/avancacinema.2022.a438
Maria Marta Amancio Amorim, Maria Natália Ramos, Maria da Conceição Ramos
Social representations of food portrayed in Festa de Babette
DOI:
https://doi.org/10.37390/avancacinema.2024.a591
Anna Ter-Gabrielyan
Resisting the Canvas of Soviet Ideology: Analysing Dissent and Despair in Albert Mkrtchyan’s ‘The Song of the Old Days’ (1982)
DOI:
https://doi.org/10.37390/avancacinema.2024.a592
Lucas Waltenberg, Marcela Soalheiro
Re-encounters between audience and narratives in the adaptation of “The Last of Us” video game
DOI:
https://doi.org/10.37390/avancacinema.2024.a590
Marco Sironi, Nicolò Ceccarelli
Prison Views: Rethinking the Moving Image in the era of transmedia communication.
DOI:
https://doi.org/10.37390/ac.v0i0.65
Vahid Rajabi, Afsaneh Nazeri, Samira Khodabakhshi
Perspectives of Intertextuality in Cinema, with Special References to the Work of Kristeva, Barthes, and Jenny: A Comparative Study
DOI:
https://doi.org/10.37390/avancacinema.2023.a528
Andres Mauricio Villalba Cruz
Pedagogical uses of the media, approach to a transmedia education
DOI:
https://doi.org/10.37390/avancacinema.2021.a332
Nuno Medeiros
Patterns of Media Incarnation and Text Circularity between Book and Film in the Publishing Industry: The case of the house Romano Torres
DOI:
https://doi.org/10.37390/avancacinema.2021.a331
José Alejandro López Pérez
Outraged waters: indigenous resistance to mining and its documentary visibility
DOI:
https://doi.org/10.37390/avancacinema.2023.a527
Hugo Paquete
OOO Sound Art and Technology as Speculative Realism
DOI:
https://doi.org/10.37390/avancacinema.2023.a526
Rosa Schrott, Marcela Negro
On the teaching and learning of audiovisual writing
DOI:
https://doi.org/10.37390/avancacinema.2022.a436
Monica Rodrigues Klemz
Official Video of The Qatar World Cup: A Cartographic Montage
DOI:
https://doi.org/10.37390/avancacinema.2023.a525
Paulo Korpys, Pedro Mota Teixeira, Daniel Brandão, António Ferreira
O Gif animado de reação e o processo de descontextualização.
DOI:
https://doi.org/10.37390/ac.v0i0.64
Miguel Neta, Pedro Félix, Teresa Carvalho
New perspectives for an interdisciplinary approach to cinema at school.
DOI:
https://doi.org/10.37390/avancacinema.2022.a435
Ludmyla Alencar Ferreira Galdino, Fabrícia Teixeira Borges
Nausicaä: the heroine who doesn’t follow the Hero’s Path
DOI:
https://doi.org/10.37390/avancacinema.2022.a434
José Estevão Favaro, Carolina Riguera Locoselli
Movie Theaters during the Covid Outbreak – Hopes and hopelessness in this medium and the brazilian target.
DOI:
https://doi.org/10.37390/avancacinema.2022.a433
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