All Items

108 Items
Claudio Fontan, Denise Azevedo Duarte Guimarães
“THIS IS AMERICA”: An aesthetic video and social activist
DOI: https://doi.org/10.37390/avancacinema.2020.a183
David Wall
“Paging Dr. Freud!” Theorizing John Boorman’s Zardoz.
DOI: https://doi.org/10.37390/avancacinema.2022.a437
Gregorio Galvão de Albuquerque
“Is it you?”: creation for oneself and for others
DOI: https://doi.org/10.37390/avancacinema.2023.a524
Elis Crokidakis Castro , Luis Antonio Campos Monteiro
Women in TV series: a psychological approach to female characters
DOI: https://doi.org/10.37390/avancacinema.2021.a338
Madjid CHACHOUR, Rafika BOUCHAAR, Said DEBLADJI
Visual Exploration of Tidjditt : Photography as the Gateway to Heritage
DOI: https://doi.org/10.37390/avancacinema.2024.a587
Taher Abdel-Ghani
Using Bernard Tschumi's Manhattan Transcripts as a Cinematic Pedagogical Tool in Architecture Schools in Egypt
DOI: https://doi.org/10.37390/avancacinema.2020.a185
Carlos Pantaleón Panaro
Un recorrido real por la Viena del filme El Tercer Hombre.
DOI: https://doi.org/10.37390/ac.v0i0.66
Francisco Malta, Thiago Barboza
TRUE CRIME: Once Upon a Crime
DOI: https://doi.org/10.37390/avancacinema.2023.a536
Catarina Calvinho Gil
Tragic Story with Happy Ending: Creating a Feminist Experience in Animation
DOI: https://doi.org/10.37390/avancacinema.2021.a337
Gregorio Albuquerque
Thinking through the image: audiovisual education from the cultural, political and pedagogical perspective
DOI: https://doi.org/10.37390/avancacinema.2022.a445
Fuad Halwani
The Trickster in Serialized Television: An Anti-hero of Postmodern Mythologies
DOI: https://doi.org/10.37390/avancacinema.2020.a182
María del Mar Ogea Pozo
The translation of Watchmen: a job for superheroes?
DOI: https://doi.org/10.37390/avancacinema.2021.a336
Ivaldo Moreira, Paulo Bernardino Bastos
The sound language as a narrative quality in the audiovisual product
DOI: https://doi.org/10.37390/avancacinema.2023.a535
Mara João Cortesão
The scenic space as a metaphor for the life cycle: analysis of the film Carrossel
DOI: https://doi.org/10.37390/avancacinema.2023.a534
Cheong Kin Man
The role of subaltern cultural medias among the indigenous peoples in Great China: semantic analysis, implications and translations
DOI: https://doi.org/10.37390/avancacinema.2020.a177
Cristiano Costa Pereira; Juliana de Castro Chaves
The rationality of the most popular cartoon in cinema, educational processes and pseudoformation
DOI: https://doi.org/10.37390/avancacinema.2020.a170
Laila Thaise Batista de Oliveira, Luciana Oliveira Vieira, Naira Évine Pereira Soares
The Quilombo-Space: Notes on Black Film Festivals and Exhibitions in Brazil’s Northeastern region
DOI: https://doi.org/10.37390/avancacinema.2022.a444
Paola Cristhina Stumpf Rodrigues , Rui Raposo
The potential of storytelling in horror short movies through the use of digital special effects
DOI: https://doi.org/10.37390/avancacinema.2020.a180
Maria do Rosário da Silva Santana, Helena Maria da Silva Santana
The place of animated cinema at the eradication of some problems of the society and the world: The Box (2016) by Merve Cirisoglu Cotur
DOI: https://doi.org/10.37390/avancacinema.2024.a589
Noni Geiger, Marcos Martins
The Moving Image in a Design School
DOI: https://doi.org/10.37390/avancacinema.2023.a533
Isac dos Santos Pereira, Maria Ignes Carlos Magno
The Monsters That Frighten Me, The Haunts That Feed Me: The Unusual And The Experience Of Marathon For Children And Youth
DOI: https://doi.org/10.37390/avancacinema.2023.a532
Verônica Valério Santos
The Matrix and the Myth of the Hero: critical approaches to the contemporary school
DOI: https://doi.org/10.37390/avancacinema.2022.a443
Noni Geiger
The Eschatological Screen
DOI: https://doi.org/10.37390/avancacinema.2024.a593
Juliana Lopes da Silva, Edileuza Penha de Souza
The emergency remote teaching of audiovisual: report of an experience at the Federal Institute of Brasilia - Campus Recanto das Emas (DF / Brazil)
DOI: https://doi.org/10.37390/avancacinema.2022.a442
Moqadassa SARWARI, Abbas MOHAMMADI
The effect of cinema on human social behavior
DOI: https://doi.org/10.37390/avancacinema.2023.a531