Cinema - Art

All Items

153 Items
Alexandra Canaveira de Campos
Show and/or tell: what is the role of historical dance in period cinema? And what memory of the history of dance are we left with?
DOI: https://doi.org/10.37390/ac.v0i0.19
Luís Santo Vaz
Screenwriting and Postdramatic Theatre - Contradictions and Opportunities
DOI: https://doi.org/10.37390/avancacinema.2021.a237
Mariana Ramos e Silva, Vítor Quelhas
Revivalismo dos Cartazes de Cinema de 1946–1951.
DOI: https://doi.org/10.37390/ac.v0i0.18
Maria João Cortesão, Sophia Pitanga
Representations of black people in Brazil in the film BLUESMAN: Identity development through cinematic ‘grammar’
DOI: https://doi.org/10.37390/avancacinema.2020.a114
Hugo Paquete, Adérito Fernandes-Marcos, Paulo Bernardino Bastos
Relations between the post-digital and the industrial complex of capitalism: reformulations on technology as ideology and digital garbage in art
DOI: https://doi.org/10.37390/avancacinema.2021.a236
Angelita Bogado, Lina Cirino
Recôncavo da Bahia: boiling point cinema
DOI: https://doi.org/10.37390/avancacinema.2021.a235
José Alejandro López Pérez
Projections of the Absent: A Critique to the Artistic Ways of Displaying the Forced Disappearance (An Analysis of Geometry of the Conscience by Alfredo Jaar)
DOI: https://doi.org/10.37390/avancacinema.2022.a385
Pedro Bessa, Mariana Assunção Quintes dos Santos
Presence and death: the ephemeral nature of the ‘arts of the body’
DOI: https://doi.org/10.37390/avancacinema.2020.a119
Juan Carlos Robles Florido
Prelude: The sleeping song of the Gran Teatro Cervantes de Tangier
DOI: https://doi.org/10.37390/avancacinema.2021.a234
Fernanda Nardy Bellicieri, Andrea Modugno, Massimo Pini, Claudio Garofalo, Hania Cecília Pilan
PJ Allsteam and the transcultural creative process
DOI: https://doi.org/10.37390/avancacinema.2021.a233
Sandra Regina Nunes Chaves
Photographed stories
DOI: https://doi.org/10.37390/avancacinema.2020.a107
Eugen Dediu
Performative Cinema and Its Techniques
DOI: https://doi.org/10.37390/avancacinema.2023.a482
Sónia Carvalho, Paulo Bernardino Bastos
Performative body and psyche. Approaches to transdisciplinary research methods: transpersonal psychology and ritual-performance.
DOI: https://doi.org/10.37390/avancacinema.2022.a384
Manuel Rodríguez Vargas
Painting under the sign of BIOPIC
DOI: https://doi.org/10.37390/avancacinema.2020.a110
Saleh Ghorbanian
Painting in Time: The Role of Painting in Andrei Tarkovsky’s Solaris
DOI: https://doi.org/10.37390/avancacinema.2022.a383
Paloma Cristina Lima dos Santos, Jorge Luiz Cunha Cardoso Filho
Original Leitmotiv for the short film Vivi Lobo e o Quarto Mágico (2019): A composing exercise
DOI: https://doi.org/10.37390/avancacinema.2020.a112
Karen Acioly, Cristina Rego Monteiro da Luz
Opera pills for children - mini documentaries to raise awareness among parents and teachers
DOI: https://doi.org/10.37390/avancacinema.2023.a481
Hugo Paquete, Adérito Fernandes-Marcos, Paulo Bernardino Bastos
Obscure Radiation: Sound energy flows at the threshold of the sound experience
DOI: https://doi.org/10.37390/avancacinema.2020.a120
Cristianne de Sá , Paulo Bernardino Bastos
O meu corpo em perceção: uma relação com a câmara e com o ato de ser fotografada.
DOI: https://doi.org/10.37390/ac.v0i0.17
José Pedro Regatão
O Fascínio do Cinema na Arte Pública: entre a Ficção e a Realidade.
DOI: https://doi.org/10.37390/ac.v0i0.16
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
O Crime do Padre Amaro: the drama that is discovered in the narratives of Eça de Queiroz (1875), Carlos Coelho da Silva (2005) and Paula Rego (1997-1999)
DOI: https://doi.org/10.37390/avancacinema.2021.a232
Mayara Fior Oliveira
Narrativa e discurso através da “Montagem” fotográfica.
DOI: https://doi.org/10.37390/ac.v0i0.15
Cibele Saque
Na perspetiva do movimento cinematográfico: ‘Desenhando uma linha de paisagem’.
DOI: https://doi.org/10.37390/ac.v0i0.14
Francisco Silveira
Motorized Passenger’s Cinematography: Sudden Experiences in Literature
DOI: https://doi.org/10.37390/avancacinema.2023.a480
Alex Beigui, Thales Lopes
Methodologies of audio description in the reception of films for people with disability visual: case study
DOI: https://doi.org/10.37390/avancacinema.2021.a231