Cinema - Art | AVANCA

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191 Items

Abbas MOHAMMADI

The aesthetics of light in Afghan Cinema

DOI: https://doi.org/10.37390/avancacinema.2022.a389

Marcos Jiménez González

The aesthetic fascination of the negative character. From expressionist monsters to Breaking Bad

DOI: https://doi.org/10.37390/avancacinema.2021.a240

Ana Císcar Cebriá

The act of seeing with no eyes: a videographic project about visuality as an instrument of power

DOI: https://doi.org/10.37390/avancacinema.2021.a239

Hugo Paquete

Terminal velocity: Chronoscopic time of the orbital bodies in the sound and musical composition.

DOI: https://doi.org/10.37390/avancacinema.2020.a125

Cíntia Mariza do Amaral Moreira , Ana Carolina de Gouvêa Dantas Motta, Mário Elian, Thaís Yamamoto, Antônio Frederico Moreira Lasalvia

Technique of making adobe in a craft workshop using documentary video: an example in Portugal and another in Brazil

DOI: https://doi.org/10.37390/avancacinema.2020.a123

Rodrigo Coelho Pierre Lira

Surviving Images: an analysis of Edipo Re (1967), by Pier Paolo Pasolini

DOI: https://doi.org/10.37390/avancacinema.2022.a388

Nuno Sousa, Sérgio Eliseu

Stylized Artistic animation for virtual reality – Boundaries between the virtual and the physical

DOI: https://doi.org/10.37390/avancacinema.2021.a238

India Mara Martins

Strategies for conservation of materials from the Material Collection for Art Direction of the UFF Film and Video Department

DOI: https://doi.org/10.37390/avancacinema.2025.a628

Pedro Alves da Veiga

Speciesism | Ageism | Racism

DOI: https://doi.org/10.37390/avancacinema.2020.a122

Mar Garrido Román

Soundscapes, Perception, and Narrative in Lucrecia Martel’s Films.

DOI: https://doi.org/10.37390/avancacinema.2025.a616

Ricardo Tsutomu Matsuzawa, Eduardo Vicente

Songs in Arabia: Listening to Your Heart

DOI: https://doi.org/10.37390/avancacinema.2022.a387

Nélia Lúcia Fonseca

Sobre Educação, Arte e Vídeoarte: rupturas, resiliência e práticas de ensino/aprendizagem na sala de aula.

DOI: https://doi.org/10.37390/ac.v0i0.20

Miguel Peña Méndez

Six Degrees of Separation: The great fable of the Art World

DOI: https://doi.org/10.37390/avancacinema.2025.a623

Carla Patrícia Oliveira de Souza

DOI: https://doi.org/10.37390/avancacinema.2024.a570

Edward Slopek

Shutter/Shudder to Think: Cinema after Cage

DOI: https://doi.org/10.37390/avancacinema.2022.a386

Alexandra Canaveira de Campos

Show and/or tell: what is the role of historical dance in period cinema? And what memory of the history of dance are we left with?

DOI: https://doi.org/10.37390/ac.v0i0.19

Luís Santo Vaz

Screenwriting and Postdramatic Theatre - Contradictions and Opportunities

DOI: https://doi.org/10.37390/avancacinema.2021.a237

Mariana Ramos e Silva, Vítor Quelhas

Revivalismo dos Cartazes de Cinema de 1946–1951.

DOI: https://doi.org/10.37390/ac.v0i0.18

Maria João Cortesão, Sophia Pitanga

Representations of black people in Brazil in the film BLUESMAN: Identity development through cinematic ‘grammar’

DOI: https://doi.org/10.37390/avancacinema.2020.a114

Hugo Paquete, Adérito Fernandes-Marcos, Paulo Bernardino Bastos

Relations between the post-digital and the industrial complex of capitalism: reformulations on technology as ideology and digital garbage in art

DOI: https://doi.org/10.37390/avancacinema.2021.a236

Angelita Bogado, Lina Cirino

Recôncavo da Bahia: boiling point cinema

DOI: https://doi.org/10.37390/avancacinema.2021.a235

Luciana Molina

Proletarian Romance in the 21st Century: Comparative Study of Fallen Leaves and The Day I Met You.

DOI: https://doi.org/10.37390/avancacinema.2025.a614

José Alejandro López Pérez

Projections of the Absent: A Critique to the Artistic Ways of Displaying the Forced Disappearance (An Analysis of Geometry of the Conscience by Alfredo Jaar)

DOI: https://doi.org/10.37390/avancacinema.2022.a385

Pedro Bessa, Mariana Assunção Quintes dos Santos

Presence and death: the ephemeral nature of the ‘arts of the body’

DOI: https://doi.org/10.37390/avancacinema.2020.a119

Juan Carlos Robles Florido

Prelude: The sleeping song of the Gran Teatro Cervantes de Tangier

DOI: https://doi.org/10.37390/avancacinema.2021.a234