Cinema - Art | AVANCA

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169 Items

Pedro Alves da Veiga

Speciesism | Ageism | Racism

DOI: https://doi.org/10.37390/avancacinema.2020.a122

Ricardo Tsutomu Matsuzawa, Eduardo Vicente

Songs in Arabia: Listening to Your Heart

DOI: https://doi.org/10.37390/avancacinema.2022.a387

Nélia Lúcia Fonseca

Sobre Educação, Arte e Vídeoarte: rupturas, resiliência e práticas de ensino/aprendizagem na sala de aula.

DOI: https://doi.org/10.37390/ac.v0i0.20

Carla Patrícia Oliveira de Souza

DOI: https://doi.org/10.37390/avancacinema.2024.a570

Edward Slopek

Shutter/Shudder to Think: Cinema after Cage

DOI: https://doi.org/10.37390/avancacinema.2022.a386

Alexandra Canaveira de Campos

Show and/or tell: what is the role of historical dance in period cinema? And what memory of the history of dance are we left with?

DOI: https://doi.org/10.37390/ac.v0i0.19

Luís Santo Vaz

Screenwriting and Postdramatic Theatre - Contradictions and Opportunities

DOI: https://doi.org/10.37390/avancacinema.2021.a237

Mariana Ramos e Silva, Vítor Quelhas

Revivalismo dos Cartazes de Cinema de 1946–1951.

DOI: https://doi.org/10.37390/ac.v0i0.18

Maria João Cortesão, Sophia Pitanga

Representations of black people in Brazil in the film BLUESMAN: Identity development through cinematic ‘grammar’

DOI: https://doi.org/10.37390/avancacinema.2020.a114

Hugo Paquete, Adérito Fernandes-Marcos, Paulo Bernardino Bastos

Relations between the post-digital and the industrial complex of capitalism: reformulations on technology as ideology and digital garbage in art

DOI: https://doi.org/10.37390/avancacinema.2021.a236

Angelita Bogado, Lina Cirino

Recôncavo da Bahia: boiling point cinema

DOI: https://doi.org/10.37390/avancacinema.2021.a235

José Alejandro López Pérez

Projections of the Absent: A Critique to the Artistic Ways of Displaying the Forced Disappearance (An Analysis of Geometry of the Conscience by Alfredo Jaar)

DOI: https://doi.org/10.37390/avancacinema.2022.a385

Pedro Bessa, Mariana Assunção Quintes dos Santos

Presence and death: the ephemeral nature of the ‘arts of the body’

DOI: https://doi.org/10.37390/avancacinema.2020.a119

Juan Carlos Robles Florido

Prelude: The sleeping song of the Gran Teatro Cervantes de Tangier

DOI: https://doi.org/10.37390/avancacinema.2021.a234

Fernanda Nardy Bellicieri, Andrea Modugno, Massimo Pini, Claudio Garofalo, Hania Cecília Pilan

PJ Allsteam and the transcultural creative process

DOI: https://doi.org/10.37390/avancacinema.2021.a233

Sandra Regina Nunes Chaves

Photographed stories

DOI: https://doi.org/10.37390/avancacinema.2020.a107

Eugen Dediu

Performative Cinema and Its Techniques

DOI: https://doi.org/10.37390/avancacinema.2023.a482

Sónia Carvalho, Paulo Bernardino Bastos

Performative body and psyche. Approaches to transdisciplinary research methods: transpersonal psychology and ritual-performance.

DOI: https://doi.org/10.37390/avancacinema.2022.a384

Manuel Rodríguez Vargas

Painting under the sign of BIOPIC

DOI: https://doi.org/10.37390/avancacinema.2020.a110

Saleh Ghorbanian

Painting in Time: The Role of Painting in Andrei Tarkovsky’s Solaris

DOI: https://doi.org/10.37390/avancacinema.2022.a383

Paloma Cristina Lima dos Santos, Jorge Luiz Cunha Cardoso Filho

Original Leitmotiv for the short film Vivi Lobo e o Quarto Mágico (2019): A composing exercise

DOI: https://doi.org/10.37390/avancacinema.2020.a112

Karen Acioly, Cristina Rego Monteiro da Luz

Opera pills for children - mini documentaries to raise awareness among parents and teachers

DOI: https://doi.org/10.37390/avancacinema.2023.a481

Hugo Paquete, Adérito Fernandes-Marcos, Paulo Bernardino Bastos

Obscure Radiation: Sound energy flows at the threshold of the sound experience

DOI: https://doi.org/10.37390/avancacinema.2020.a120

Cristianne de Sá , Paulo Bernardino Bastos

O meu corpo em perceção: uma relação com a câmara e com o ato de ser fotografada.

DOI: https://doi.org/10.37390/ac.v0i0.17

José Pedro Regatão

O Fascínio do Cinema na Arte Pública: entre a Ficção e a Realidade.

DOI: https://doi.org/10.37390/ac.v0i0.16