All Items

191 Items
Abbas MOHAMMADI
The aesthetics of light in Afghan Cinema
DOI: https://doi.org/10.37390/avancacinema.2022.a389
Marcos Jiménez González
The aesthetic fascination of the negative character. From expressionist monsters to Breaking Bad
DOI: https://doi.org/10.37390/avancacinema.2021.a240
Ana Císcar Cebriá
The act of seeing with no eyes: a videographic project about visuality as an instrument of power
DOI: https://doi.org/10.37390/avancacinema.2021.a239
Hugo Paquete
Terminal velocity: Chronoscopic time of the orbital bodies in the sound and musical composition.
DOI: https://doi.org/10.37390/avancacinema.2020.a125
Cíntia Mariza do Amaral Moreira , Ana Carolina de Gouvêa Dantas Motta, Mário Elian, Thaís Yamamoto, Antônio Frederico Moreira Lasalvia
Technique of making adobe in a craft workshop using documentary video: an example in Portugal and another in Brazil
DOI: https://doi.org/10.37390/avancacinema.2020.a123
Rodrigo Coelho Pierre Lira
Surviving Images: an analysis of Edipo Re (1967), by Pier Paolo Pasolini
DOI: https://doi.org/10.37390/avancacinema.2022.a388
Nuno Sousa, Sérgio Eliseu
Stylized Artistic animation for virtual reality – Boundaries between the virtual and the physical
DOI: https://doi.org/10.37390/avancacinema.2021.a238
India Mara Martins
Strategies for conservation of materials from the Material Collection for Art Direction of the UFF Film and Video Department
DOI: https://doi.org/10.37390/avancacinema.2025.a628
Pedro Alves da Veiga
Speciesism | Ageism | Racism
DOI: https://doi.org/10.37390/avancacinema.2020.a122
Mar Garrido Román
Soundscapes, Perception, and Narrative in Lucrecia Martel’s Films.
DOI: https://doi.org/10.37390/avancacinema.2025.a616
Ricardo Tsutomu Matsuzawa, Eduardo Vicente
Songs in Arabia: Listening to Your Heart
DOI: https://doi.org/10.37390/avancacinema.2022.a387
Nélia Lúcia Fonseca
Sobre Educação, Arte e Vídeoarte: rupturas, resiliência e práticas de ensino/aprendizagem na sala de aula.
DOI: https://doi.org/10.37390/ac.v0i0.20
Miguel Peña Méndez
Six Degrees of Separation: The great fable of the Art World
DOI: https://doi.org/10.37390/avancacinema.2025.a623
Carla Patrícia Oliveira de Souza
Similarities between the film The Illusionist (2006) and the installation A Body of Water (1999) based on phantasmagoria
DOI: https://doi.org/10.37390/avancacinema.2024.a570
Edward Slopek
Shutter/Shudder to Think: Cinema after Cage
DOI: https://doi.org/10.37390/avancacinema.2022.a386
Alexandra Canaveira de Campos
Show and/or tell: what is the role of historical dance in period cinema? And what memory of the history of dance are we left with?
DOI: https://doi.org/10.37390/ac.v0i0.19
Luís Santo Vaz
Screenwriting and Postdramatic Theatre - Contradictions and Opportunities
DOI: https://doi.org/10.37390/avancacinema.2021.a237
Mariana Ramos e Silva, Vítor Quelhas
Revivalismo dos Cartazes de Cinema de 1946–1951.
DOI: https://doi.org/10.37390/ac.v0i0.18
Maria João Cortesão, Sophia Pitanga
Representations of black people in Brazil in the film BLUESMAN: Identity development through cinematic ‘grammar’
DOI: https://doi.org/10.37390/avancacinema.2020.a114
Hugo Paquete, Adérito Fernandes-Marcos, Paulo Bernardino Bastos
Relations between the post-digital and the industrial complex of capitalism: reformulations on technology as ideology and digital garbage in art
DOI: https://doi.org/10.37390/avancacinema.2021.a236
Angelita Bogado, Lina Cirino
Recôncavo da Bahia: boiling point cinema
DOI: https://doi.org/10.37390/avancacinema.2021.a235
Luciana Molina
Proletarian Romance in the 21st Century: Comparative Study of Fallen Leaves and The Day I Met You.
DOI: https://doi.org/10.37390/avancacinema.2025.a614
José Alejandro López Pérez
Projections of the Absent: A Critique to the Artistic Ways of Displaying the Forced Disappearance (An Analysis of Geometry of the Conscience by Alfredo Jaar)
DOI: https://doi.org/10.37390/avancacinema.2022.a385
Pedro Bessa, Mariana Assunção Quintes dos Santos
Presence and death: the ephemeral nature of the ‘arts of the body’
DOI: https://doi.org/10.37390/avancacinema.2020.a119
Juan Carlos Robles Florido
Prelude: The sleeping song of the Gran Teatro Cervantes de Tangier
DOI: https://doi.org/10.37390/avancacinema.2021.a234