Cinema - Arte

Cinema - Arte

131 Itens

Todos os Itens

Ahmad Khoshniat
61-71
Bertolt Brecht’s Soul in the Body of Experimental Animation: Common Audiovisual Strategies between Epic Theatre and Robert Breer’s Short Animations
https://doi.org/10.37390/avancacinema.2022.a369
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Mariana Beatriz Marques Fernandes
42-49
Big Eyes: Vida e Obra de Margaret Keane Pelos Olhos de Tim Burton
https://doi.org/10.37390/avancacinema.2020.a98
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Monica Rodrigues Klemz, Doris Kosminsky, Elianne Ivo Barroso
349-356
Cartografias violadas. Representações estéticas e políticas na construção do Museu de um Mundo Estilhaçado
https://doi.org/10.37390/avancacinema.2021.a252
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Pavel Prokopic
85-91
Chance Semiotics: The Value and Application of Contingency in Cinema Art Practice
https://doi.org/10.37390/avancacinema.2021.a216
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Edmilson Forte Miranda Júnior
41-48
Cinema africano e imaginário decolonial: sobre Africanofuturismo no curta-metragem Afronauts
https://doi.org/10.37390/avancacinema.2022.a366
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Miguel Ángel Rivas Romero
92-100
Cinema and its relationship with merchandising at the beginning of the 21st century
https://doi.org/10.37390/avancacinema.2021.a217
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Marcello Zeppi
50-58
Cinema and landscape, Italian heritage and widespread museum
https://doi.org/10.37390/avancacinema.2020.a99
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Maria Fátima Nunes, Carlos Miguel Rodrigues
51-58
Cinema e pintura em diálogo
https://doi.org/10.37390/ac.v0i0.6
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Wilson Oliveira da Silva Filho, Mariana Lucas de Almeida Fernandes, Argeu Luiz Duarte Glória, Francisco Malta
143-149
Cinema experimental e ecologia das mídias: Aproximações e extensões
https://doi.org/10.37390/avancacinema.2022.a378
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Derya Yıldız
92-97
Cinematic Experience as Spatial Perception: Remembering the Remembrance
https://doi.org/10.37390/avancacinema.2022.a372
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Marc Boumeester
98-107
Cinematic Perception and the Image by Proxy
https://doi.org/10.37390/avancacinema.2022.a373
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Keyla Andrea Santiago Oliveira, Talita Carla Farina
54-60
Cinzas no Pantanal (2021): questões socioambientais e educativas
https://doi.org/10.37390/avancacinema.2022.a368
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Manuel Siabato
59-68
Concepts et réalités du cinéma 360°
https://doi.org/10.37390/avancacinema.2020.a100
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Isabel Cristina Fontão, Mônica Stein
69-86
Construção de personagens femininos e universos transmídia – um método para a criação do case “Medusas” na franquia The Rotfather
https://doi.org/10.37390/avancacinema.2020.a101
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Sónia Carvalho, Paulo Bernardino Bastos
194-205
Corpo performativo e Psique. Aproximações aos métodos de investigação transdisciplinares: psicologia transpessoal e performance-ritual.
https://doi.org/10.37390/avancacinema.2022.a384
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Sónia Carvalho, Paulo Bernardino Bastos, Rui Alexandre Rosa Grincho Serra
87-98
Corpo Transpessoal: O contributo espiritual da Performance para a construção pictórica.
https://doi.org/10.37390/avancacinema.2020.a102
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Maroua Médini
114-122
Crisis and literary adaptation: the case of the movie (The necklace and the bracelet 1986) of the Egyptian filmmaker Khairy Beshara
https://doi.org/10.37390/avancacinema.2022.a375
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Glaucia Davino, Victor Henrique Cruz Russo
59-67
Crítica ou conversa? Youtubers e a crítica cinematográfica contemporânea.
https://doi.org/10.37390/ac.v0i0.7
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Cláudia Marisa
68-73
Dançamos? A construção do par dançante.
https://doi.org/10.37390/ac.v0i0.8
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Cláudia Marisa
99-107
Dançar para encontrar a felicidade.
https://doi.org/10.37390/avancacinema.2020.a103
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Cláudia Marisa
101-107
Dancing Lady: Serei uma Estrela
https://doi.org/10.37390/avancacinema.2021.a218
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Cheong Kin Man, Yipei Lee
108-114
Decentralizing art making: Commentaries on curating online artist residency “Flaneur in the Insular Cities”
https://doi.org/10.37390/avancacinema.2021.a219
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Jackie Calderwood, Rachael Till, Vytautas Vasiliauskas
74-84
Developing a Co-Creative Methodology of Narrative Artwork Production for the BEACONING Platform Metagame.
https://doi.org/10.37390/ac.v0i0.9
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Abigail Davies
85-93
Developing new Deaf screenwriting talent.
https://doi.org/10.37390/ac.v0i0.10
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Noni Geiger
108-113
Discourse, Figure, d’après Lyotard.
https://doi.org/10.37390/avancacinema.2020.a104
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