No. 16 (2025): AVANCA | CINEMA 2025 | AVANCA | CINEMA

AVANCA | CINEMA 2025

AVANCA | CINEMA 2025

AVANCA | CINEMA 2025

No. 16 (2025)

Online Journal with 80 communications (ISSN: 2184-4682) from various authors from different parts of the world, which reflect the International Conference AVANCA | CINEMA 2025 and gather scientific communications around the cinema.

Published December 16, 2025

https://doi.org/10.37390/avancacinema.2025

Editorial

Editorial | Table of Contents 2025

HTML (Portuguese) PDF (Portuguese)

Chapter I _ Cinema - Art

Carlos Gonçalves Tavares, Francione Oliveira Carvalho

A reflection on intermediality in the show A woman dressed in the sun, by Cia de Dança Ormeo (Brazil)

https://doi.org/10.37390/avancacinema.2025.a612

PDF (Portuguese) HTML (Portuguese)

Heloisa Toledo Machado

Active Analysis in Actor Direction and Filmmaking

https://doi.org/10.37390/avancacinema.2025.a624

PDF (Portuguese) HTML (Portuguese)

Isac Chateauneuf

Becoming a Corporeal-Interagent: Conceptualizing Interaction, Shared Learning, and Artistic Practices in Fan Communities

https://doi.org/10.37390/avancacinema.2025.a607

PDF (Portuguese) HTML (Portuguese)

Maíra Ortins, Paulo Bernardino Bastos

Between Gesture and Memory: Cut-Out and Lost Matrix in the Exploration of Time.

https://doi.org/10.37390/avancacinema.2025.a621

PDF (Portuguese) HTML (Portuguese)

Sebastián Eguiluz, Andrés Haye, María José Bello, Esteban Radiszcz

Cinematic Humor, National Identity, and Temporality in José Bohr and Raúl Ruiz films

https://doi.org/10.37390/avancacinema.2025.a627

PDF (Spanish) HTML (Spanish)

Maria Irene Aparício

Dark Souls and evil in Bresson`s The Trial of Joan of Arc and Chahine`s Destiny: Cinema In-Between Art, Philosophy and Science.

https://doi.org/10.37390/avancacinema.2025.a620

PDF (Portuguese) HTML (Portuguese)

Ana Roberto

Desire and Alienation: The Feminine as Double in Peppermint Frappé.

https://doi.org/10.37390/avancacinema.2025.a610

PDF (Portuguese) HTML (Portuguese)

Xinran Liu

From Memory to Affective Archives: Documentary as a Prosthesis.

https://doi.org/10.37390/avancacinema.2025.a622

Fábio Jabur de Noronha

Latin America and Portugal: new interactions between cuisine, performance, and video in the INTOXICAÇÃO series

https://doi.org/10.37390/avancacinema.2025.a611

PDF (Portuguese) HTML (Portuguese)

Maria do Rosário da Silva Santana, Helena Maria da Silva Santana

Madame Butterfly by John Luther Long and its reworking on the homonymous opera by Giacomo Puccini and the film M. Butterfly by David Cronenberg: symbology, intentions and identities

https://doi.org/10.37390/avancacinema.2025.a609

PDF (Portuguese) HTML (Portuguese)

Gilmar Santana, Walmir Pavam, Miriam de Oliveira Gonçalves

Portraits of cinematic affections in a changing city.

https://doi.org/10.37390/avancacinema.2025.a613

PDF (Portuguese) HTML (Portuguese)

Luciana Molina

Proletarian Romance in the 21st Century: Comparative Study of Fallen Leaves and The Day I Met You.

https://doi.org/10.37390/avancacinema.2025.a614

PDF (Portuguese) HTML (Portuguese)

Miguel Peña Méndez

Six Degrees of Separation: The great fable of the Art World

https://doi.org/10.37390/avancacinema.2025.a623

PDF (Spanish) HTML (Spanish)

Mar Garrido Román

Soundscapes, Perception, and Narrative in Lucrecia Martel’s Films.

https://doi.org/10.37390/avancacinema.2025.a616

PDF (Spanish) HTML (Spanish)

India Mara Martins

Strategies for conservation of materials from the Material Collection for Art Direction of the UFF Film and Video Department

https://doi.org/10.37390/avancacinema.2025.a628

PDF (Portuguese) HTML (Portuguese)

Mário Vaz Almeida

The biopic “O DERRADEIRO GESTO”: the strange methods of a disruptive visual artist and his relationship with the “SENSORY TURN” in art.

https://doi.org/10.37390/avancacinema.2025.a618

PDF (Portuguese) HTML (Portuguese)

Isac Chateauneuf

The Erasure and Inscription of Existences in the Series El secreto del río: Tensions in Heteronormativity, Indigestible Imaginaries, and Educational Foundations

https://doi.org/10.37390/avancacinema.2025.a625

PDF (Portuguese) HTML (Portuguese)

Carla Patrícia Oliveira de Souza

The Meaning exuded by the Masks in Squid Game (2021-2024)

https://doi.org/10.37390/avancacinema.2025.a626

PDF (Portuguese) HTML (Portuguese)

Helena Maria da Silva Santana, Maria do Rosário da Silva Santana

The pursuit of beauty in the relationship between Aschenbach and Tadzio in Death in Venice (1971) by Luchino Visconti

https://doi.org/10.37390/avancacinema.2025.a608

PDF (Portuguese) HTML (Portuguese)

João Dias Ferreira

The Sound of Memory: Musical Analysis of Flashbacks in Film Noir.

https://doi.org/10.37390/avancacinema.2025.a617

Guy Amado

The relational disillusion in The Square.

https://doi.org/10.37390/avancacinema.2025.a619

PDF (Portuguese) HTML (Portuguese)

Luis Fernando Zubieta

Theatrical and Cinematic Staging as a Method of Approaching Reality with Immigrant Groups

https://doi.org/10.37390/avancacinema.2025.a615

PDF (Spanish) HTML (Spanish)

Chapter II _ Cinema - Cinema

Mohammad Reza Hemmati, Negar Hassanzadeh, Nahal Marghaei Zadah

Acting Evolution in cinema: D.W. Griffith and Lillian Gish.

https://doi.org/10.37390/avancacinema.2025.a636

Francisco Malta, Pedro Losch, Zeca Pedroso

Between Images and Memories: Memory and Identity in I’m Still Here

https://doi.org/10.37390/avancacinema.2025.a638

PDF (Portuguese) HTML (Portuguese)

Selma Pereira, Ricardo Alexino Ferreira, Adérito Fernandes-Marcos

Black Saints in Brazilian Cinema: Representation, Spirituality, and Cultural Identity.

https://doi.org/10.37390/avancacinema.2025.a642

PDF (Portuguese) HTML (Portuguese)

Francisco Malta, Nívea Faso, Wilson Oliveira Filho

Bridging Education and Industry: The Role of Experimental Agencies in Brazilian University Cinema

https://doi.org/10.37390/avancacinema.2025.a641

PDF (Portuguese) HTML (Portuguese)

Ana Camila Esteves

Cinematography as Distinction: Ebun Pataki and the Visual Aesthetics of “Beyond Nollywood” films.

https://doi.org/10.37390/avancacinema.2025.a644

Amanda Lopes Fernandes

Contemporary Contributions of Lusophone Women Filmmakers: Mappings, Policies, and New Voices.

https://doi.org/10.37390/avancacinema.2025.a643

PDF (Portuguese) HTML (Portuguese)

Carolina Fadigas, João Barata

The creative process of historical costume reconstruction in film and theatre - Interview with Miss Suzie

https://doi.org/10.37390/avancacinema.2025.a634

PDF (Portuguese) HTML (Portuguese)

Filipe Freitas Chaves, Sérgio Henrique Carvalho Vilaça

Echoes of the Unknown: Herzog’s Search for Humanity’s Edges

https://doi.org/10.37390/avancacinema.2025.a645

PDF (Portuguese) HTML (Portuguese)

Matilde Dias

“Films are Slow Weapons”: The Resistance of Memory through Art in Aurora’s Sunrise (2022).

https://doi.org/10.37390/avancacinema.2025.a637

PDF (Portuguese) HTML (Portuguese)

Sheida Sheikhha, Bruno Grandino

Introducing Miss Havisham: A Comparative Analysis of Different Adaptations of Great Expectations.

https://doi.org/10.37390/avancacinema.2025.a646

Ana Catarina Pereira, Ana Isabel Soares, Julia Marques

Imperfect Being(s): The creation process in the autobiographic documentary Teko Haxi

https://doi.org/10.37390/avancacinema.2025.a640

PDF (Portuguese) HTML (Portuguese)

José Francisco Serafim, Morgana Gama, Regina Glória Andrade, Feliphe Alencar, Amanda Dantas Moreira Cruz

Migration documentaries: reclaiming memories for lives in motion.

https://doi.org/10.37390/avancacinema.2025.a635

PDF (Portuguese) HTML (Portuguese)

Carlos Canelas

Portuguese Cinema after the COVID-19 Pandemic

https://doi.org/10.37390/avancacinema.2025.a632

PDF (Portuguese) HTML (Portuguese)

Paulo Portugal

The FILMar project: the reconfiguration of cinephilia and the new authors

https://doi.org/10.37390/avancacinema.2025.a647

PDF (Portuguese) HTML (Portuguese)

Inês Varandas Fernandes

The symphony of (not) belonging: music tales in two coming-of-age films

https://doi.org/10.37390/avancacinema.2025.a631

Angélica Coutinho

The value of audiovisual products – between cultural and economic revenue.

https://doi.org/10.37390/avancacinema.2025.a630

PDF (Portuguese) HTML (Portuguese)

Lardyanne Pimentel Guimarães

The Virtualization of Culture in the Age of Digital Convergence: Networks, Media and Participation in the Network Society

https://doi.org/10.37390/avancacinema.2025.a633

Gönül Cengiz

Traces of War in Caucasian Cinema: Tangerines (2013) and Nabat (2014)

https://doi.org/10.37390/avancacinema.2025.a629

Diana de Oliveira Souza Reis, Mateus Costa de Oliveira

Transnationality, Counter-archive and Memory: historical (re)readings in Nelly & Nadine (2022) and Torre das Donzelas (2018)

https://doi.org/10.37390/avancacinema.2025.a639

PDF (Portuguese) HTML (Portuguese)

Chapter III _ Cinema - Communication

Maria Cecília Ribeiro Nunes Nascimento, Andrea Cristina Versuti

Amefricanizing brazilian cinema through the direction of black women

https://doi.org/10.37390/avancacinema.2025.a649

PDF (Portuguese) HTML (Portuguese)

Isabel Pina

Aurélio da Paz dos Reis: Stereoscopic Photography and Panoramic Visions

https://doi.org/10.37390/avancacinema.2025.a652

Marta Fiolić, Maria Irene Aparício

Cinema beyond Cinema: The Anthropocene Project as an econarrative

https://doi.org/10.37390/avancacinema.2025.a655

Francisco Madureira

Cinema, rolling stock: the transitive experiment of Aleksandr Medvedkin’s cine-train (1932)

https://doi.org/10.37390/avancacinema.2025.a648

PDF (Portuguese) HTML (Portuguese)

Otávio Augusto Castro Risieri, Fabrícia Teixeira Borges

CinePsi: film clubs as a new teaching method in psychology while spreading audio-visual culture.

https://doi.org/10.37390/avancacinema.2025.a650

PDF (Portuguese) HTML (Portuguese)

William E. Ottowitz III, MD

HEMVFED and The Double Narrative: Theoretical Framework and Initial Evidence

https://doi.org/10.37390/avancacinema.2025.a654

Fabiana de Barros Monteiro Soares, Thelma Panerai Alves

Participatory culture and the enduring presence of Auto da Compadecida in the collective memory.

https://doi.org/10.37390/avancacinema.2025.a657

PDF (Portuguese) HTML (Portuguese)

Jaime Aníbal Venegas Gavilanes

Portrait / Self-portrait

https://doi.org/10.37390/avancacinema.2025.a651

PDF (Spanish) HTML (Spanish)

António Manuel Rodrigues Ferreira, Daniel Brandão, Pedro Mota Teixeira

The impact of non-verbal communication in animation: A case study of “Fragmentos” short animated film

https://doi.org/10.37390/avancacinema.2025.a658

PDF (Portuguese) HTML (Portuguese)

Alfredo José Mainar Causapé, Patricia Fuentes Saguar, Ángeles Cámara Sánchez, Guadalupe Valera Blanes

The impact of the film sector on the Spanish economy: from production to exhibition

https://doi.org/10.37390/avancacinema.2025.a656

PDF (Spanish) HTML (Spanish)

Alina Kuzo

“You remind me of a man”: How the prior knowledge about the director is shaping the viewers’ reception of a film

https://doi.org/10.37390/avancacinema.2025.a653

Chapter IV _ Cinema - Technology

Pedro Henriques, Pedro Alves da Veiga

Angústia: An Autoethnographic and Phenomenological Analysis of the Documentation of Subjectivity through Artificial Intelligence

https://doi.org/10.37390/avancacinema.2025.a667

PDF (Portuguese) HTML (Portuguese)

Paulo Barbosa

Challenges and Innovations in Accessing and Researching Oral Memories: The Case of the AMOPC Archive.

https://doi.org/10.37390/avancacinema.2025.a663

PDF (Portuguese) HTML (Portuguese)

Jorge Humberto Flores Romero, Juan Carlos Lobato Valdespino

Domestic spaces in the cinematic house. “Amores Perros” by Alejandro González Iñárritu.

https://doi.org/10.37390/avancacinema.2025.a664

PDF (Spanish) HTML (Spanish)

Maria Canas, Pedro Cardoso, Sérgio Eliseu

Expanding Expanded Cinema: Audience Agency and Dark Play

https://doi.org/10.37390/avancacinema.2025.a659

Marta Amorim, Bruno Mendes da Silva

From photographic representation to statistical abstraction: a self-portrait on (in)visibility.

https://doi.org/10.37390/avancacinema.2025.a666

Francisco Silveira

Gamification in Cinema: the Numbers that God Made in Drowning by Numbers and “Nosedive”

https://doi.org/10.37390/avancacinema.2025.a661

PDF (Portuguese) HTML (Portuguese)

Alexandre Oliveira Martins, Ana Gavina, António Costa Valente, Bruno Mendes da Silva

“memories in motion: Women and Cinema”: Archive, Montage, and the Poetics of the Audiovisual Essay

https://doi.org/10.37390/avancacinema.2025.a665

PDF (Portuguese) HTML (Portuguese)

Hugo Paquete. P.h.D

Post-Apocalyptic Negentropy The Intersection of Technology, Environment, and Generative Music in Opera.

https://doi.org/10.37390/avancacinema.2025.a662

Virgilio Vasconcelos, Suryara Bernardi

Reflections on a Mixed-Method Approach to Animation with Generative AI: Cannibalizing the Tools of Automation in the project AI.D

https://doi.org/10.37390/avancacinema.2025.a668

Tony Costa

Still teaching on film

https://doi.org/10.37390/avancacinema.2025.a669

PDF (Portuguese) HTML (Portuguese)

Ersan Ocak, Ph.D.

The State of Interactive Documentaries in Turkey Within the Digitalization Process of Documentary Production

https://doi.org/10.37390/avancacinema.2025.a660

Chapter V _ Guests

Marc Rigaudis, Gitonga Kiigi

AFRICA...THE PLUG and SISTER AI...

https://doi.org/10.37390/avancacinema.2025.a672

José da Silva Ribeiro, Ana Beatriz Pimenta de Carvalho, Thelma Panerai Alves

Autobiographies in Anthropology, Cinema, and Education. Between Technologies, Reflexivity, and Interdisciplinarity.

https://doi.org/10.37390/avancacinema.2025.a671

PDF (Portuguese) HTML (Portuguese)

José da Silva Ribeiro, Carlos Antônio Alves Pontes, Maria José Cavalcanti Freitas, Maria Thereza Didier de Moraes

Cinema: stories that transform

https://doi.org/10.37390/avancacinema.2025.a670

PDF (Portuguese) HTML (Portuguese)

Narce Dalia Ruiz Guzmán

The presence of women at the Latin American film awards

https://doi.org/10.37390/avancacinema.2025.a673

PDF (Spanish) HTML (Spanish)

Capítulo VI _ Guest Country

Kaoutar Baaj, Elmehdi Boujou, El Arbi El Bakkali, Abdelfattah Lahiala

Artificial Intelligence in Institutional Audiovisual Content Production

https://doi.org/10.37390/avancacinema.2025.a675

PDF (French) HTML (French)

Mouna HASSANI, Meryem EL YOUSSIFI, Abdelfattah LAHIALA, Moulay Maati Alaoui FANNANE

Cinema as an Educational Technology: Enhancing Socio-pedagogical Communication

https://doi.org/10.37390/avancacinema.2025.a682

PDF (French) HTML (French)

EL MEHDI ETTALABI

Directing the Invisible: AI, Memory, and Rhythm in HEJJAYTI Pt. VII

https://doi.org/10.37390/avancacinema.2025.a686

Latifa Chahbi

Hip-hop culture as an educational and emancipatory tool in Nabil Ayouch’s cinema: a study of the film Haut et Fort

https://doi.org/10.37390/avancacinema.2025.a679

PDF (French) HTML (French)

Kaoutar EL AIDA, Wissal Boulouah, Mohamed Amine Lahiala, Moulay Maati Alaoui Fennane, Abdelfattah Lahiala

Integrating Film in EFL Education: A Catalyst for Effective Communication Skills Development

https://doi.org/10.37390/avancacinema.2025.a674

AMRANI Oussama, EL BAKKALI El Arbi

Literature Through the Lens of Cinema: From Morceaux de choix by Nedali to Les ailes de l’amour by Laraki

https://doi.org/10.37390/avancacinema.2025.a677

PDF (French) HTML (French)

Mariam KERROUDI , Yassin RAZKAOUI

Cinéma marocain et politique audiovisuelle : Enjeux, ambitions et contraintes pratiques

https://doi.org/10.37390/avancacinema.2025.a680

PDF (French) HTML (French)

Wissal BOULOUAH, Kaoutar EL AIDA, Houssame NEKHASS, Imane EL KORTBI, Laila DROUICHE, Abdelfettah LAHIALA

Morocco in Cinema: Between Global Fantasies and Local Realities in Shaping Tourism Image Destination

https://doi.org/10.37390/avancacinema.2025.a678

Oumayma Bouchanine, Moulay Maati Alaoui Fennane, Abdelfattah Lahiala, Kaoutar Baaj, Hatim Mourtadi

The Aesthetics of Montage and Sports Soft Power : Analyzing the Visual Construction of Morocco’s Geopolitical Narrative (2022–2030)

https://doi.org/10.37390/avancacinema.2025.a676

PDF (French) HTML (French)

Sanaa SOUDDATI, Abdelfattah LAHIALA, Moulay maati ALAOUI FANNANE

The Cinema as a Social Actor: Codification, Reception, and Communicational Issues

https://doi.org/10.37390/avancacinema.2025.a683

PDF (French) HTML (French)

Meryem EL YOUSSIFI, Mouna HASSANI, Kaoutar EL AIDA, Abdelfattah LAHIALA

The use of films as a pedagogical tool for the development of critical thinking skills of students: conceptual review

https://doi.org/10.37390/avancacinema.2025.a681

PDF (French) HTML (French)

Safae TAOUIL, Abdelfattah LAHIALA

Theater as a pedagogical lever for the development of students’ communication skills: the case of Moroccan ISPITS students

https://doi.org/10.37390/avancacinema.2025.a685

PDF (French) HTML (French)

Fatin SOLEIMANI, Yassin RAZKAOUI

Virtual Reality and Educational Cinema: Towards Immersive Higher Education in Morocco

https://doi.org/10.37390/avancacinema.2025.a684

PDF (French) HTML (French)