Cinema - Technology

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54 Items
Büşra Kara
Woman and Home in 1980s Turkish Cinema: A Relational Reading Through Atıf Yılmaz’s Films
DOI: https://doi.org/10.37390/avancacinema.2022.a460
Andreia Machado Oliveira, Matheus Moreno dos Santos Camargo, Luyanda Zindela
Virtual Monuments: A Collaborative Fulldome format audiovisual project
DOI: https://doi.org/10.37390/avancacinema.2020.a188
Sofia Figueiredo, Catarina Carneiro de Sousa
Videogames as Interactive Cinema - New Perspectives
DOI: https://doi.org/10.37390/avancacinema.2023.a545
Eduardo Nespoli
Vestígios: an archaeological exploration of signs and noises in an work of live cinema
DOI: https://doi.org/10.37390/avancacinema.2022.a459
Cyril Lepot
Understanding the empirical process of animating to open up the field of stop motion analog simulation
DOI: https://doi.org/10.37390/avancacinema.2023.a544
José Miguel Dos Santos Silva, Vítor Quelhas
Uma Lide de Cartazes.
DOI: https://doi.org/10.37390/ac.v0i0.75
Maurício Silva Gino, Vitor Amaro Lacerda , Kayke Quadros Carvalho
Transposition of fulldome content to flat media motivated by sanitary measures resulting from te COVID-19 pandemic
DOI: https://doi.org/10.37390/avancacinema.2021.a351
Cecilia Salles, Samir Cheida
Transmedia montage: a reflection on the editing and the creation process of the series The Walking Dead
DOI: https://doi.org/10.37390/avancacinema.2022.a458
Estella Oncins , Anna Matamala
Training professionals to improve media accessibility
DOI: https://doi.org/10.37390/avancacinema.2021.a350
Pedro Henrique Costa Reis, Mônica Stein
The use of 3D as a tool to assist in the creation of a 2D animated short film
DOI: https://doi.org/10.37390/avancacinema.2023.a543
Vitor Amaro Lacerda, Maurício Silva Gino
The planetarium, beyond the stars: historical development of audiovisual projections for hemispheric screens.
DOI: https://doi.org/10.37390/avancacinema.2021.a360
Wilson Oliveira Filho, Gabriel Linhares Falcão, Francisco Malta
The movement of things: Jodie Mack and the looping experimental animations
DOI: https://doi.org/10.37390/avancacinema.2020.a189
Mª Alexandra Cardoso
The Influence of Science Fiction in Healthcare Technology
DOI: https://doi.org/10.37390/avancacinema.2020.a193
Kurtuluş Özgen
The impact of drones in documentary filmmaking: Renaissance of aerial shot.
DOI: https://doi.org/10.37390/ac.v0i0.74
Tony Costa
The digital image: The implication changes in education
DOI: https://doi.org/10.37390/avancacinema.2023.a542
Luis Fernando Medina Cardona
The Amphibian Filmmaker: A new evolutionary species In the time of the Post-truth.
DOI: https://doi.org/10.37390/ac.v0i0.73
Bruna G. Malta Victal Teodoro, Glaucia E. Davino
Streaming times. Implications on audiovisual production in Brazil
DOI: https://doi.org/10.37390/avancacinema.2020.a192
Richard O’Sullivan
Standing Ground: the index in the landscape of the digital
DOI: https://doi.org/10.37390/avancacinema.2020.a191
João Pedro Ribeiro, Miguel Carvalhais, Pedro Cardoso
Sound in the Mise-en-jeu: Conveying Meaning through Videogames’ Mediated Space
DOI: https://doi.org/10.37390/avancacinema.2020.a190
Manuel Flurin Hendry, Norbert Kottmann, Valentin Karl Huber, Michael Schaerer, Christian Iseli
Simulate This! Virtual Production and Cinematic Education with cineDESK
DOI: https://doi.org/10.37390/avancacinema.2023.a541
Sivakumar Ramachandran
Sensory technology for measuring engaged viewership of broadcast television content
DOI: https://doi.org/10.37390/avancacinema.2021.a348
María del Mar Ogea Pozo
Raising awareness and teaching accessibility: a didactic experiment in the audiovisual translation classroom based on audio description
DOI: https://doi.org/10.37390/avancacinema.2022.a457
Fabiane Urquhart Duarte , Andreia Machado Oliveira
Poetics of Time: on the wear and tear and appropriation of photosensitive materials
DOI: https://doi.org/10.37390/avancacinema.2022.a456
Petra Dominkova
Phenomenology of a Projection Booth
DOI: https://doi.org/10.37390/avancacinema.2021.a347
Wilson Oliveira Filho , Gabriel Linhares Falcão, Francisco Malta, Márcia Cristina da Silva Sousa
O escuro tem sua casa: O retorno à sala de exibição como resposta as novas tecnologias de imersão.
DOI: https://doi.org/10.37390/ac.v0i0.72