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Cinema - Cinema
All Items
197 Items
Juan Pablo López Rincón
The classic Theories of editing for the cinema and its impact on Video Games’s narrative
DOI:
https://doi.org/10.37390/avancacinema.2021.a302
Edileuza Penha de Souza
The case of the wrong man – Cinema as an instrument to denounce the genocide of the black population
DOI:
https://doi.org/10.37390/avancacinema.2020.a158
Sérgio Bordalo e Sá
The Blue Angel: from the end of the Expressionism to the influence of Paramount. A film by Josef von Sternberg
DOI:
https://doi.org/10.37390/avancacinema.2020.a157
Rubén Marín Ramos
The archival configuration in contemporary nonfiction cinema
DOI:
https://doi.org/10.37390/avancacinema.2020.a154
Ivana Denise Grehs
Symbols, religiosity and belonging. Dialogues between the history of Brazil and Africa in three documentaries
DOI:
https://doi.org/10.37390/avancacinema.2021.a300
Amanda Mansur Custódio Nogueira
Suspensão narrativa e fluxo temporal. A experiência musical em Tatuagem (2013), de Hilton Lacerda.
DOI:
https://doi.org/10.37390/ac.v0i0.53
Tiago Silva, Marta Madureira, Filipe Lopes
Studies on the potentialities of sound design in animated movies - The impact and the influence of sound design in the creation of an animated short
DOI:
https://doi.org/10.37390/avancacinema.2021.a299
Oscar Canalís Hernández
Structure, Geometry And Method In Peter Greenaway’s The Draughtsman’s Contract. The 4 Dimensions In The Cinematic “Canvas”
DOI:
https://doi.org/10.37390/avancacinema.2021.a298
Mauricio Mario Monteiro, Ricardo Tsutomu Matsuzawa
Star Trek: feminism and identity in the case of Nyota Uhura
DOI:
https://doi.org/10.37390/avancacinema.2021.a297
Henrique Muga
Space in the Cinema of João César Monteiro
DOI:
https://doi.org/10.37390/avancacinema.2021.a296
Inês Xará, Filipe Lopes
Sound, Body and Emotion in Cinema
DOI:
https://doi.org/10.37390/avancacinema.2023.a503
Francisco Malta, Wilson Oliveira, Renan Oliveira, Matheus Moita, Thiago Malvar, Stella Nemer
Silence and action: the reivention of language in post-pandemic Cinema
DOI:
https://doi.org/10.37390/avancacinema.2021.a295
Francisco Ricardo Silveira
Self-Objectification in Phoebe Bridgers’ Videography
DOI:
https://doi.org/10.37390/avancacinema.2021.a294
Luiz Augusto Coimbra de Rezende Filho
Second person narrative in War Documentaries.
DOI:
https://doi.org/10.37390/ac.v0i0.52
Alfredo Taunay Colins, Morgana Gama de Lima
Screen’s etnography and semiopragmatic: a dialogue between film’analysis methodologies.
DOI:
https://doi.org/10.37390/avancacinema.2020.a146
Fernando Moreno Suárez
Roma y Netflix: ganando premios y rompiendo reglas.
DOI:
https://doi.org/10.37390/ac.v0i0.51
Maria do Céu Martins Monteiro Marques
Representações da Cultura Oriental e Ocidental em Amor e Dedinhos de Pé.
DOI:
https://doi.org/10.37390/ac.v0i0.50
Karine Chevalier
Reframing violence in Corsica : cinema as mask and mirror
DOI:
https://doi.org/10.37390/avancacinema.2022.a413
Lina Cirino, Angelita Bogado
Recôncavo da Bahia and the endless images: collective body, affection and future
DOI:
https://doi.org/10.37390/avancacinema.2022.a412
Rafael de Souza Barbosa
Questões metanarrativas no documentário de arquivo: o ato de extrair a natureza do material pelas imagens
DOI:
https://doi.org/10.37390/ac.v0i0.49
Edmundo Cordeiro
Portuguese cinema and mental health: Clinic and aesthetics — a research proposal
DOI:
https://doi.org/10.37390/avancacinema.2023.a502
Teresa Nunes
Poetics of Reproduction: the domestic space in Mother!, by Darren Aronofsky
DOI:
https://doi.org/10.37390/avancacinema.2023.a501
João Pinto, Teresa Cardoso, Ana Isabel Soares
PNC and Social Networks: challenges and opportunities on the social web
DOI:
https://doi.org/10.37390/avancacinema.2020.a165
Deirdre O’Toole
Plot vs Emplotment - Testing the narrative concepts of aesthetics and authenticity in the documentary short Far Away Land.
DOI:
https://doi.org/10.37390/ac.v0i0.48
Nare Leone Ter-Gabrielyan
Pictorial Elements of Composition: Mosaic of Perspectives Towards Frontality in Sergei Parajanov’s “The Colour of Pomegranates”
DOI:
https://doi.org/10.37390/avancacinema.2021.a292
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