Cinema - Art

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191 Items
Aleix Rodríguez Gracia
Coincidences and Consequences: A Note on the Endings in Chekhov and Rohmer
DOI: https://doi.org/10.37390/avancacinema.2024.a559
Marc Boumeester
Cinematic Perception and the Image by Proxy
DOI: https://doi.org/10.37390/avancacinema.2022.a373
Sebastián Eguiluz, Andrés Haye, María José Bello, Esteban Radiszcz
Cinematic Humor, National Identity, and Temporality in José Bohr and Raúl Ruiz films
DOI: https://doi.org/10.37390/avancacinema.2025.a627
Derya Yıldız
Cinematic Experience as Spatial Perception: Remembering the Remembrance
DOI: https://doi.org/10.37390/avancacinema.2022.a372
Carolina Duarte Gonçalves Ramos, Miriam de Oliveira Gonçalves
Cinema narratives through walking in urban landscapes
DOI: https://doi.org/10.37390/avancacinema.2022.a371
Maria Fátima Nunes, Carlos Miguel Rodrigues
Cinema e pintura em diálogo
DOI: https://doi.org/10.37390/ac.v0i0.6
Marcello Zeppi
Cinema and landscape, Italian heritage and widespread museum
DOI: https://doi.org/10.37390/avancacinema.2020.a99
Miguel Ángel Rivas Romero
Cinema and its relationship with merchandising at the beginning of the 21st century
DOI: https://doi.org/10.37390/avancacinema.2021.a217
Leonardo de Castro Soutelo, Débora Emanuelle Nascimento Lomba
Cinema and everyday life: Tours and aesthetic dialogues
DOI: https://doi.org/10.37390/avancacinema.2023.a473
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
Cine-concert community project: Heróis do Mar (1949; 2022) by Fernando Garcia, revisited by Portovedo, Martins and Sampaio
DOI: https://doi.org/10.37390/avancacinema.2023.a472
Sílvia Pinto Coelho
Choreography and Cinema #1: after the choreographic work of Cathy Weis
DOI: https://doi.org/10.37390/avancacinema.2023.a471
Pavel Prokopic
Chance Semiotics: The Value and Application of Contingency in Cinema Art Practice
DOI: https://doi.org/10.37390/avancacinema.2021.a216
Mariana Beatriz Marques Fernandes
Big Eyes: Life and Work of Margaret Keane Through Tim Burton’s eyes.
DOI: https://doi.org/10.37390/avancacinema.2020.a98
Isabelle Ingrid Freitas Rodrigues
BETWEEN THE PERFORMATIVE AND THE CAPTURED ON THE SCENE: creative processes and innovations in the creation of videodance and play Donna
DOI: https://doi.org/10.37390/avancacinema.2022.a370
Maíra Ortins, Paulo Bernardino Bastos
Between Gesture and Memory: Cut-Out and Lost Matrix in the Exploration of Time.
DOI: https://doi.org/10.37390/avancacinema.2025.a621
Ahmad Khoshniat
Bertolt Brecht’s Soul in the Body of Experimental Animation: Common Audiovisual Strategies between Epic Theatre and Robert Breer’s Short Animations
DOI: https://doi.org/10.37390/avancacinema.2022.a369
Isac Chateauneuf
Becoming a Corporeal-Interagent: Conceptualizing Interaction, Shared Learning, and Artistic Practices in Fan Communities
DOI: https://doi.org/10.37390/avancacinema.2025.a607
Yudan Wang, Xiao Ling Shao
Aural and Visual Imagery in the Multimedia Music Performance
DOI: https://doi.org/10.37390/avancacinema.2021.a215
Yundi Hou, Shao Xiao Ling
Audiovisual Imagery in Multimodal Perception and Performance of Qigang Chen’s Er Huang Concerto
DOI: https://doi.org/10.37390/avancacinema.2024.a558
Keyla Andrea Santiago Oliveira, Talita Carla Farina
Ashes in the Pantanal (2021): socio-environmental and educational issues
DOI: https://doi.org/10.37390/avancacinema.2022.a368
Frederico Dinis
Articulação sonora e visual em performances intermédia site-specific
DOI: https://doi.org/10.37390/ac.v0i0.5
António Cardoso
Arte interativa: quem é o autor e onde está o espectador?
DOI: https://doi.org/10.37390/ac.v0i0.4
Manuel Rodríguez Vargas
Art History and Tv Series
DOI: https://doi.org/10.37390/avancacinema.2021.a213
Alexandra Cruchinho, Catarina Rito, Luís Sanchez
Art and fashion in costume Design for Film
DOI: https://doi.org/10.37390/avancacinema.2022.a367
Carla Ribeiro
António Lopes Ribeiro and António Ferro: cinematographic cumplicity and the internationalisation projects of portuguese cinema
DOI: https://doi.org/10.37390/avancacinema.2024.a557