Cinema - Art

All Items

191 Items
Gilmar Santana, Walmir Pavam, Miriam de Oliveira Gonçalves
Portraits of cinematic affections in a changing city.
DOI: https://doi.org/10.37390/avancacinema.2025.a613
Fernanda Nardy Bellicieri, Andrea Modugno, Massimo Pini, Claudio Garofalo, Hania Cecília Pilan
PJ Allsteam and the transcultural creative process
DOI: https://doi.org/10.37390/avancacinema.2021.a233
Sandra Regina Nunes Chaves
Photographed stories
DOI: https://doi.org/10.37390/avancacinema.2020.a107
Eugen Dediu
Performative Cinema and Its Techniques
DOI: https://doi.org/10.37390/avancacinema.2023.a482
Sónia Carvalho, Paulo Bernardino Bastos
Performative body and psyche. Approaches to transdisciplinary research methods: transpersonal psychology and ritual-performance.
DOI: https://doi.org/10.37390/avancacinema.2022.a384
Manuel Rodríguez Vargas
Painting under the sign of BIOPIC
DOI: https://doi.org/10.37390/avancacinema.2020.a110
Saleh Ghorbanian
Painting in Time: The Role of Painting in Andrei Tarkovsky’s Solaris
DOI: https://doi.org/10.37390/avancacinema.2022.a383
Paloma Cristina Lima dos Santos, Jorge Luiz Cunha Cardoso Filho
Original Leitmotiv for the short film Vivi Lobo e o Quarto Mágico (2019): A composing exercise
DOI: https://doi.org/10.37390/avancacinema.2020.a112
Karen Acioly, Cristina Rego Monteiro da Luz
Opera pills for children - mini documentaries to raise awareness among parents and teachers
DOI: https://doi.org/10.37390/avancacinema.2023.a481
Hugo Paquete, Adérito Fernandes-Marcos, Paulo Bernardino Bastos
Obscure Radiation: Sound energy flows at the threshold of the sound experience
DOI: https://doi.org/10.37390/avancacinema.2020.a120
Cristianne de Sá , Paulo Bernardino Bastos
O meu corpo em perceção: uma relação com a câmara e com o ato de ser fotografada.
DOI: https://doi.org/10.37390/ac.v0i0.17
José Pedro Regatão
O Fascínio do Cinema na Arte Pública: entre a Ficção e a Realidade.
DOI: https://doi.org/10.37390/ac.v0i0.16
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
O Crime do Padre Amaro: the drama that is discovered in the narratives of Eça de Queiroz (1875), Carlos Coelho da Silva (2005) and Paula Rego (1997-1999)
DOI: https://doi.org/10.37390/avancacinema.2021.a232
Mayara Fior Oliveira
Narrativa e discurso através da “Montagem” fotográfica.
DOI: https://doi.org/10.37390/ac.v0i0.15
Cibele Saque
Na perspetiva do movimento cinematográfico: ‘Desenhando uma linha de paisagem’.
DOI: https://doi.org/10.37390/ac.v0i0.14
Francisco Silveira
Motorized Passenger’s Cinematography: Sudden Experiences in Literature
DOI: https://doi.org/10.37390/avancacinema.2023.a480
Alex Beigui, Thales Lopes
Methodologies of audio description in the reception of films for people with disability visual: case study
DOI: https://doi.org/10.37390/avancacinema.2021.a231
Carlos Pantaleón Panaro
Metaphors and archetypal symbols of the domestic space. Its recreation in the film Rear Window
DOI: https://doi.org/10.37390/avancacinema.2023.a479
Filomena Antunes Sobral, Cláudia Figueiredo Simões
Metamorphoses - Video art and photography
DOI: https://doi.org/10.37390/avancacinema.2020.a113
Rita Vilhena
Memories, a space that challenges History - biographical memories in the plays of Joana Craveiro and Teatro do Vestido
DOI: https://doi.org/10.37390/avancacinema.2023.a478
Isabel Maria Lemos de Pina
Media Arts Suspensions and Deviations - Paz dos Reis between Cinema and Photography
DOI: https://doi.org/10.37390/avancacinema.2024.a568
Alex Beigui
Medea: myth itinerances in different enunciative contexts
DOI: https://doi.org/10.37390/avancacinema.2023.a477
Beatriz Arroyo Plasencia
Marta Negre, the digital present and its pandemic correlation: TWENTY REAL FICTION TIME
DOI: https://doi.org/10.37390/avancacinema.2024.a567
Elisenda Díaz Garcés
Manon de Boer looks at the arts: The performative body through repetition
DOI: https://doi.org/10.37390/avancacinema.2021.a230
Maria do Rosário da Silva Santana, Helena Maria da Silva Santana
Madame Butterfly by John Luther Long and its reworking on the homonymous opera by Giacomo Puccini and the film M. Butterfly by David Cronenberg: symbology, intentions and identities
DOI: https://doi.org/10.37390/avancacinema.2025.a609