Cinema - Art

All Items

169 Items
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
O Crime do Padre Amaro: the drama that is discovered in the narratives of Eça de Queiroz (1875), Carlos Coelho da Silva (2005) and Paula Rego (1997-1999)
DOI: https://doi.org/10.37390/avancacinema.2021.a232
Mayara Fior Oliveira
Narrativa e discurso através da “Montagem” fotográfica.
DOI: https://doi.org/10.37390/ac.v0i0.15
Cibele Saque
Na perspetiva do movimento cinematográfico: ‘Desenhando uma linha de paisagem’.
DOI: https://doi.org/10.37390/ac.v0i0.14
Francisco Silveira
Motorized Passenger’s Cinematography: Sudden Experiences in Literature
DOI: https://doi.org/10.37390/avancacinema.2023.a480
Alex Beigui, Thales Lopes
Methodologies of audio description in the reception of films for people with disability visual: case study
DOI: https://doi.org/10.37390/avancacinema.2021.a231
Carlos Pantaleón Panaro
Metaphors and archetypal symbols of the domestic space. Its recreation in the film Rear Window
DOI: https://doi.org/10.37390/avancacinema.2023.a479
Filomena Antunes Sobral, Cláudia Figueiredo Simões
Metamorphoses - Video art and photography
DOI: https://doi.org/10.37390/avancacinema.2020.a113
Rita Vilhena
Memories, a space that challenges History - biographical memories in the plays of Joana Craveiro and Teatro do Vestido
DOI: https://doi.org/10.37390/avancacinema.2023.a478
Isabel Maria Lemos de Pina
Media Arts Suspensions and Deviations - Paz dos Reis between Cinema and Photography
DOI: https://doi.org/10.37390/avancacinema.2024.a568
Alex Beigui
Medea: myth itinerances in different enunciative contexts
DOI: https://doi.org/10.37390/avancacinema.2023.a477
Beatriz Arroyo Plasencia
Marta Negre, the digital present and its pandemic correlation: TWENTY REAL FICTION TIME
DOI: https://doi.org/10.37390/avancacinema.2024.a567
Elisenda Díaz Garcés
Manon de Boer looks at the arts: The performative body through repetition
DOI: https://doi.org/10.37390/avancacinema.2021.a230
Paula Barata Dias
Lupinus Homo – Classical Mythology reshaping intergenerational and gender conflict in The Power of the Dog by Jane Campion (2021)
DOI: https://doi.org/10.37390/avancacinema.2022.a382
Kátia Marly Leite Mendonça
Literature and Cinema: A Day In The Life Of Ivan Denisovitch
DOI: https://doi.org/10.37390/avancacinema.2024.a566
Dulce María Núñez Oseguera, Dulce María Núñez Oseguera
Listening to Otherness in Pedro Páramo (1967) by Carlos Velo. The self existence from the desires and memories of other.
DOI: https://doi.org/10.37390/avancacinema.2022.a381
Olga María Rodríguez Bolufé, Yalicel Gabeira Londres
Let the stones speak. Havana’s urban ruins in the eyes of Cuban visual artists and filmmakers
DOI: https://doi.org/10.37390/avancacinema.2021.a229
Antoine Boilleau
Lens revealing power in Antonioni’s Blow-Up
DOI: https://doi.org/10.37390/avancacinema.2021.a228
André Francisco
Landscape as narrative element in Lisandro Alonso’s Liverpool
DOI: https://doi.org/10.37390/avancacinema.2021.a227
Jesús Ramé López
La estética modal como herramienta de análisis cinematográfico.
DOI: https://doi.org/10.37390/ac.v0i0.12
Sérgio Eliseu, Maria Manuela Lopes, Gilberto Reis, Marta Noronha
Kurika - an interactive mixed reality and Virtual Reality art installation
DOI: https://doi.org/10.37390/avancacinema.2020.a109
Veronika Kleve, Paulo Bernardino Bastos
I´m Not Here: dialogues with Agnés Varda
DOI: https://doi.org/10.37390/avancacinema.2022.a380
Cibele Saque, Moisés Saque, Romeu Saque
Intertwining Nature and Narrative: A Potential Contribution of Animated Cinema to Ecological Perspectives
DOI: https://doi.org/10.37390/avancacinema.2024.a561
Silvane Maltaca, Sandra Fischer
Inspire, create and sharing: convergences of the creation process in the Work of Agnès Varda
DOI: https://doi.org/10.37390/avancacinema.2021.a226
Raquel Felgueiras
Inside the black cube: the moving image in the exhibition room
DOI: https://doi.org/10.37390/avancacinema.2024.a564
Scheilla Franca de Souza, Jorge Cardoso Filho
In Travessias with Sued Nunes and Safira Moreira: audiovisual metaphors, singing and talking aesthetic-political redistribution
DOI: https://doi.org/10.37390/avancacinema.2023.a476