Cinema - Cinema

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197 Items
Jose Francisco Serafim, Regina Gloria Andrade , Natalia Ramos
Fictions of the Real in Documentary The Cambridge Squatter - Eliana Caffé (2016)
DOI: https://doi.org/10.37390/avancacinema.2022.a405
Fabiana Wielewicki, Guy Amado
Fiction and friction: images of the Amazon forest in foreign cinema
DOI: https://doi.org/10.37390/avancacinema.2020.a148
Tiago Luís Minau Ramos
Expressing the Self: The Diary Films of Jonas Mekas
DOI: https://doi.org/10.37390/avancacinema.2021.a274
Francisco Malta
Exploring Diversity on Screen: An Analysis of Films Addressing LGBTQIAPN+ Issues in Cinema.
DOI: https://doi.org/10.37390/avancacinema.2024.a573
Arthur Felipe de Oliveira Fiel, Patrícia Cardoso D’Abreu
Experimental animation and awareness on the new coronavirus. The potential of opaque audiovisual images for children
DOI: https://doi.org/10.37390/avancacinema.2021.a273
M. Ángeles López Izquierdo
Experimental Animated Engraving: Technical Creation and Aesthetic Simulation
DOI: https://doi.org/10.37390/avancacinema.2021.a272
Sandra Straccialano Coelho
Experiências migrantes no documentário Latino Americano em 1a. pessoa: algumas abordagens metodológicas.
DOI: https://doi.org/10.37390/ac.v0i0.33
Claudia Adrianzen Lapouble
Expatriate filmmakers, (trans)national films? : the case of two latin-américan filmamkers in Europe
DOI: https://doi.org/10.37390/avancacinema.2022.a404
Juan Francisco Celín Robalino
Estudo das funções narrativas e estilísticas de sombras e sons nos filmes de influência expressionista O anjo azul e M – o vampiro de Düsseldorf.
DOI: https://doi.org/10.37390/ac.v0i0.32
Nuno Tudela
Escrita de argumento com atores: uma prática experimental em análise.
DOI: https://doi.org/10.37390/ac.v0i0.31
Edileuza Penha de Souza, Marcus Vinicius Mesquita
Encounters, Festivals and Exhibitions – ways to build brazilian black cinema
DOI: https://doi.org/10.37390/avancacinema.2020.a142
Oscar Canalís Hernández
El Cine y la Villa Malaparte de Capri.
DOI: https://doi.org/10.37390/ac.v0i0.30
Jorge Manuel Neves Carrega
Early italian cinema in Portugal: the case of the poster collection of the Museum of Faro
DOI: https://doi.org/10.37390/avancacinema.2024.a577
Miguel García Victoria
Double Canon on Casablanca: Reencounters and Farewells. From Unfinished Business to Begin the Beguine of José Luis Garci
DOI: https://doi.org/10.37390/avancacinema.2023.a496
Miriam de Oliveira Gonçalves
Discussing gentrification through documentary cinema
DOI: https://doi.org/10.37390/avancacinema.2020.a140
Francisco-Julián Martínez-Cano
Digital innovations in cinematographic practice at the early 21st century: the case of The Mandalorian
DOI: https://doi.org/10.37390/avancacinema.2021.a271
José Januário Guedes Pires
Dictator, the one who dictates – between the ideology of the single thought and the diversity of the failure. From Marcel Duchamp to Samuel Beckett, through Charlie Chaplin and Buster Keaton
DOI: https://doi.org/10.37390/avancacinema.2021.a270
Bárbara Caffarel Rodríguez
Del sistema de Stanislavski al método Strasberg: aproximación teórica, análisis y críticas a ambos sistemas.
DOI: https://doi.org/10.37390/ac.v0i0.29
Katia M. L. Mendonça
Czeslaw Milosz: Between Testimony and Prophecy
DOI: https://doi.org/10.37390/avancacinema.2023.a495
Leonardo da Silva Souza
Cut! Diaspora and heterogenesis evolving technique, aesthetics and politics in cinema
DOI: https://doi.org/10.37390/avancacinema.2020.a139
Katrin Pieper
Cut films and manipulated subtitles: The censorship of foreign films during the Estado Novo
DOI: https://doi.org/10.37390/avancacinema.2022.a403
Manoela Veloso Passos, Maria Beatriz Colucci
Critical Analysis of cineclub experience with 7-10 years old students
DOI: https://doi.org/10.37390/avancacinema.2021.a269
Karine Chevalier
Corsica: a cinematic home of rebellion?
DOI: https://doi.org/10.37390/avancacinema.2024.a574
Mariana Lemos Schwartz
Convergence points between the films Once and Sing Street and the British New Wave
DOI: https://doi.org/10.37390/avancacinema.2021.a268
Felipe Muanis, Mariana Schwartz
Conventions in cinematographic art direction: a look at science fiction
DOI: https://doi.org/10.37390/avancacinema.2020.a138