Cinema - Art

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169 Items
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
“The Fantastic Flying Books of Mr. Morris Lessmore” of William Joyce and Brandon Oldenburg: when sound is dominant in building a narrative of text and images
DOI: https://doi.org/10.37390/avancacinema.2020.a124
Nuno Chuva Vasco
“Pierrot le Fou”, a perspective of [self]representation of the visual arts
DOI: https://doi.org/10.37390/avancacinema.2024.a569
Beáta Fenyvesi
“Images of the Secret Self”: The Idea of the Non-Human in German Expressionist and Early American Horror Cinema
DOI: https://doi.org/10.37390/avancacinema.2020.a108
Sónia Carvalho, Paulo Bernardino Bastos
“Archetype(spelling) obscure of feminine”, 2020. Multimedia installation Performance with the collaboration of artist/performer Sol Casal (Br) and the participation of the Traditional Singer Sara Grenha, at the gallery Ana Lama, (25/10/2020), Lisbon
DOI: https://doi.org/10.37390/avancacinema.2021.a212
Heloisa Cardoso da Rosa, Mônica Stein, Henrique Cardoso da Rosa, Stefani Ehmke Agra
Worldbuilding as a key element in the creation of transmedia narrative universes — an applicable approach to cinematography
DOI: https://doi.org/10.37390/avancacinema.2024.a560
Andrew Vallance
Work of Memory
DOI: https://doi.org/10.37390/avancacinema.2022.a395
Sumaira Majeed, Noor Ul Ain Lashari
Woman the Natural Nurturer: An Ecofeminist Study of Niki Caro’s The Whale Rider.
DOI: https://doi.org/10.37390/avancacinema.2020.a127
Sophia Bahia, Mônica Stein
Windows Animated Short Film - Conception, Visual Development, And Art Direction
DOI: https://doi.org/10.37390/avancacinema.2023.a491
Cecília Nazaré de Lima
Why the choice of Beethoven's Fifth Symphony as a symbol of the Allies in World War II?
DOI: https://doi.org/10.37390/avancacinema.2020.a118
Camilo Cavalcante
Why do flowers die?- Brazilian and Ango-Saxon music in the triptych As Mil e Uma Noites (2015), directed by Miguel Gomes
DOI: https://doi.org/10.37390/avancacinema.2023.a490
Nicoleta Călina, Cristiana Călina
When cinema draws its inspiration from literature: Marcello Mastroianni and his literary characters’ embodiment
DOI: https://doi.org/10.37390/avancacinema.2023.a489
Edmilson Forte Miranda Júnior
What do you want to be when you grow up: Afrofuturism in the short film Bluesman
DOI: https://doi.org/10.37390/avancacinema.2021.a253
Monica Rodrigues Klemz, Doris Kosminsky, Elianne Ivo Barroso
Violated cartographies. Aesthetic and political representations in the construction of the Shattered World Museum
DOI: https://doi.org/10.37390/avancacinema.2021.a252
Fábio Jabur de Noronha
Video art without video art: the materiality of production conditions in Brazil in the 1990s
DOI: https://doi.org/10.37390/avancacinema.2023.a488
Rita Vilhena
Turning Backs - O espectador está presente?
DOI: https://doi.org/10.37390/ac.v0i0.22
Sónia Carvalho, Paulo Bernardino Bastos, Rui Alexandre Rosa Grincho Serra
Transpersonal Body - The Spiritual contribution of Performance to the pictorial construction.
DOI: https://doi.org/10.37390/avancacinema.2020.a102
Juan Manuel Ruiz Prieto
Time Travel, Audiovisual Narratives and TV Fiction: The Bootstrap Paradox in BBC’s Doctor Who
DOI: https://doi.org/10.37390/avancacinema.2021.a251
Erika Rodrigo Benedicto
The treatment of lesbian love in "Carne apaleada" (Inés Palou, 1975/Javier Aguirre, 1978), film adaptation of the Spanish political transition
DOI: https://doi.org/10.37390/avancacinema.2020.a106
André Araújo, Graça Magalhães, Pedro Bessa
The symbolic foundations of the mining archive: sound and image as vehicles of memory
DOI: https://doi.org/10.37390/avancacinema.2022.a394
Wilson Oliveira Filho, Diana Seelaender, Mariana Lucas de Almeida Fernandes
The statute of image production in cinema and art through artificial intelligence
DOI: https://doi.org/10.37390/avancacinema.2023.a487
Florencia Varela Gadea
The share confession and the generacional portraits in the new documental films aesthetics El olor de aquel lugar (2012), Bosco (2021) y Alcira y el campos de espigas (2023)
DOI: https://doi.org/10.37390/avancacinema.2024.a565
Gisele Filippetto
The Role of Music in the Documentary “Miles Davis: Birth of the Cool”
DOI: https://doi.org/10.37390/avancacinema.2022.a393
Tiago Luís Minau Ramos
The Reprentation of Words in Tabu: A Story of the South Seas
DOI: https://doi.org/10.37390/avancacinema.2023.a486
Patricia Perez de Moraes Nepomuceno, Mauricio Silva Gino
The relationship between image and sound in the sound environment of the animation The boy and the World
DOI: https://doi.org/10.37390/avancacinema.2021.a250
Yi Chen
The Refrains of Memory: Bi Gan’s Long Day’s Journey into Night
DOI: https://doi.org/10.37390/avancacinema.2021.a249