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217 titres
Inês Varandas Fernandes
The symphony of (not) belonging: music tales in two coming-of-age films
DOI : https://doi.org/10.37390/avancacinema.2025.a631
Caio Chaves Faria
The Sheik (1921), de George Melford: Uma fantasia oriental e racialidade
DOI : https://doi.org/10.37390/avancacinema.2023.a509
Abbas mohammadi
The place of literature adaptation in Afghan cinema
DOI : https://doi.org/10.37390/avancacinema.2021.a306
Diana Martinez Muñoz, Melissa de Raaf
The Non-Existent Documentary Nor Fiction
DOI : https://doi.org/10.37390/avancacinema.2021.a305
Marcela Negro, Javier Olarte
The montage cinema and the narrative structure, strengths for the story progression.
DOI : https://doi.org/10.37390/avancacinema.2022.a419
Elahe Saberi
The Impact of Non-linear Narrative Structures on Better Character Development in Animated-short Movies
DOI : https://doi.org/10.37390/avancacinema.2023.a505
Paulo Portugal
The FILMar project: the reconfiguration of cinephilia and the new authors
DOI : https://doi.org/10.37390/avancacinema.2025.a647
Edmundo Cordeiro
The elevator scene in ‘Horse Money’: the sound-image.
DOI : https://doi.org/10.37390/ac.v0i0.54
Carolina Fadigas, João Barata
The creative process of historical costume reconstruction in film and theatre - Interview with Miss Suzie
DOI : https://doi.org/10.37390/avancacinema.2025.a634
Julio Vallejo Herán
The confusion between person and character in Cravan vs Cravan (Lacuesta, 2002)
DOI : https://doi.org/10.37390/avancacinema.2022.a414
Juan Pablo López Rincón
The classic Theories of editing for the cinema and its impact on Video Games’s narrative
DOI : https://doi.org/10.37390/avancacinema.2021.a302
Mariana Schwartz, Alfredo Taunay
Texturas visíveis em A Vida Invisível: uma análise da direção de arte
DOI : https://doi.org/10.37390/avancacinema.2023.a510
Amanda Mansur Custódio Nogueira
Suspensão narrativa e fluxo temporal. A experiência musical em Tatuagem (2013), de Hilton Lacerda.
DOI : https://doi.org/10.37390/ac.v0i0.53
Oscar Canalís Hernández
Structure, Geometry And Method In Peter Greenaway's The Draughtsman’s Contract. The 4 Dimensions In The Cinematic “Canvas”
DOI : https://doi.org/10.37390/avancacinema.2021.a298
Inês Xará, Filipe Lopes
Som, Corpo e Emoção no Cinema
DOI : https://doi.org/10.37390/avancacinema.2023.a503
Fernanda Aguiar Carneiro Martins
Sinfonias Urbanas: Utopia e Semiose Documentária
DOI : https://doi.org/10.37390/avancacinema.2021.a265
Ivana Denise Grehs
Símbolos, religiosidade e pertencimento. Diálogos entre história do Brasil e da África em três documentários
DOI : https://doi.org/10.37390/avancacinema.2021.a300
Francisco Malta, Wilson Oliveira, Renan Oliveira, Matheus Moita, Thiago Malvar, Stella Nemer
Silêncio e ação: a reinvenção da linguagem no cinema pós-pandemia
DOI : https://doi.org/10.37390/avancacinema.2021.a295
Luiz Augusto Coimbra de Rezende Filho
Second person narrative in War Documentaries.
DOI : https://doi.org/10.37390/ac.v0i0.52
Ana Luiza Cavalcanti Fatorelli Carneiro, Luiz Roberto Pinto Nazario
Roteiro coletivo: a ideia do cinema neorrealista
DOI : https://doi.org/10.37390/avancacinema.2020.a166
Fernando Moreno Suárez
Roma y Netflix: ganando premios y rompiendo reglas.
DOI : https://doi.org/10.37390/ac.v0i0.51
Alexia Silva da Silveira Araujo, Monica Stein
Representatividade LGBT em curta-metragem animado
DOI : https://doi.org/10.37390/avancacinema.2021.a285
Maria do Céu Martins Monteiro Marques
Representações da Cultura Oriental e Ocidental em Amor e Dedinhos de Pé.
DOI : https://doi.org/10.37390/ac.v0i0.50
Lina Cirino, Angelita Bogado
Recôncavo da Bahia e as imagens sem fim: corpo coletivo, afeto e futuro
DOI : https://doi.org/10.37390/avancacinema.2022.a412
Rafael de Souza Barbosa
Questões metanarrativas no documentário de arquivo: o ato de extrair a natureza do material pelas imagens
DOI : https://doi.org/10.37390/ac.v0i0.49