Cinema - Cinema

All Items

197 Items
André Francisco
“Your choices are only as good as your options are”: the small-town noir in Little Woods (2018)
DOI: https://doi.org/10.37390/avancacinema.2023.a513
Ariani dos Santos Fontes
“The Lady from Shanghai”: Investigations about Film Noir
DOI: https://doi.org/10.37390/avancacinema.2022.a417
Alexandre Wahrhaftig
“Lavra-dor”, poem-flim: the relationship between cinema and poetry through repetition
DOI: https://doi.org/10.37390/avancacinema.2021.a283
André Francisco
“It’s hard to say whether that idea is really hers”: technology as an identity disruptor in Possessor (2020)
DOI: https://doi.org/10.37390/avancacinema.2022.a409
Diana Marques, Ana Rita Martins
“A house as old as this”: Domestic Horror in Del Toro’s Crimson Peak
DOI: https://doi.org/10.37390/avancacinema.2023.a492
Paulina Stephani Hernández Ríos, Jean-Pierre Marcos
«Pain and Glory», Pedro Almodovar and how not to repeat ourselves
DOI: https://doi.org/10.37390/avancacinema.2021.a290
Maria Natalia Ramos, Regina Gloria Andrade, Maria Conceição Pereira Ramos, José Francisco Serafim
Women’s migration through the documentary Women Who Migrate – Brazil 2023
DOI: https://doi.org/10.37390/avancacinema.2024.a576
Patrícia Cardoso D’Abreu , Flavia Leiroz
Women and the brazilian audiovisual narrative: reconfigurations from time frames
DOI: https://doi.org/10.37390/avancacinema.2021.a315
Maryam Khaleghipour, Azam Ravadrad
Why We Don’t Go to the Cinema: A Qualitative Study in Iran
DOI: https://doi.org/10.37390/avancacinema.2021.a314
Yuying Song
Why do I live here? - Documentary essay on Chinese immigration in Spain
DOI: https://doi.org/10.37390/avancacinema.2021.a313
Ana Catarina Pereira
When art is political: Cinema, feminism and analysis
DOI: https://doi.org/10.37390/avancacinema.2021.a312
Pedro Miguel Jorge Réquio
Westerns - Myth and propaganda
DOI: https://doi.org/10.37390/avancacinema.2020.a161
Gordana Smudja
Western Myth
DOI: https://doi.org/10.37390/avancacinema.2023.a512
Luciana de Almeida Pereira Jordão
Walter White/Heisenberg: construção da personagem em Breaking Bad.
DOI: https://doi.org/10.37390/ac.v0i0.57
Francisco-Julián Martínez-Cano
Volumetric filmmaking, new mediums and formats for digital audiovisual storytelling
DOI: https://doi.org/10.37390/avancacinema.2020.a168
Luís Proença
Voices of Justice in Non-Fiction Films and in Christianity.
DOI: https://doi.org/10.37390/ac.v0i0.56
José Francisco Serafim, Regina Gloria Andrade, Maria Natália Ramos, Maria Conceição Ramos
Voices and Narratives of Migration in the Documentary Casa en Tierra Ajena
DOI: https://doi.org/10.37390/avancacinema.2023.a511
Francisco Malta, Fernanda Ribeiro, Renan Oliveira, Stella Nemer, Wilson Oliveira
Visual Effects and Software: The New Generation Cinema
DOI: https://doi.org/10.37390/avancacinema.2022.a420
Manuel Bernardo Cabral
Uma possível leitura do universo fordiano em “O Homem que Matou Liberty Valance”.
DOI: https://doi.org/10.37390/ac.v0i0.55
Verônica Valério Santos
Transpersonal approaches at school: a new subjective framework in cinema pedagogy
DOI: https://doi.org/10.37390/avancacinema.2021.a311
Cátia Candido da Silva , Waleska Karinne Soares Coutinho Souto , Fabrícia Teixeira Borges
Toc Toc – a reflection on the role of alterity in your aesthetic finish
DOI: https://doi.org/10.37390/avancacinema.2021.a310
Miguel García Victoria
Three portraits of the cangaço: documentary, avant-garde and parody
DOI: https://doi.org/10.37390/avancacinema.2024.a581
Marise Berta de Souza, Bruna Lorrane de Castro Morais , Diana de Oliveira Souza Reis
The “Selfie” on Screen: Self representation practices in contemporary Brazilian documentary
DOI: https://doi.org/10.37390/avancacinema.2021.a301
Severiano Casalderrey Conde
The “French Nouvelle Vague” in the shadow
DOI: https://doi.org/10.37390/avancacinema.2020.a153
Saša Miletić
The Whistleblower Film – Is it a Genre and Why Does it Matter?
DOI: https://doi.org/10.37390/avancacinema.2021.a309