Cinema - Communication

All Items

119 Items
Pâmela Peregrino , Edileuza Penha de Souza
Black Animation Cinema and the Enchantment of the short film “Ewé de Òsanyin: the secret of the leaves”
DOI: https://doi.org/10.37390/avancacinema.2022.a425
Pâmela Peregrino da Cruz, Erlane Rosa dos Santos, Filip de Souza Couto, Jhonatan Almeida de Sousa
Black Animation Cinema and Afro-centered educational processes
DOI: https://doi.org/10.37390/avancacinema.2022.a424
Eduarda Cantaluppi, Glaucia Eneida Davino
Beyond the Grid: the digital side of the Drive to Survive series
DOI: https://doi.org/10.37390/avancacinema.2021.a321
Flóra Simon da Silva
Between document and fiction: the construction of fictional fear in visual fragments
DOI: https://doi.org/10.37390/avancacinema.2021.a320
Gabriela Santos Alves, Karolyne Mendes Gomes, Rosane Vasconcelos Zanotti
Belonging to and (surviving) cities: analysis on Chega de Fiu Fiu (2018), documentary by Amanda Kamanchek and Fernanda Frazão
DOI: https://doi.org/10.37390/avancacinema.2022.a423
Isabel Pina
Aurélio da Paz dos Reis: Stereoscopic Photography and Panoramic Visions
DOI: https://doi.org/10.37390/avancacinema.2025.a652
Teresa Gouveia, Ana Oliveira
Audiovisual storytelling: consumption practices of higher education students
DOI: https://doi.org/10.37390/avancacinema.2021.a319
Maria Teresa Mattos de Moraes, Mariana Cordeiro de Souza, Bruna Sampaio Negrão Guimarães
Audiovisual festivals as training spaces within the Public Universities of Brazil - a case study of the ComuniCurtas Film Festival
DOI: https://doi.org/10.37390/avancacinema.2023.a514
Lara Lima Satler
Atila Iamarino video and The Social Dilemma Netflix documentary
DOI: https://doi.org/10.37390/avancacinema.2021.a318
José Estevão Favaro
Analyzes and correlation of The Rewrite’s movie with active teaching methodologies
DOI: https://doi.org/10.37390/avancacinema.2021.a317
Álvaro Cairrão
Analysis of new and traditional cinema consumption - the profile of young Portuguese university students
DOI: https://doi.org/10.37390/avancacinema.2020.a172
Cheong Kin Man
An Identity Reinterpreted: Notes on an old documentary and investigation into Macanese identity
DOI: https://doi.org/10.37390/avancacinema.2020.a184
Maria Cecília Ribeiro Nunes Nascimento, Andrea Cristina Versuti
Amefricanizing brazilian cinema through the direction of black women
DOI: https://doi.org/10.37390/avancacinema.2025.a649
José Antonio Martinuzzo , Rosane Vasconcelos Zanotti
Advertising film and the audiovisualities of diversity and inclusion in organizational communication strategies
DOI: https://doi.org/10.37390/avancacinema.2020.a179
Paria Rahimi, Somayyeh Chaychi
A Visual Rhetorical Analysis of Narges Abyar’s 2013 Film Track 143 (Shiyar 143)
DOI: https://doi.org/10.37390/avancacinema.2020.a171
Francisca Tinoco
A Very Queer Riddle: Breaking Down Hollywood’s Queerbaiting Problem
DOI: https://doi.org/10.37390/avancacinema.2022.a422
Mônica Mourão
A verdade da direita: a produção audiovisual de memória sobre a ditadura de 1964.
DOI: https://doi.org/10.37390/ac.v0i0.58
Eliane Gordeeff
A Double Look at Animated and Filmed Images
DOI: https://doi.org/10.37390/avancacinema.2021.a316
Cristian Avello Cancino
A camera-arrow; mobilizations, cosmopolitics and ways of occupy the cinema
DOI: https://doi.org/10.37390/avancacinema.2022.a421