Cinema - Cinema

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197 Items
José Duarte
Between fiction and reality: carnival according to Edgar Pêra
DOI: https://doi.org/10.37390/avancacinema.2020.a143
José Duarte
Belonging
DOI: https://doi.org/10.37390/avancacinema.2022.a398
José Duarte
Archive and Landscape: On Cinema and Wonder
DOI: https://doi.org/10.37390/avancacinema.2021.a260
Mattia Ronconi, Jorge Brandão Pereira, Paula Tavares
Animation as a Documentary Strategy of Graffiti Writing. Representation and Reconstruction of Memories
DOI: https://doi.org/10.37390/avancacinema.2021.a259
Marcus Vinicius Azevedo de Mesquita, Edileuza Penha de Souza
Ancestry and identity in Negrum3 - A black pedagogy about gender and sexuality
DOI: https://doi.org/10.37390/avancacinema.2022.a397
Bárbara Caffarel
Analysis of the creative process in the documentary Looking For Richard: Approach to the bases of the construction of Shakespearean characters from the Stanislavki system and the Strasberg method
DOI: https://doi.org/10.37390/avancacinema.2020.a135
Josep Torelló Oliver, Jaume Duran Castells
Análisis práctico de la obra de Pere Portabella (1967-1976): la subversión de la Manera de Representación Institucional a través de la música
DOI: https://doi.org/10.37390/ac.v0i0.83
Natália Queiroz de Oliveira Souto
Alterity, Dialogism and Polyphony through the film Encanto
DOI: https://doi.org/10.37390/avancacinema.2022.a396
Abbas Mohammadi
Aesthetics of the presence of women in Afghan cinema
DOI: https://doi.org/10.37390/avancacinema.2020.a133
Abbas mohammadi
Aesthetics of Symbolism and Semiotics in Afghan Cinema
DOI: https://doi.org/10.37390/avancacinema.2021.a258
Abbas MOHAMMADI
Aesthetics of Color in Afghan cinema
DOI: https://doi.org/10.37390/avancacinema.2023.a493
Abbas mohammadi
Aesthetics of camera movement in Afghan cinema
DOI: https://doi.org/10.37390/avancacinema.2021.a257
Andréa Almeida de Moura Estevão
Aesthetic Research and Filmic materiality in musical documentary: music and imagery interweaving Fevereiros (Februaries)
DOI: https://doi.org/10.37390/avancacinema.2020.a164
Cheong Kin Man
Advocating world cinema’s multipolorization
DOI: https://doi.org/10.37390/avancacinema.2021.a256
Filipe Freitas Chaves
Adrian Cowell and the Brazilian Amazon
DOI: https://doi.org/10.37390/avancacinema.2020.a132
Lauren Molyneux-Dixon
Adapting Complex Time: Story of Your Life (1998) and Arrival (2016)
DOI: https://doi.org/10.37390/avancacinema.2020.a131
Hossein Mashali, Leila Montazeri
A Study of Sound Aesthetics in Screenplays of Asghar Farhadi Based on Michel Chion’s Theories
DOI: https://doi.org/10.37390/avancacinema.2021.a255
Tiago Luís Minau Ramos
A Question of Belief: A Reading of Close Your Eyes (Victor Erice, 2023)
DOI: https://doi.org/10.37390/avancacinema.2024.a582
Ersan Ocak
A Critical Inquiry on Data Visualization Based Interactive Documentary: “The Fallen of World War II” as an example
DOI: https://doi.org/10.37390/avancacinema.2021.a254
Francisco Malta
A criação do personagem cinebiográfico para o cinema: os desafios do roteirista para criar ou recriar.
DOI: https://doi.org/10.37390/ac.v0i0.23
Cheong Kin Man
(Re)nostalgization: Macau’s cinema as a construct of identity
DOI: https://doi.org/10.37390/avancacinema.2021.a293
Alessandro Ricardo Pinto Campos
"Faz um filme com a gente, pra gente mostrar para os parentes”: A cultura do povo Ka’apor acionada pelo cinema.
DOI: https://doi.org/10.37390/ac.v0i0.34