Cinema - Cinema

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197 Items
Isabel Orestes Silveira, Cleusa Kazue Sakamoto
Construction and deconstruction processes in the film ‘The Wall’ (1982) - Interpretative analysis in the Semiotic and Psychoanalytic perspectives
DOI: https://doi.org/10.37390/avancacinema.2021.a267
Rubén Marín Ramos
Confined Cinema. The spatial limitation in non-fiction cinema
DOI: https://doi.org/10.37390/avancacinema.2021.a266
Juan Francisco Celín Robalino
Comparative analysis of shadow with photography, body, the double and the shadow archetype
DOI: https://doi.org/10.37390/avancacinema.2020.a134
Patrícia Cardoso D’Abreu, João Ximenes Braga
Communicational biography and the usurpation of authorship in Brazilian television: a case study on Gilberto Braga’s last telenovela Babilônia
DOI: https://doi.org/10.37390/avancacinema.2022.a402
Ana Luiza Cavalcanti Fatorelli Carneiro, Luiz Roberto Pinto Nazario
Collective screenplay: the idea of neorealistic cinema
DOI: https://doi.org/10.37390/avancacinema.2020.a166
Deirdre O’Toole, Tobias Frühmorgen, Érica Faleiro Rodrigues
Collaborative International Student Filmmaking – Establishing Joint Filmmaking Practices within FilmEU
DOI: https://doi.org/10.37390/avancacinema.2022.a401
Edileuza Penha de Souza
Coffee with cinnamon and the edification of affection in Black Female Cinema
DOI: https://doi.org/10.37390/avancacinema.2022.a400
Fernanda Aguiar Carneiro Martins
City Symphonies: Utopia and Documentary Semiosis
DOI: https://doi.org/10.37390/avancacinema.2021.a265
Marta Fiolić
Cinematizing agenda – visualizing change
DOI: https://doi.org/10.37390/ac.v0i0.28
Filipe Lopes, Pedro M. Afonso
Cinema without Visuals
DOI: https://doi.org/10.37390/avancacinema.2020.a137
Michelle Sales
Cinema negro português.
DOI: https://doi.org/10.37390/ac.v0i0.27
Denise Machado Cardoso, Alessandro Ricardo Pinto Campos
Cinema Juvenil e Produção Audiovisual em Melgaço do Marajó: Experiências Compartilhadas.
DOI: https://doi.org/10.37390/ac.v0i0.26
José Francisco Serafim, Natália Ramos
Cinema documentário, memória, política e exílio. Vivências no feminino.
DOI: https://doi.org/10.37390/ac.v0i0.25
Gilmar Santana
Cinema documental contemporâneo, técnica e sociedade: Implicações sociológicas e culturais.
DOI: https://doi.org/10.37390/ac.v0i0.24
Rui Manuel Martins de Sousa Torres
Cinema as a Potency in Portugal Foreign Policy
DOI: https://doi.org/10.37390/avancacinema.2021.a264
Martina Forconi Baraldi
Chet Baker, from the stage to the big screen. Comparative analysis of the documentary films Let’s Get Lost (1988) and Born to be Blue (2015)
DOI: https://doi.org/10.37390/avancacinema.2021.a263
Marcos De Bona de Carvalho
Charlie Kaufman’s characters and Eduardo Coutinho's ‘non-characters’
DOI: https://doi.org/10.37390/avancacinema.2020.a162
Pâmela Peregrino, Edileuza Penha de Souza
Candomblé and animation cinema: Resistance strategies and territoriality
DOI: https://doi.org/10.37390/avancacinema.2020.a136
Karine Chevalie
Camouflage, resistance and resilience in Iran: from Jafar Panahi to Panah Panahi
DOI: https://doi.org/10.37390/avancacinema.2023.a494
Bárbara Caffarel- Rodríguez
Broadway representation through the cinema: Stage door (1932) and Birdman (or the Unexpected Virtue of Ignorance) (2014)
DOI: https://doi.org/10.37390/avancacinema.2021.a262
Hugo Nogueira Neto, Sandra Regina Nunes Chaves
Brazilian Western Cinema: the Bull, the Bullet and the Bible
DOI: https://doi.org/10.37390/avancacinema.2020.a147
Marcela Andrea Negro
Biopic: the incorporation of the author’s work as a narrative resource
DOI: https://doi.org/10.37390/avancacinema.2021.a261
Renata Dariva Costa
Between the camera and the Wars: the circulation of cinemas in Angola (1968-1992): the cases of Sarah Maldoror, Ruy Duarte de Carvalho and the Angolan state apparatus
DOI: https://doi.org/10.37390/avancacinema.2024.a572
Gilmar Santana
Between Oceans and Knowledge - Documentary film at the University
DOI: https://doi.org/10.37390/avancacinema.2020.a144
Rosário Santana, Helena Maria da Silva Santana
Between fiction and reality: the particular case of the short film “Bugs and Daffy’s Carnival of the Animals by Camille Saint-Saëns” (1976) by Chuck Jones
DOI: https://doi.org/10.37390/avancacinema.2022.a399