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50 Items
Rosimária Sapucaia , Mirian Tavares
Live cinema and its potential as a resource for online classes
DOI: https://doi.org/10.37390/avancacinema.2023.a551
Regis Frota Araújo
Law and Psychoanalysis in Dostoevsky’s Book “The Brothers Karamazov”
DOI: https://doi.org/10.37390/avancacinema.2022.a464
Lardyanne Pimentel Guimarães, António Costa Valente
Interactive narratives: Webdocumentary a audiovisual genre
DOI: https://doi.org/10.37390/avancacinema.2023.a550
Bruno Mendes da Silva, Mirian Tavares, Rui António, Susana Costa, Paula Monteiro, António Araujo
Insights about an interactive film installation.
DOI: https://doi.org/10.37390/ac.v0i0.84
Gloria Gómez-Escalonilla
Hablando de cine, el papel de las revistas cinematográficas.
DOI: https://doi.org/10.37390/ac.v0i0.78
Javier Segundo Olarte Triana
From screenwriting to montage, evidence to understand the evolution of audiovisual narratives
DOI: https://doi.org/10.37390/avancacinema.2021.a356
Rodolfo Gomes Pereira, Lídia Oliveira, Ana Carla Amaro
Framing the Rural – Finding narratives in the making of a documentary about Amiais, Portugal
DOI: https://doi.org/10.37390/avancacinema.2020.a196
Kajingulu Somwe Mubenga
Film Subtitling: A New Research Genre in Africa
DOI: https://doi.org/10.37390/avancacinema.2020.a198
Regis Frota
Entre Macacos e Anjos (2019), a utopia do 17º filme brasileiro
DOI: https://doi.org/10.37390/avancacinema.2020.a197
João Fragoso e Castro, Paulo Bernardino Bastos, Heitor Alvelos
Emotions on pictures in motion
DOI: https://doi.org/10.37390/avancacinema.2020.a195
Alfonso Palazón Meseguer, Juan Manuel Díaz
El silencio de los recuerdos: de la imagen doméstica a la imagen documental.
DOI: https://doi.org/10.37390/ac.v0i0.77
Narce Dalia Ruiz Guzmán
Ecological Cinema with best practices and reducing environmental impact
DOI: https://doi.org/10.37390/avancacinema.2022.a463
Patrícia Dourado, Mirian Tavares
Dimensions of the screenplay in real time: Antônio um dois três by Leonardo Mouramateus
DOI: https://doi.org/10.37390/avancacinema.2021.a355
José da Silva Ribeiro
De maio 68 a abril de 1969 imaginários de revoluções no cinema.
DOI: https://doi.org/10.37390/ac.v0i0.76
Marcelo Tannure, Gustavo Rodrigues Corrêa, João Victor Boechat Gomide
Comparing different types of rendering strategies in an animated short film
DOI: https://doi.org/10.37390/avancacinema.2022.a462
Narce Dalia Ruiz Guzmán
Collaborative Revolution
DOI: https://doi.org/10.37390/avancacinema.2021.a354
Ana Luíza Leite Silva, Larissa Duarte Santana Farias, Marcelo Tannure, João Victor Boechat Gomide
Cleo and Leo: Rigging of Quadruped Characters for a 3d Animation Series
DOI: https://doi.org/10.37390/avancacinema.2023.a549
José da Silva Ribeiro
Cinema at school and beyond school
DOI: https://doi.org/10.37390/avancacinema.2022.a461
Regis Frota Araújo
Biblically Cicle: The Cristianism of the Old and New Testaments, interpretation since the Eurocentric Cinema
DOI: https://doi.org/10.37390/avancacinema.2021.a353
José da Silva Ribeiro, Manoela dos Anjos Afonso Rodrigues
Between autobiographical looking and practices: a collective experimentation in audiovisual
DOI: https://doi.org/10.37390/avancacinema.2023.a548
José da Silva Ribeiro , Lisabete Coradini
Autobiographies and Participatory Audiovisual Research – First Essay
DOI: https://doi.org/10.37390/avancacinema.2024.a598
Yen-Jung Chang, Hsin-Chien Huang, Yuting Hsueh
ASOMROF: A Transmedia Project of Sci-Fi Content Inspied by the Local Ethnic History for Technology Art Works
DOI: https://doi.org/10.37390/avancacinema.2023.a547
Juliana Wexel, Bruno Mendes da Silva, Mirian Estela Nogueira Tavares
Artificial Intelligence in Audiovisual Narratives: Experience on the Cyberperformance Aretusa Vox e vulva art
DOI: https://doi.org/10.37390/avancacinema.2024.a600
Narce Dalia Ruiz Guzmán
Adult film industry leading the movie making into the AI
DOI: https://doi.org/10.37390/avancacinema.2023.a546
Mónica Lopes, Sónia Ferreira
A Success Story: The Case of Jornal do Centro’s Audiovisual Production
DOI: https://doi.org/10.37390/avancacinema.2024.a605