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67 Items
Regis Frota
O Acossado e o cinema moderno da desmistificação godardiana
DOI: https://doi.org/10.37390/avancacinema.2020.a200
Régis Frota Araújo
O Abismo e o Cinema moderno: Não seria só o apocalipse quem poderia nos libertar?
DOI: https://doi.org/10.37390/ac.v0i0.85
Denize Araujo, Luciano Marafon
Multiscreen Narratives and the “Expanded Spectator”
DOI: https://doi.org/10.37390/avancacinema.2024.a601
Alice Fátima Martins
Mrs. Maria makes movies
DOI: https://doi.org/10.37390/avancacinema.2020.a194
Wissal BOULOUAH, Kaoutar EL AIDA, Houssame NEKHASS, Imane EL KORTBI, Laila DROUICHE, Abdelfettah LAHIALA
Morocco in Cinema: Between Global Fantasies and Local Realities in Shaping Tourism Image Destination
DOI: https://doi.org/10.37390/avancacinema.2025.a678
Petra Dominkova
Melodrama noir: Beyond the Forest and Leave Her To Heaven
DOI: https://doi.org/10.37390/avancacinema.2023.a552
Anabela Dinis Branco de Oliveira
Manoel de Oliveira: a inevitabilidade da memória
DOI: https://doi.org/10.37390/ac.v0i0.79
Rosimária Sapucaia , Mirian Tavares
Live cinema and its potential as a resource for online classes
DOI: https://doi.org/10.37390/avancacinema.2023.a551
AMRANI Oussama, EL BAKKALI El Arbi
Literature Through the Lens of Cinema: From Morceaux de choix by Nedali to Les ailes de l’amour by Laraki
DOI: https://doi.org/10.37390/avancacinema.2025.a677
Regis Frota Araújo
Law and Psychoanalysis in Dostoevsky’s Book “The Brothers Karamazov”
DOI: https://doi.org/10.37390/avancacinema.2022.a464
Lardyanne Pimentel Guimarães, António Costa Valente
Interactive narratives: Webdocumentary a audiovisual genre
DOI: https://doi.org/10.37390/avancacinema.2023.a550
Kaoutar EL AIDA, Wissal Boulouah, Mohamed Amine Lahiala, Moulay Maati Alaoui Fennane, Abdelfattah Lahiala
Integrating Film in EFL Education: A Catalyst for Effective Communication Skills Development
DOI: https://doi.org/10.37390/avancacinema.2025.a674
Bruno Mendes da Silva, Mirian Tavares, Rui António, Susana Costa, Paula Monteiro, António Araujo
Insights about an interactive film installation.
DOI: https://doi.org/10.37390/ac.v0i0.84
Latifa Chahbi
Hip-hop culture as an educational and emancipatory tool in Nabil Ayouch’s cinema: a study of the film Haut et Fort
DOI: https://doi.org/10.37390/avancacinema.2025.a679
Gloria Gómez-Escalonilla
Hablando de cine, el papel de las revistas cinematográficas.
DOI: https://doi.org/10.37390/ac.v0i0.78
Javier Segundo Olarte Triana
From screenwriting to montage, evidence to understand the evolution of audiovisual narratives
DOI: https://doi.org/10.37390/avancacinema.2021.a356
Rodolfo Gomes Pereira, Lídia Oliveira, Ana Carla Amaro
Framing the Rural – Finding narratives in the making of a documentary about Amiais, Portugal
DOI: https://doi.org/10.37390/avancacinema.2020.a196
Kajingulu Somwe Mubenga
Film Subtitling: A New Research Genre in Africa
DOI: https://doi.org/10.37390/avancacinema.2020.a198
Regis Frota
Entre Macacos e Anjos (2019), a utopia do 17º filme brasileiro
DOI: https://doi.org/10.37390/avancacinema.2020.a197
João Fragoso e Castro, Paulo Bernardino Bastos, Heitor Alvelos
Emotions on pictures in motion
DOI: https://doi.org/10.37390/avancacinema.2020.a195
Alfonso Palazón Meseguer, Juan Manuel Díaz
El silencio de los recuerdos: de la imagen doméstica a la imagen documental.
DOI: https://doi.org/10.37390/ac.v0i0.77
Narce Dalia Ruiz Guzmán
Ecological Cinema with best practices and reducing environmental impact
DOI: https://doi.org/10.37390/avancacinema.2022.a463
EL MEHDI ETTALABI
Directing the Invisible: AI, Memory, and Rhythm in HEJJAYTI Pt. VII
DOI: https://doi.org/10.37390/avancacinema.2025.a686
Patrícia Dourado, Mirian Tavares
Dimensions of the screenplay in real time: Antônio um dois três by Leonardo Mouramateus
DOI: https://doi.org/10.37390/avancacinema.2021.a355
José da Silva Ribeiro
De maio 68 a abril de 1969 imaginários de revoluções no cinema.
DOI: https://doi.org/10.37390/ac.v0i0.76