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57 Items
Luis Fernando Medina Cardona, Julián David Sandoval Ospina
Between language frames: seriality and variation in computer-coded film. A case study with a code-generated abstract film
DOI: https://doi.org/10.37390/avancacinema.2021.a339
Francisco Malta, Fernando Rodrigues, Renan Oliveira
Bandersnatch: o mundo virtual e a realidade na interatividade do cinema.
DOI: https://doi.org/10.37390/ac.v0i0.67
Steve Whitford
Ambisonic-centred location sound recording - reinvigorating the Observational Documentary genre?
DOI: https://doi.org/10.37390/avancacinema.2020.a186
Carlos Federico Buonfiglio Dowling
Alagmatic Narratives: THE WRITING OF THE GOD
DOI: https://doi.org/10.37390/avancacinema.2024.a596
Elia Ramírez Barroso
Accesibility and audio description for children: proposing an audio description script for the short film Puppy
DOI: https://doi.org/10.37390/avancacinema.2023.a537
Filipe Pires, Rui Silva, Rui Raposo
A Survey on Virtual Production and the Future of Compositing Technologies
DOI: https://doi.org/10.37390/avancacinema.2022.a447
Manuel Siabato
360° cinéma montage versus immersive notion: Sam Esmail and the sensory experimentation in Mr. Robot series.
DOI: https://doi.org/10.37390/avancacinema.2022.a446