Cinema - Art

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191 Items
Wilson Oliveira da Silva Filho, Mariana Lucas de Almeida Fernandes, Argeu Luiz Duarte Glória, Francisco Malta
Experimental cinema and media ecology: Approaches and extensions
DOI: https://doi.org/10.37390/avancacinema.2022.a378
J. Oriol Lopez-Plana
EU Horizon 2020 programme: promoting user centric co-creative projects
DOI: https://doi.org/10.37390/avancacinema.2021.a221
Wan-Chen Lee
Emotive Narrative: Thinking and Writing Experimental Animation through Things’ Perspective
DOI: https://doi.org/10.37390/avancacinema.2024.a563
Rita Vilhena
Emancipation in the autobiographical creative process
DOI: https://doi.org/10.37390/avancacinema.2021.a220
Matheus Moreno dos Santos Camargo, Andreia Machado Oliveira
EFEMERA Image - FullDome AudioVisual Exhibition
DOI: https://doi.org/10.37390/avancacinema.2022.a377
Mariano García Plaza, Marisa Víctor Crespo, Jesús Ramé López
Educar la mirada: Un proyecto de creación audiovisual para sujetos no productivos.
DOI: https://doi.org/10.37390/ac.v0i0.11
Lucía Pérez García
Drama or Comedy? Music for a Disaster Artist
DOI: https://doi.org/10.37390/avancacinema.2022.a376
Fernando Augusto Silva Lopes, Tiago Vieira da Silva
Documentary: colonial Imaginary of Minas Gerais
DOI: https://doi.org/10.37390/avancacinema.2020.a105
Noni Geiger
Discourse, Figure, d’après Lyotard.
DOI: https://doi.org/10.37390/avancacinema.2020.a104
Allyson Glenn
Dimension in Sound: A Multimedia Collaboration Experiment
DOI: https://doi.org/10.37390/avancacinema.2023.a474
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
Different imaginaries that are made by the sound of Maurice Ravel and the images of Tom Scott: the case of Suite Ma mère L’Oye.
DOI: https://doi.org/10.37390/avancacinema.2020.a94
Abigail Davies
Developing new Deaf screenwriting talent.
DOI: https://doi.org/10.37390/ac.v0i0.10
Jackie Calderwood, Rachael Till, Vytautas Vasiliauskas
Developing a Co-Creative Methodology of Narrative Artwork Production for the BEACONING Platform Metagame.
DOI: https://doi.org/10.37390/ac.v0i0.9
Ana Roberto
Desire and Alienation: The Feminine as Double in Peppermint Frappé.
DOI: https://doi.org/10.37390/avancacinema.2025.a610
Cheong Kin Man, Yipei Lee
Decentralizing art making: Commentaries on curating online artist residency “Flaneur in the Insular Cities”
DOI: https://doi.org/10.37390/avancacinema.2021.a219
Maria Irene Aparício
Dark Souls and evil in Bresson`s The Trial of Joan of Arc and Chahine`s Destiny: Cinema In-Between Art, Philosophy and Science.
DOI: https://doi.org/10.37390/avancacinema.2025.a620
Cláudia Marisa
Dancing to find the happiness they seek
DOI: https://doi.org/10.37390/avancacinema.2020.a103
Cláudia Marisa
Dancing Lady: I will be a Star
DOI: https://doi.org/10.37390/avancacinema.2021.a218
Cláudia Marisa
Dançamos? A construção do par dançante.
DOI: https://doi.org/10.37390/ac.v0i0.8
Isac dos Santos Pereira, Maria Ignes Carlos Magno
Crossings Of The Child Body: Naruto, Videos, And Performances In Art Classes
DOI: https://doi.org/10.37390/avancacinema.2024.a571
Glaucia Davino, Victor Henrique Cruz Russo
Crítica ou conversa? Youtubers e a crítica cinematográfica contemporânea.
DOI: https://doi.org/10.37390/ac.v0i0.7
Maroua Médini
Crisis and literary adaptation: the case of the movie (The necklace and the bracelet 1986) of the Egyptian filmmaker Khairy Beshara
DOI: https://doi.org/10.37390/avancacinema.2022.a375
Diego Alejandro Rodriguez Piña
Creative Heroes in the shadow of the comic industry
DOI: https://doi.org/10.37390/avancacinema.2022.a374
Mário Afonso, Paulo Bernardino Bastos
Contemporary Archives and Practices
DOI: https://doi.org/10.37390/avancacinema.2020.a96
Manuel Siabato
Concepts and realities of 360° cinema.
DOI: https://doi.org/10.37390/avancacinema.2020.a100