Cinema - Art

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153 Items
Marcello Zeppi
Cinema and landscape, Italian heritage and widespread museum
DOI: https://doi.org/10.37390/avancacinema.2020.a99
Miguel Ángel Rivas Romero
Cinema and its relationship with merchandising at the beginning of the 21st century
DOI: https://doi.org/10.37390/avancacinema.2021.a217
Leonardo de Castro Soutelo, Débora Emanuelle Nascimento Lomba
Cinema and everyday life: Tours and aesthetic dialogues
DOI: https://doi.org/10.37390/avancacinema.2023.a473
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
Cine-concert community project: Heróis do Mar (1949; 2022) by Fernando Garcia, revisited by Portovedo, Martins and Sampaio
DOI: https://doi.org/10.37390/avancacinema.2023.a472
Sílvia Pinto Coelho
Choreography and Cinema #1: after the choreographic work of Cathy Weis
DOI: https://doi.org/10.37390/avancacinema.2023.a471
Pavel Prokopic
Chance Semiotics: The Value and Application of Contingency in Cinema Art Practice
DOI: https://doi.org/10.37390/avancacinema.2021.a216
Mariana Beatriz Marques Fernandes
Big Eyes: Life and Work of Margaret Keane Through Tim Burton’s eyes.
DOI: https://doi.org/10.37390/avancacinema.2020.a98
Isabelle Ingrid Freitas Rodrigues
BETWEEN THE PERFORMATIVE AND THE CAPTURED ON THE SCENE: creative processes and innovations in the creation of videodance and play Donna
DOI: https://doi.org/10.37390/avancacinema.2022.a370
Ahmad Khoshniat
Bertolt Brecht’s Soul in the Body of Experimental Animation: Common Audiovisual Strategies between Epic Theatre and Robert Breer’s Short Animations
DOI: https://doi.org/10.37390/avancacinema.2022.a369
Yudan Wang, Xiao Ling Shao
Aural and Visual Imagery in the Multimedia Music Performance
DOI: https://doi.org/10.37390/avancacinema.2021.a215
Keyla Andrea Santiago Oliveira, Talita Carla Farina
Ashes in the Pantanal (2021): socio-environmental and educational issues
DOI: https://doi.org/10.37390/avancacinema.2022.a368
Frederico Dinis
Articulação sonora e visual em performances intermédia site-specific
DOI: https://doi.org/10.37390/ac.v0i0.5
António Cardoso
Arte interativa: quem é o autor e onde está o espectador?
DOI: https://doi.org/10.37390/ac.v0i0.4
Manuel Rodríguez Vargas
Art History and Tv Series
DOI: https://doi.org/10.37390/avancacinema.2021.a213
Alexandra Cruchinho, Catarina Rito, Luís Sanchez
Art and fashion in costume Design for Film
DOI: https://doi.org/10.37390/avancacinema.2022.a367
María Vanesa Román Jaime
Animation as a globalizing agent
DOI: https://doi.org/10.37390/avancacinema.2021.a208
Irina Parreira, Michele Santos, Maria João Pereira Neto
An analysis of women's fashion in the 1970’s and 1980’s, based on movie posters
DOI: https://doi.org/10.37390/avancacinema.2020.a95
Edmilson Forte Miranda Júnior
African cinema and decolonial imaginary: about africanfuturism in the short film Afronauts
DOI: https://doi.org/10.37390/avancacinema.2022.a366
Veruza de Morais Ferreira, Maria Helena Braga e Vaz da Costa
Aesthetic Symbolism and Hybridism in Jean-Luc Godard’s Goodbye to Language
DOI: https://doi.org/10.37390/avancacinema.2022.a364
Manuel João de Carvalho Coutinho
Adapting Hunter S. Thompson’s Writing to Cinema: Despicable Characters and (apparent) Lack of Purpose
DOI: https://doi.org/10.37390/avancacinema.2021.a211
Pilar Pérez, Selma Pereira, Adérito Fernandes-Marcos
Academic performance as ritual of creation and activism in the post-digital era
DOI: https://doi.org/10.37390/avancacinema.2021.a209
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
A Menina do Mar (The Sea’s Girl) by Sophia de Mello Breyner: how Fernando Lopes-Graça, Bernardo Sassetti, Filipe Raposo and Edward Luiz Ayres de Abreu built their own performative versions from this work
DOI: https://doi.org/10.37390/avancacinema.2022.a363
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
A delineação e concretização dos conteúdos imagéticos em The Death of an Owl (2012) e No Green No Blue (2012) de Marta Alvim através de um sonoro de autor
DOI: https://doi.org/10.37390/ac.v0i0.3
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
A composição de imaginários assombrosos pelo sonoro único proposto nos filmes de animação de Fernando Cortizo
DOI: https://doi.org/10.37390/ac.v0i0.2
Elena Galea Pozo
A Compared Perspective of Mystical Visual Poetics. Tradition through Paradjanov and Val Del Omar
DOI: https://doi.org/10.37390/avancacinema.2020.a117