Abstract

This article intends to carry out a brief analytical and critical synthesis and reflection on the methods and investigation strategies native to the field of research based on artistic practice. Methods that will be later applied during the conception of the project to organize and disseminate the documentary heritage of the film essayist Fernando Gonçalves Lavrador, transferred to Cine-Clube de Avanca in 2021. Besides the production of a digital archive built with the purpose of presenting the works and memories of Fernando Lavrador to the public, this initiative will also entail the creation of a set of digital and (audio)visual artworks, using the methodologies, concepts, and languages inherent to the fields of Video Art, Cinema and Experimental Poetry.