Résumé

I wonder if the notion of algorithmic montage could organize a type of non-formalistic video cinema, with footage available, virtually, by the uninterrupted updating of video and audio files accessible on the Web. The coherence of these electronic montages, implemented by variants of instructions from current algorithms, due to their policies and ideologies, could rearrange the current logic of content affinities. The sharing platforms, for example, which already control an important part of the sum of these digital files in video and audio, could dramatically interfere in the form and duration of the narratives. Bringing, for the cadence of the videos assembled by the algorithmic arrangements, another audiovisual vocabulary - which, gradually, would adapt those who are in front of the screen into even more involuntary coupling categories and shielded by immersive narrative universes; interfering in the physical relationship we have with technical objects. In this scenario, I refer to Gilbert Simondon to point out the complexification of technologies, from the articulation of its internal parts, through the association with different technologies.