Capítulo I _ Cinema – Arte

Imagens Sobreviventes: uma análise de Édipo Rei (1967), de Pier Paolo Pasolini

Rodrigo Coelho Pierre Lira
Universidade Federal do Ceará, Brasil
AVANCA | CINEMA 2022
N.º 13 (2022)
Publicado 2022-09-21
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Resumo

The article intends to analyze the relations between literature, theater and cinema, through a filmic analysis of Pier Paolo Pasolini’s adaptation of Sofocles’ Oedipus Rex. The study is based on the concepts of Nachleben and Pathosformel, by Aby Warburg; and montage, according to Sergei Eisenstein, Philippe-Alain Michaud, Georges Didi-Huberman, Marcel Martin, Vincent Amiel, among others, associating their thoughts with Pasolini’s own personal writings on cinema’s language. The objective of the article is to understand how Pasolini absorbs the elements of Classical Antiquity and transforms them through the resources of the cinematographic language, in a dialogue between cinema and other arts.

Palavras-chave Adaptação, Cinema, Literatura, Montagem, Pier Paolo Pasolini.
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Creative Commons License

Este trabalho encontra-se publicado com a Licença Internacional Creative Commons Atribuição 4.0.

Direitos de Autor (c) 2022 AVANCA | CINEMA