Capítulo II _ Cinema - Cinema

Pesquisa Estética e Materialidade fílmica no documentário musical: Música e Imagem Tecendo Fevereiros

Andréa Almeida de Moura Estevão
Universidade Federal do Rio de Janeiro, Brasil
AVANCA | CINEMA 2020
N.º 11 (2020)
Publicado 2020-10-14
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Resumo

This paper intends to analyze the documentary film Fevereiros (Februaries), by Marcio Debellian, and its themes - such as the relationship singer Maria Bethania has with African-Brazilian and popular catholicism religiosities, with sacred and profane festivities, and with the Estação Primeira de Mangueira samba school - using as a starting point the critical debates about documentary cinema and Brazilian musical documentary film. Taking into account the issues involving filmic materiality, the present analysis intends to apprehend the invisible thread that the variety of sounds and music interweaves, in the musical documentary genre, with images and other resources available in the cinematic language.

Palavras-chave Documentário Brasileiro, Documentário Musical, Materialidade Fílmica, Documentário.
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Creative Commons License

Este trabalho encontra-se publicado com a Licença Internacional Creative Commons Atribuição 4.0.

Direitos de Autor (c) 2020 AVANCA | CINEMA