Capítulo II _ Cinema - Cinema

Interseções entre Cinema e Pintura em Maria Antonieta de Sofia Coppola

Laís Bravo Serra
UFRJ, Brasil
AVANCA | CINEMA 2020
N.º 11 (2020)
Publicado 2020-10-14
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Resumo

The scene of Sofia Coppola’s movie, Marie Antoinette, is made in dialectic with pictorial works, which occur primarily in three forms: classical painting within diegetic space, as an element of scenography; painting as a scene, when the film picture incorporates the pictorial aesthetics of a canonical work; and the re-appropriation of a canonical painting according to the aesthetic molds of the fictional universe of the film in question, which was placed as scenic object.

Palavras-chave Cinema, Sofia Coppola, Pintura, Direção de Arte, Imaginação.
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Creative Commons License

Este trabalho encontra-se publicado com a Licença Internacional Creative Commons Atribuição 4.0.

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