Editorial
Editorial | Índice 2022
Resumen
AVANCA | CINEMATítulo: Avanca | Cinema 2022
Coordinación: António Costa Valente
Producción ejecutiva: Moghadaseh Rouhi Ardeshiri
Editores | Paginación: António Osório et Sérgio Reis
Diseño de portada: António Osório
Ediciones Cine-Clube de Avanca, 2022
Rua Dr.Egas Moniz, 159
3860-078 AVANCA - Portugal
Tel/fax: 234 880658
livros.filmografo@gmail.com
www.avanca.org
Número de referencia:
ISSN: 2184-0520 (libro impreso)
ISSN: 2184-4682 (online)
Todos los derechos reservados de acuerdo con la legislación vigente.
Todas las imágenes y gráficos fueron proporcionados por los autores de los textos.
Todas las imágenes pertenecen a los autores o fueron tomadas de espacios web donde estaban disponibles.
AVANCA | CINEMA 2022
Aprendimos a abrir.
La experiencia condicionada de los dos últimos años parece habernos enseñado que siempre hay que abrir puertas donde, obstinadamente, nada parece seguro.
Así será en AVANCA 2022.
Una vez más, será un Congreso mixto, con una apuesta renovada a la investigación, a los investigadores y al mundo fundamental del cine.
Un nuevo año para escuchar, leer y debatir sobre de las comunicaciones que, tras una revisión doble ciego, permiten a AVANCA acercar la investigación al visionado de nuevas y siempre estimulantes películas.
Una corriente pasará un poco más entre el festival y la conferencia, ahora que hemos reforzado la presencia física. El Premio Ing. Fernando Gonçalves Lavrador será otorgado este año a la mejor comunicación que se realizará de manera presencial, un fortalecimiento de la proximidad en tiempos donde se fue implementando la separación.
Un AVANCA | CINEMA en una época en que el Festival vive paradójicamente bajo el signo de los DESPLAZADOS.
Premio Ing.º Fernando Gonçalves Lavrador
En homenaje póstuma a uno de los más importantes investigadores portugueses en el área de la Semiótica, Estética y Teoría del Cine, cuya obra es fundamental y universal, la Conferencia AVANCA | CINE ha creado in 2010 el Premio Ing. º Fernando Gonçalves Lavrador, buscando distinguir la mejor comunicación presente en la Conferencia.
En 2021, un jurado internacional compuesto por:
- Prof.ª Dr.ª Mônica Stein – Universidade Federal de Santa Catarina (Brasil)
- Prof.ª Dr.ª Denize Araújo – Universidade Tuiuti do Paraná (Brasil)
- Prof. Dr. Joaquim João Sousa – Universidade de Trás-os-Montes e Alto Douro (Portugal)
- Prof. Dr. Nuno Fragata – ESAD, Caldas da Rainha (Portugal)
- Prof. Dr. Alfonso Palazón Meseguer – Universidad Rey Juan Carlos (España)
- Prof. Dr. Francisco-Julián Martínez-Cano – Universidad Miguel Hernández (España)
Distinguió las siguientes comunicaciones:
El Premio Ing.º Fernando Gonçalves Lavrador ha sido atribuído a la comunicación:
“A hibridez do biopic” de Paulo Filipe Monteiro – ICNOVA/NOVA FCSH, Portugal
Menciones honoríficas:
“Recôncavo da Bahia, o cinema em ponto de ebulição” de Angelita Bogado y Lina Cirino – UFRB, Brasil
e para:
“Phenomenology of a Projection Booth” de Petra Dominkova – FAMU, República Checa
La Comisión Organizadora presta un justo agradecimiento a todos los conferencistas participantes, miembros del Jurado, familia del Ing.º Fernando Gonçalves Lavrador y a la entidad patrocinadora del premio, cuyas contribuciones fueron decisivas para la relevancia social, artistica, cultural y científica que se vivió durante todo el evento.
Muchas gracias.
AVANCA | CINEMA 2021
Comité de Honor AVANCA | CINEMA 2022
- Sua Excelência o Magnífico Reitor da Universidade do Algarve
Professor Doutor Paulo Águas - Sua Excelência o Magnífico Reitor da Universidade de Aveiro
Professor Doutor Paulo Jorge Ferreira - Sua Excelência o Magnífico Reitor da Universidade de Trás-os-Montes e Alto Douro
Professor Doutor Emídio Gomes - Sua Excelência o Vice Reitor da Universidade de Coimbra
Professor Doutor Delfim Leão - Sua Excelência Senhora Presidente da Fundação para a Ciência e Tecnologia
Professora Doutora Maria Madalena dos Santos Alves
Comité Científico AVANCA | CINEMA 2022
- Prof. Dr. Abílio Hernandez - Universidade de Coimbra - Portugal
- Prof. Dr. Alessandro Griffini - ENEA - Italia
- Prof. Dr. Alfonso Palazón Meseguer - Universidad Rey Juan Carlos - España
- Prof.ª Dr.ª Alice Fátima Martins - Universidade Federal de Goiás - Brasil
- Prof.ª Dr.ª Anabela Branco Oliveira - UTAD - Portugal
- Prof. Dr. Aníbal Lemos - IADE / Universidade Europeia - Portugal
- Prof.ª Dr.ª Anne Démy-Geroe - Griffith University - Australia
- Prof. Dr. António Abreu Freire - CLEPUL - Universidade de Lisboa - Portugal
- Prof. Dr. António Costa Valente - Universidade do Algarve - Portugal
- Prof. Dr. António Pedro Pita - Universidade de Coimbra - Portugal
- Prof.ª Dr.ª Beatriz Legerén - Universidade de Vigo - España
- Prof. Dr. Behrooz Mahmoodi-Bakhtiari - University of Tehran - Irán
- Prof. Dr. Bienvenido Léon - Universidad de Navarra - España
- Prof.ª Dr.ª Carmen Peña Ardid - Universidad de Zaragoza - España
- Prof.ª Dr.ª Carla Freire - ESECS - Portugal
- Prof. Dr. Carlos Fragateiro - Universidade de Aveiro - Portugal
- Prof.ª Dr.ª Conceição Lopes - Universidade de Aveiro - Portugal
- Prof.ª Dr.ª Denize Araújo - Universidade Tuiuti do Paraná - Brasil
- Prof. Dr. Farshad Fereshteh Hekmat - University of Tehran - Irán
- Prof.ª Dr.ª Gloria Gómez-Escalonilla Moreno - Universidad Rey Juan Carlos - España
- Prof.ª Dr.ª Ivelise Perniola - Roma Tre University - Italia
- Prof. Dr. Javier Olarte - Universidad Nacional de Colombia - Colombia
- Prof. Dr. Joaquim João Sousa - UTAD - Portugal
- Prof. Dr. João Paulo Queiroz - Universidade de Lisboa - Portugal
- Prof. Dr. João Victor Boechat Gomide - Universidade FUMEC - Brasil
- Prof. Dr. Jochen Dietrich - Gymnasium Stift Keppel, Hilchenbach - Alemania
- Prof. Dr. Jorge Seabra - Universidade de Coimbra - Portugal
- Prof. Dr. José da Silva Ribeiro - ID+ / IPCA - Portugal
- Prof.ª Dr.ª Josélia Neves - Hamad bin Khalifa University - Emiratos Árabes Unidos
- Prof. Dr. Kajingulu Somwe Mubenga - National Pedagogy University - Congo
- Prof.ª Dr.ª Lídia Oliveira Silva - Universidade de Aveiro - Portugal
- Prof.ª Dr.ª Lien Fan Shen - The University of Utah - EE.UU.
- Prof. Dr. Manuel Salvador Lima - Universidade dos Açores - Portugal
- Prof.ª Dr.ª Manuela Penafria - Universidade da Beira Interior - Portugal
- Prof. Dr. Marc Rigaudis - Maasai Mara University - Kenia
- Prof.ª Dr.ª Mari Mäkiranta - University of Lapland - Finlandia
- Prof.ª Dr.ª Marta Varzim - ESAD- Portugal
- Prof.ª Dr.ª Maria Eugénia Pereira - Universidade de Aveiro - Portugal
- Prof.ª Dr.ª Mirian Tavares - Universidade do Algarve - Portugal
- Prof.ª Dr.ª Narce Dalia Ruiz Guzmán - Tecnológico de Monterrey - México
- Prof.ª Dr.ª Nazlı Eda Noyan - Bahçeşehir University - Turquía
- Prof. Dr. Nuno Fragata - IPL - ESAD - Portugal
- Prof.ª Dr.ª Petra Dominková - FAMU - República Checa
- Prof. Dr. Paulo Bernardino - Universidade de Aveiro - Portugal
- Prof. Dr. Rabindra Bista - Kathmandu University - Nepal
- Prof. Dr. Régis Frota Araújo - Universidade Federal do Ceará - Brasil
- Prof.ª Dr.ª Rosa Oliveira - Universidade de Aveiro - Portugal
- Prof.ª Dr.ª Rosemary Mountain - Concordia University - Canadá
- Prof. Dr. Roy Menarini - Università di Bologna - Italia
- Prof.ª Dr.ª Sally Shafto - Massachusetts College of Liberal Arts - EE.UU.
- Prof. Dr. Toufic El Khoury - Université Saint-Joseph de Beyrouth - Líbano
- Prof. Dr. Wai Luk Lo - Hong Kong Baptist University - Hong Kong
- Prof. Dr. Yen-Jung Chang - National University of Taiwan - Taiwan
- Prof.ª Dr.ª Yumiko Mizusawa - Seijo University - Japón
El Comité Organizador AVANCA | CINEMA 2022
- António Costa Valente | Universidade do Algarve, CIAC | Portugal
- Carla Freire | ESECS - Leiria | Portugal
- Cláudia Ferreira | Universidade de Aveiro | Portugal
- Herlânder Marques | Universidade do Minho | Portugal
- Maria João Faceira | IAMS | Portugal
- Marta Varzim | ESAD - Matosinhos| Portugal
- Moghadaseh Rouhi Ardeshiri | Universidade NOVA de Lisboa | Portugal
- Nuno Fragata | ESAD - Caldas da Rainha | Portugal
- Sérgio Reis | Cine-Clube de Avanca | Portugal
INDICE
Capítulo I
Cine - Arte
- A Menina do Mar (The Sea’s Girl) by Sophia de Mello Breyner: how Fernando Lopes-Graça, Bernardo Sassetti, Filipe Raposo and Edward Luiz Ayres de Abreu built their own performative versions from this work .......... 23
Helena Maria da Silva Santana
Maria do Rosário da Silva Santana - Aesthetic Symbolism and Hybridism in Jean-Luc Godard’s Goodbye to Language .......... 31
Veruza de Morais Ferreira
Maria Helena Braga e Vaz da Costa - African cinema and decolonial imaginary: about africanfuturism in the short film Afronauts .......... 41
Edmilson Forte Miranda Júnior - Art and fashion in costume Design for Film .......... 49
Cruchinho, Alexandra
Rito, Catarina
Sanchez, Luís - Ashes in the Pantanal (2021): socio-environmental and educational issues .......... 54
Keyla Andrea Santiago Oliveira
Talita Carla Farina - Bertolt Brecht’s Soul in the Body of Experimental Animation: Common Audiovisual Strategies between Epic Theatre and Robert Breer’s Short Animations .......... 61
Ahmad Khoshniat - BETWEEN THE PERFORMATIVE AND THE CAPTURED ON THE SCENE: creative processes and innovations in the creation of videodance and play Donna .......... 72
Isabelle Ingrid Freitas Rodrigues - Cinema narratives through walking in urban landscapes .......... 82
Carolina Duarte Gonçalves Ramos
Miriam de Oliveira Gonçalves - Cinematic Experience as Spatial Perception: Remembering the Remembrance .......... 92
Derya Yıldız - Cinematic Perception and the Image by Proxy .......... 98
Marc Boumeester - Creative Heroes in the shadow of the comic industry .......... 108
Diego Alejandro Rodriguez Piña - Crisis and literary adaptation: the case of the movie (The necklace and the bracelet 1986) of the Egyptian filmmaker Khairy Beshara .......... 114
Maroua Médini - Drama or Comedy? Music for a Disaster Artist .......... 123
Lucía Pérez García - EFEMERA Image - FullDome AudioVisual Exhibition .......... 131
Matheus Moreno dos Santos Camargo
Andreia Machado Oliveira - Experimental cinema and media ecology: Approaches and extensions .......... 143
Wilson Oliveira da Silva Filho
Mariana Lucas de Almeida Fernandes
Argeu Luiz Duarte Glória
Francisco Malta - From the verses to the stages and from the stages to the screens: The Intertextuality process in the film “O Auto da Compadecida” (2000) .......... 150
Laura Brandão do Brasil
Eduarda Pereira de Paula
Mariana Cordeiro de Souza
Lucia Maria Pereira Bravo - I´m Not Here: dialogues with Agnés Varda .......... 159
Veronika Kleve
Paulo Bernardino Bastos - Listening to Otherness in Pedro Páramo (1967) by Carlos Velo The self existence from the desires and memories of other .......... 172
Dulce María Núñez Oseguera - Lupinus Homo – Classical Mythology reshaping intergenerational and gender conflict in The Power of the Dog by Jane Campion (2021) .......... 178
Paula Barata Dias - Painting in Time: The Role of Painting in Andrei Tarkovsky’s Solaris .......... 186
Saleh Ghorbanian - Performative body and psyche. Approaches to transdisciplinary research methods: transpersonal psychology and ritual-performance .......... 194
Sónia Carvalho
Paulo Bernardino Bastos - Projections of the Absent: A Critique to the Artistic Ways of Displaying the Forced Disappearance (An Analysis of Geometry of the Conscience by Alfredo Jaar) .......... 206
José Alejandro López Pérez - Shutter/Shudder to Think: Cinema after Cage .......... 214
Edward Slopek - Songs in Arabia: Listening to Your Heart .......... 224
Ricardo Tsutomu Matsuzawa
Eduardo Vicente - Surviving Images: an analysis of Edipo Re (1967), by Pier Paolo Pasolini .......... 231
Rodrigo Coelho Pierre Lira - The aesthetics of light in Afghan Cinema .......... 238
Abbas MOHAMMADI - The language of maturation in Deslembro, by Flávia Castro .......... 245
Walmir Barguil Pavam - The long life of Carlo Collodi’s puppet between literature and cinema. Pinocchio: short excursus through screen adaptations and performances .......... 250
Nicoleta Călina
Cristiana Călina - The movement-image under visual palimpsests in the samba schools of Rio de Janeiro .......... 260
Leonardo Augusto de Jesus - The Role of Music in the Documentary “Miles Davis: Birth of the Cool” .......... 270
Gisele Filippetto - The symbolic foundations of the mining archive: sound and image as vehicles of memory .......... 276
André Araújo
Graça Magalhães
Pedro Bessa - Work of Memory .......... 282
Andrew Vallance
Capítulo II
Cine - Cine
- Alterity, Dialogism and Polyphony through the film Encanto .......... 293
Natália Queiroz de Oliveira Souto - Ancestry and identity in Negrum3 - A black pedagogy about gender and sexuality .......... 299
Marcus Vinicius Azevedo de Mesquita
Edileuza Penha de Souza - Belonging .......... 307
José Duarte - Between fiction and reality: the particular case of the short film “Bugs and Daffy’s Carnival of the Animals by Camille Saint-Saëns” (1976) by Chuck Jones .......... 312
Rosário Santana
Helena Maria da Silva Santana - Coffee with cinnamon and the edification of affection in Black Female Cinema .......... 320
Edileuza Penha de Souza - Collaborative International Student Filmmaking – Establishing Joint Filmmaking Practices within FilmEU .......... 330
Deirdre O’Toole
Tobias Frühmorgen
Érica Faleiro Rodrigues - Communicational biography and the usurpation of authorship in Brazilian television: a case study on Gilberto Braga’s last telenovela Babilônia .......... 338
Patrícia Cardoso D’Abreu
João Ximenes Braga - Cut films and manipulated subtitles: The censorship of foreign films during the Estado Novo .......... 347
Katrin Pieper - Expatriate filmmakers, (trans)national films? : the case of two latin-américan filmamkers in Europe .......... 363
Claudia Adrianzen Lapouble - Fictions of the Real in Documentary The Cambridge Squatter - Eliana Caffé (2016) .......... 374
Jose Francisco Serafim
Regina Gloria Andrade
Natalia Ramos - Flesh and Blood: Generic Monstrosities in Contemporary Greek Film .......... 380
Yorgos Drosos
Stella Klimatsaki - Forms of Cinematic Insubordination to Motherhood Myths: method, research and inventory .......... 389
Roberta Veiga - Images to come: political reinscription in contemporary Brazilian documentary .......... 398
Giulianna Nogueira Ronna
Cristiane Freitas Gutfreind - “It’s hard to say whether that idea is really hers”: technology as an identity disruptor in Possessor (2020) .......... 405
André Francisco - Lost in Translation: Images of “deslugar/displace” in contemporary cinema .......... 413
Beatriz Alcici - Perspectives: an excursion through the cinema made by women in the Amazon .......... 432
Pâmela Eurídice da Silva Beleza Baltazar
Selda Vale da Costa - Recôncavo da Bahia and the endless images: collective body, affection and future .......... 438
Lina Cirino
Angelita Bogado - Reframing violence in Corsica : cinema as mask and mirror .......... 445
Karine Chevalier - The confusion between person and character in Cravan vs Cravan (Lacuesta, 2002) .......... 454
Julio Vallejo Herán - The construction of the feminine in the audiovisual The hours .......... 459
Cassia Cassitas - The experience of inclusion: the first selection process for feature film with quotas of gender and race of the Brazilian National Film Agency .......... 464
Angélica Marques Coutinho - “The Lady from Shanghai”: Investigations about Film Noir .......... 471
Ariani dos Santos Fontes - The limits of the representation of violence in Benny’s Video (1992) and Funny Games (1997), directed by Michael Haneke .......... 479
Liliana Rosa - The montage cinema and the narrative structure, strengths for the story progression .......... 485
Marcela Negro
Mg. Javier Olarte - Visual Effects and Software: The New Generation Cinema .......... 491
Francisco Malta
Fernanda Ribeiro
Renan Oliveira
Stella Nemer
Wilson Oliveira
Capítulo III
Cine - Comunicación
- A camera-arrow; mobilizations, cosmopolitics and ways of occupy the cinema .......... 499
Cristian Avello Cancino - A Very Queer Riddle: Breaking Down Hollywood’s Queerbaiting Problem .......... 505
Francisca Tinoco - Belonging to and (surviving) cities: analysis on Chega de Fiu Fiu (2018), documentary by Amanda Kamanchek and Fernanda Frazão .......... 516
Gabriela Santos Alves
Karolyne Mendes Gomes
Rosane Vasconcelos Zanotti - Black Animation Cinema and Afro-centered educational processes .......... 521
Pâmela Peregrino da Cruz
Erlane Rosa dos Santos
Filip de Souza Couto
Jhonatan Almeida de Sousa - Black Animation Cinema and the Enchantment of the short film “Ewé de Òsanyin: the secret of the leaves” .......... 527
Pâmela Peregrino
Edileuza Penha de Souza - Challenges to television in the twenty-first century .......... 535
Filomena Antunes Sobral - Cinema and communication in the Montecatini Community .......... 542
Marcello Zeppi
Federica Dellepiane - Communication made from a shadow animation .......... 547
Sílvia R. B. Pinto - Critical Success: The narrative weight of chance in TTRPG based shows (actual play) .......... 552
Calvo Martín, Jorge
García García, Francisco - Experimental children’s animation in the fight against fake news about the coronavirus: the ludic as a strategy of truth .......... 559
Arthur Felipe de Oliveira Fiel
Patrícia Cardoso D’ABREU - Images industry in East Asia : beyond the borders .......... 564
Kristian Feigelson - Mathematics Education at Cinema .......... 573
Marcella Suarez Di Santo
Matheus dos Santos Silva - Movie Theaters during the Covid Outbreak – Hopes and hopelessness in this medium and the brazilian target .......... 584
José Estevão Favaro
Carolina Riguera Locoselli - Nausicaä: the heroine who doesn’t follow the Hero’s Path .......... 590
Ludmyla Alencar Ferreira Galdino
Fabrícia Teixeira Borges - New perspectives for an interdisciplinary approach to cinema at school .......... 595
Miguel Neta
Pedro Félix
Teresa Carvalho - On the teaching and learning of audiovisual writing .......... 602
Rosa Schrott
Marcela Negro - “Paging Dr. Freud!” Theorizing John Boorman’s Zardoz .......... 607
David Wall - Society, segregation and freedom: The transformation of the female image in Iranian cinema .......... 615
Carlos Mauricio Gómez - The Cinematic Selfie: Questioning the Self through Generative Art .......... 625
Pedro Alves da Veiga - The Covid-19 pandemic and the constitution of a perverse audiovisuality .......... 634
José Antonio Martinuzzo - The edge of biographies: the trajectories of Petra Costa and Leni Riefenstahl .......... 641
Marcos De Bona de Carvalho - The emergency remote teaching of audiovisual: report of an experience at the Federal Institute of Brasilia - Campus Recanto das Emas (DF / Brazil) .......... 648
Juliana Lopes da Silva
Edileuza Penha de Souza - The Matrix and the Myth of the Hero: critical approaches to the contemporary school .......... 657
Verônica Valério Santos - The Quilombo-Space: Notes on Black Film Festivals and Exhibitions in Brazil’s Northeastern region .......... 667
Laila Thaise Batista de Oliveira
Luciana Oliveira Vieira
Naira Évine Pereira Soares - Thinking through the image: audiovisual education from the cultural, political and pedagogical perspective .......... 677
Gregorio Albuquerque
Capítulo IV
Cine - Tecnología
- 360° cinéma montage versus immersive notion: Sam Esmail and the sensory experimentation in Mr. Robot series .......... 687
Manuel Siabato - A Survey on Virtual Production and the Future of Compositing Technologies .......... 692
Filipe Pires
Rui Silva
Rui Raposo - Cinema, reality and technology in convergence .......... 700
Luiz Philipe Fassarella Pereira
Rodrigo Octavio D’ Azevedo Carreiro - Cinematographic ecosystem of the city and transfer with new technologies .......... 709
Eusebio Alonso-García
Sara Pérez-Barreiro
Iván Rincón-Borrego - Contribution of visual communication in the symbiosis between space and technology: the Zora case .......... 719
João Ventura
Vítor Quelhas - Creative subtitling as an accessibility tool for children with hearing impairment .......... 731
Sheila García-Muñoz Vizcaíno - Development of a digital comic in vertical orientation with insertion of animations .......... 740
Luiza Moreira Heinzelmann
Mônica Stein - From Flash to Klynt: algorithmic standardization of webdocumentary´s narrative .......... 748
Lilian Cristina Monteiro França - From the maloca to the screen. Narrative connections between the oral tradition of Múrui-Muina amazonian community and interactive audiovisual content .......... 756
Maria Valentina Fandiño - Memories in motion: the creation of video Art through the anthropological archetype and the a/r/tographic and a/r/cographic models .......... 764
Alexandre Catarino Oliveira Martins - Poetics of Time: on the wear and tear and appropriation of photosensitive materials .......... 772
Fabiane Urquhart Duarte
Andreia Machado Oliveira - Raising awareness and teaching accessibility: a didactic experiment in the audiovisual translation classroom based on audio description .......... 777
María del Mar Ogea Pozo - Transmedia montage: a reflection on the editing and the creation process of the series The Walking Dead .......... 788
Cecilia Salles
Samir Cheida - Vestígios: an archaeological exploration of signs and noises in an work of live cinema .......... 799
Eduardo Nespoli - Woman and Home in 1980s Turkish Cinema: A Relational Reading Through Atıf Yılmaz’s Films .......... 806
Büşra Kara
Capítulo V
Invitados
- Cinema at school and beyond school .......... 817
José da Silva Ribeiro - Comparing different types of rendering strategies in an animated short film .......... 824
Marcelo Tannure
Gustavo Rodrigues Corrêa
João Victor Boechat Gomide - Ecological Cinema with best practices and reducing environmental impact .......... 833
Narce Dalia Ruiz Guzmán - Law and Psychoanalysis in Dostoevsky’s Book “The Brothers Karamazov” .......... 840
Regis Frota Araújo - State Funeral (Sergei Loznitsa, 2019): the documentary funeral .......... 845
Anabela Branco de Oliveira
Felipe Muanis - Writing and rewriting: screenwriting practices by Anna Muylaert in Second Mother .......... 853
Patrícia Dourado
Mirian Tavares
Capítulo VI
CINE Y ARTES AUDIOVISUALES EN EL CIAC
- Film and Media Arts at CIAC .......... 867
Mirian Tavares - Between Haze and Walking on Ice .......... 868
Bruno Mendes da Silva - The Project of study and valorization of the posters collection at the Municipal Museum of Faro .......... 868
Jorge Carrega - SPECULUM – “Filming Oneself and Seeing Oneself in the Mirror: The use of self-writing by Portuguese-speaking documentary film directors” .......... 869
Ana Isabel Soares - Writing and rewriting: screenwriting practices by Anna Muylaert in Second Mother .......... 870
Mirian Tavares
Patricia Dourado - [IN]The Hate Booth: a counter-narrative to online hate speech .......... 872
Susana Costa - Audiences, Public Spaces, and Cinema (APSC) .......... 872
António Costa Valente
Esta obra está bajo una licencia internacional Creative Commons Atribución 4.0.
Derechos de autor 2022 AVANCA | CINEMA