Capítulo I _ Cinema – Arte

Radiação Obscura: Fluxos energéticos sonificados no limiar da experiência sonora.

Hugo Paquete
CIAC: Centro de Investigação em Artes e Comunicação e ID+ Instituto de Investigação em Design e Cultura, Portugal | Universidade Aberta, Portugal
Adérito Fernandes-Marcos
CIAC, INESC-TEC e LE@D, Portugal | Universidade Aberta, Portugal
Paulo Bernardino Bastos
ID+ Instituto de Investigação em Design e Cultura. Grupo: Praxis and Poiesis: from arts practice towards art theory, Portugal | Universidade de Aveiro, Portugal
AVANCA | CINEMA 2020
N.º 11 (2020)
Publicado 2020-10-14
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Resumo

This essay analyze the impact of the sonification processes in the sound arts. This is achieved exploring the definition of their production methodologies, philosophical implications and conceptual significance taking as examples my artistic experiments with sonification of light and electromagnetic fields explored in my projects that are presented in this analyses. The sonification as an artistic practice consist of generating art works based in the data-flows. Originated a sound event outside the physic of sound as non-vibration force. That is associated in my argument as data-event-sound connected with a new ontology outside the forces that animate the understanding of sound as vibration. Opening the understanding of the work of art as a system of interdependent relations in digital-art. Generating new ways of understanding sound as mutation in which digital, culture and spiritual establish interconnections between the computer as a digital domain in a landscape of code, promoting complex regimes of laminar-perception.

Palavras-chave Arte sonora, Sonificação, Arte digital, Evento sonoro, Pós-digital.
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Creative Commons License

Este trabalho encontra-se publicado com a Licença Internacional Creative Commons Atribuição 4.0.

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