Abstract

This text intends to show the relationship between Fyodor Dostoevsky’s literature, in the book “The brothers Karamazov” and Law and Psychoanalysis, based on concepts formulated by the Russian, in the construction of the character of the three brothers, participants in the plot of the murder of the father, as antecedents of the observations confirmed by Sigmund Freud. The jury debates – whether those in defense of Dimitri, accused of parricide, or the prosecution arguments – denote the close relationship between Fiodorian literature and the framework of Russian Law, predominant in the 19th century.