Abstract

What is purposed in the article is the thinking of the body in perception from a single experience or from the body and its relationship with the camera and with the act of being photographed or portrayed. Thinking that the camera can be an expanded body and also referring to the photographer and his/her act not only with the shoot but loaded with all the circumstances that embrace the space. Here who proposes a thought around this relationship is not even the author, but the character explaining a revealing and impulsive experience about the creation of the movement and the statics, consciously. From this experience - The confrontation between the character and the author - taking the character to impose its ideas and work with the image, photographer, camera and body as his/her leitmotiv throughout the authorial work.