Abstract

This conference proposes to investigate the methods of audiovisual description for people with visual impairments, as well as, from a case study, to deepen and problematize the exclusive sense of vision as preponderant in the reception of films. The scarce field of research on the processes and policies of inclusion in cinematographic art has gained relative relevance in recent years, above all, from the very question presented in films whose thematic of blindness is under discussion, among them: The miracle of Anne Sullivan (1962) by Arthur Penn; Dance in the dark (2000), by Lars Von Trier; Tirésias (2003) by Bertrand Bonello and Essay on blindness (2008) by Fernando Meirelles Bird Box (2018) by Susanne Bier.