Chapter V _ Guests
O Acossado e o cinema moderno da desmistificação godardiana
Abstract
The French film “À bout de souffle” (Acossado, 1959) directed by Jean-Luc Godard represents the transgression of social, political and aesthetic norms. Having begun a new cycle in twentieth-century cinematography, this film questions, explains, and parodies American gangster films. We intend, here, to interpret them on their foundations and aesthetic results.
Keywords
French cinema, Jean-Luc Godard, “A bout de souffle” (Acossado,1959), Norms transgressions.
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